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9 Nentor 2025<\/strong><\/p>\n NGA MELIZA KRASNIQI\/ Botimi m\u00eb i ri i Uran Butk\u00ebs, \u201cMusine Kokalari \u2013 Nj\u00eb yll\u00ebsi\u201d (V\u00ebllimi I, Instituti i Studimeve Historike \u201cLumo Sk\u00ebndo\u201d, 2025), \u00ebsht\u00eb vep\u00ebr q\u00eb tejkalon kufijt\u00eb e biografis\u00eb klasike dhe nd\u00ebrtohet si monument i kujtes\u00ebs dhe i vet\u00ebdijes kulturore shqiptare. N\u00eb k\u00ebt\u00eb lib\u00ebr, Butka nd\u00ebrthur metod\u00ebn e historianit, intuit\u00ebn narrative t\u00eb biografit dhe reflektimin eseistik p\u00ebr t\u00eb rind\u00ebrtuar n\u00eb m\u00ebnyr\u00eb t\u00eb plot\u00eb jet\u00ebn, veprimtarin\u00eb dhe krijimtarin\u00eb e Musine Kokalarit, nj\u00ebherit z\u00ebri i par\u00eb fem\u00ebror q\u00eb artikuloi me vet\u00ebdije kulturore e estetike p\u00ebrvoj\u00ebn e gruas shqiptare n\u00eb let\u00ebrsi. Libri nuk \u00ebsht\u00eb monografi e r\u00ebndomt\u00eb por \u00ebsht\u00eb p\u00ebrkujtim, apo m\u00eb sakt\u00eb, rikthim i nd\u00ebrmarr\u00eb me rigorozitet shkencor dhe me sensibilitet t\u00eb matur, q\u00eb sh\u00ebnjon dhe p\u00ebrjet\u00ebson nj\u00eb fenomen t\u00eb r\u00ebnd\u00ebsish\u00ebm kulturor e politik. Butka e sheh jet\u00ebn e Musines\u00eb si tekst q\u00eb k\u00ebrkon interpretim dhe arrin t\u00eb artikuloj\u00eb portretin e saj si grua, intelektuale dhe shkrimtare, si simbol i nj\u00eb kohe kur t\u00eb menduarit ndryshe p\u00ebrb\u00ebnte rrezik, por gjithashtu si projektim i asaj \u00e7ka vet\u00ebdija shoq\u00ebrore shqiptare mund t\u00eb ishte.<\/strong><\/p>\n N\u00eb planin e burimeve, vepra mb\u00ebshtetet te dokumenti arkivor, kujtesa familjare, letrat dhe d\u00ebshmit\u00eb, t\u00eb cilat Butka nuk i trajton si fakte t\u00eb thjeshta, por si elemente kuptimore q\u00eb aktivizojn\u00eb nj\u00eb v\u00ebshtrim hermeneutik t\u00eb Musines\u00eb. Metoda e tij \u00ebsht\u00eb empirike dhe interpretative. Faktet verifikohen me p\u00ebrpik\u00ebri, nd\u00ebrsa interpretimi ruan tonin njer\u00ebzor q\u00eb i jet\u00ebson dokumentet. K\u00ebshtu, monografia q\u00ebndron n\u00eb tradit\u00ebn e historiografis\u00eb narrative, ku fakti dhe rr\u00ebfimi krijojn\u00eb t\u00ebr\u00ebsi organike. Q\u00ebllimi i vepr\u00ebs nuk \u00ebsht\u00eb debati teorik p\u00ebr hir t\u00eb debatesh, por nd\u00ebrtimi i nj\u00eb \u201carkivi t\u00eb dyt\u00eb\u201d q\u00eb i ofron lexuesit nj\u00eb panoram\u00eb t\u00eb plot\u00eb t\u00eb mjedisit familjar, kulturor dhe intelektual q\u00eb formoi Musinen\u00eb. Butka e shtrin rr\u00ebfimin nga rr\u00ebnj\u00ebt e familjes Kokalari n\u00eb Gjirokast\u00ebr e deri te p\u00ebrndjekjet pasluft\u00ebs, duke e paraqitur heroin\u00ebn e tij si nyje lidh\u00ebse midis qytet\u00ebrimit gjirokastrit dhe p\u00ebrpjekjeve p\u00ebr modernitet. Jeta e saj nuk lexohet vet\u00ebm si biografem\u00eb, por si shembull q\u00ebndrese dhe dinjitet i nj\u00eb vet\u00ebdijeje etike q\u00eb refuzoi t\u2019i n\u00ebnshtrohej imponimit ideologjik.<\/p>\n Struktura e librit \u00ebsht\u00eb kronologjike dhe sinkretike, e pa ndar\u00eb n\u00eb kapituj t\u00eb ve\u00e7ant\u00eb. Ngjarjet e jet\u00ebs ndiqen n\u00eb vijim\u00ebsi, por shoq\u00ebrohen nga nj\u00eb shtres\u00eb interpretimesh q\u00eb lidhin pikat e nyj\u00ebs. Kjo e b\u00ebn tekstin t\u00eb shum\u00ebz\u00ebsh\u00ebm dhe t\u00eb pasur n\u00eb ton. Ritmi narrativ alternon mes dokumentit dhe reflektimit.<\/p>\n N\u00eb disa segmente, Butka mban ton elegjiak dhe p\u00ebrkujtues, n\u00eb t\u00eb tjera shnd\u00ebrrohet n\u00eb analist t\u00eb formimit intelektual dhe t\u00eb mjedisit kulturor t\u00eb Gjirokastr\u00ebs s\u00eb viteve \u201920\u2013\u201930, duke e par\u00eb at\u00eb si vend ku Musineja ushqeu kureshtjen, p\u00ebrgjegj\u00ebsin\u00eb qytetare dhe etik\u00ebn e pun\u00ebs. N\u00eb k\u00ebt\u00eb formim ndikuan shkollimi i gjyshit dhe i babait, prania e v\u00ebllez\u00ebrve intelektual\u00eb dhe rr\u00ebfimet e d\u00ebgjuara q\u00eb n\u00eb f\u00ebmij\u00ebri nga n\u00ebnoja plak\u00eb, nj\u00eb trash\u00ebgimi e gjall\u00eb kujtese dhe dijeje q\u00eb m\u00eb von\u00eb e sprovoi n\u00eb shkrim.<\/p>\n Gjuha e autorit \u00ebsht\u00eb e kujdesshme dhe e p\u00ebrmbajtur, me nj\u00eb stil q\u00eb ng\u00ebrthen sakt\u00ebsin\u00eb shkencore me lirizmin e matur. P\u00ebrdorimi i kujtimeve, i letrave dhe i ditarit t\u00eb saj t\u00eb shkruar italisht gjat\u00eb studimeve, \u201cJeta ime universitare\u201d i jep vepr\u00ebs dimension polifonik. Z\u00ebri i s\u00eb kaluar\u00ebs dialogon me v\u00ebshtrimin objektivizues t\u00eb studiuesit bashk\u00ebkohor, duke e b\u00ebr\u00eb rr\u00ebfimin autentik dhe t\u00eb ve\u00e7ant\u00eb.<\/p>\n FIGURA E MUSINES\u00cb<\/strong><\/p>\n Nd\u00ebrtimi i figur\u00ebs s\u00eb Musine Kokalarit nuk ndjek modelin e jet\u00ebshkrimit linear, por at\u00eb t\u00eb prosedeut, ku kujtesa dhe reflektimi kulturor krijojn\u00eb profil t\u00eb shum\u00ebfisht\u00eb. Ajo vendoset n\u00eb qend\u00ebr t\u00eb nj\u00eb rrjeti marr\u00ebdh\u00ebniesh familjare, qytetare e shoq\u00ebrore, q\u00eb d\u00ebshmojn\u00eb formimin e saj n\u00eb nj\u00eb tradit\u00eb dijesh e p\u00ebrkushtimi ndaj kultur\u00ebs. Butka v\u00eb n\u00eb pah unitetin midis jet\u00ebs dhe vepr\u00ebs, midis gruas q\u00eb shkroi dhe asaj q\u00eb veproi. Musineja del si figur\u00eb q\u00eb e jeton shkrimin.<\/p>\n Let\u00ebrsia p\u00ebr t\u00eb \u00ebsht\u00eb m\u00ebnyr\u00eb e t\u00eb menduarit dhe mbijetes\u00ebs shpirt\u00ebrore. Q\u00eb n\u00eb kapitujt e par\u00eb, ajo shfaqet si shkrimtare moderne dhe si z\u00eb i vet\u00ebdijes qytetare. Ajo komunikonte dhe ndante ide me figura t\u00eb koh\u00ebs si Sotir Kolea, q\u00eb p\u00ebr t\u00eb ishte sikur babai i ideve dhe formimit kulturor, si edhe me Lasgush Poradecin, Mithat Frash\u00ebrin e Ernest Koliqin, q\u00eb ndan\u00eb me t\u00eb t\u00eb nj\u00ebjtin ideal p\u00ebr kultur\u00ebn dhe lirin\u00eb. N\u00eb k\u00ebt\u00eb frym\u00eb ajo edhe shkroi tem\u00ebn e diplom\u00ebs p\u00ebr Naim Frash\u00ebrin, duke u lidhur me tradit\u00ebn e rilindasve dhe me idealin e humanizmit q\u00eb e udh\u00ebhoqi gjith\u00eb jet\u00ebn. Nj\u00eb profil q\u00eb mungonte deri at\u00ebher\u00eb n\u00eb kultur\u00ebn shqiptare dhe q\u00eb k\u00ebrkoi guxim p\u00ebr t\u2019u artikuluar.<\/p>\n N\u00eb k\u00ebt\u00eb vij\u00eb, Butka ndalet te krijimtaria letrare e Musines\u00eb, duke e lexuar at\u00eb si themelim t\u00eb shkrimit fem\u00ebror n\u00eb Shqip\u00ebri. Formimi i saj n\u00eb familjen Kokalari ku librat, arsimi dhe pavar\u00ebsia shpirt\u00ebrore ishin pjes\u00eb e p\u00ebrditshme e jet\u00ebs, p\u00ebrkthehet n\u00eb ndjeshm\u00ebri estetike q\u00eb shfaqet qart\u00eb n\u00eb tekstet e hershme. \u201cSi\u00e7 m\u00eb thot\u00eb n\u00ebnua plak\u00eb\u201d (1939), \u201cRreth vatr\u00ebs\u201d (1944) dhe \u201c\u2026Sa u tunt jeta\u201d (1944) vendosen nga autori n\u00eb nj\u00eb aks krijues q\u00eb l\u00ebviz nga kujtesa familjare dhe rr\u00ebfimi gojor drejt diskursit modern, ku p\u00ebrvoja e gruas shqiptare zhvendoset nga margjina n\u00eb qend\u00ebr. N\u00eb k\u00ebto libra, personazhet gra jan\u00eb t\u00eb ndjeshme por aktive. Ato flasin, mendojn\u00eb, marrin vendime, p\u00ebrballen me rregullat dhe i rishkruajn\u00eb p\u00ebrmes nj\u00eb etike t\u00eb brendshme q\u00eb k\u00ebrkon drejt\u00ebsi dhe dinjitet. Gjuha ruan autenticitetin e t\u00eb folurit popullor, por fiton edhe elasticitet estetik q\u00eb e afron me proz\u00ebn evropiane t\u00eb fillimshekullit XX. Butka i lexon t\u00eb tria veprat si shprehje t\u00eb vet\u00ebdijes estetike t\u00eb Musines\u00eb.<\/p>\n NATYRSHM\u00cbRIA E RR\u00cbFIMIT<\/strong><\/p>\n N\u00eb interpretimin e Butk\u00ebs, kjo praktik\u00eb e t\u00eb shkruarit p\u00ebrb\u00ebn nj\u00eb form\u00eb t\u00eb hershme t\u00eb \u201cfeminizmit kulturor\u201d shqiptar, jo t\u00eb shprehur p\u00ebrmes retorik\u00ebs ideologjike, por p\u00ebrmes natyrshm\u00ebris\u00eb s\u00eb rr\u00ebfimit, thjesht\u00ebsis\u00eb s\u00eb figurave dhe intensitetit etik t\u00eb situatave. Autori v\u00ebren ndikimet e klasik\u00ebve evropian\u00eb, at\u00eb t\u00eb Dikensit, De Ami\u00e7it, Balzakut, t\u00eb pranish\u00ebm si horizonte leximi dhe si shprehje e nj\u00eb let\u00ebrsie q\u00eb synon nd\u00ebrgjegj\u00ebsim moral dhe rregullim shoq\u00ebror. Musineja, pa e humbur kurr\u00eb rr\u00ebnj\u00ebn lokale, e p\u00ebrthithi k\u00ebt\u00eb frym\u00eb evropiane dhe e p\u00ebrktheu n\u00eb diskurs q\u00eb, edhe kur flet p\u00ebr vatr\u00ebn, dasm\u00ebn, n\u00ebn\u00ebn dhe vajz\u00ebn, ngre pyetje universale mbi kuptimin e jet\u00ebs s\u00eb gruas, marr\u00ebdh\u00ebniet nd\u00ebr njer\u00ebzor\u00eb dhe ndryshimet shpirt\u00ebrore.<\/p>\n Nj\u00eb aspekt thelb\u00ebsor i librit q\u00ebndron n\u00eb faktin se ai nuk kufizohet te Musineja si shkrimtare, por e ndjek edhe si aktore t\u00eb jet\u00ebs publike. Butka shtron pyetjen esenciale: \u00e7far\u00eb e shtyu shkrimtaren t\u00eb b\u00ebhet politikane? P\u00ebrgjigjja vjen nga plani historik dhe nga natyra e personalitetit t\u00eb saj. Pushtimi italian, p\u00ebr\u00e7arjet ideologjike, frakturat e shoq\u00ebris\u00eb shqiptare dhe besimi i saj i pal\u00ebkundur se liria politike \u00ebsht\u00eb e pandar\u00eb nga liria shpirt\u00ebrore e shtyjn\u00eb Musinen\u00eb t\u00eb p\u00ebrfshihet n\u00eb rezistenc\u00ebn antifashiste.<\/p>\n Ajo boton revist\u00ebn \u201cGruaja shqiptare\u201d dhe editorialin \u201cDy fjal\u00eb\u201d n\u00ebn pseudonimin \u201cTacita\u201d ku b\u00ebn thirrje p\u00ebr bashkim, \u201cp\u00ebr lirin\u00eb e vendit dhe p\u00ebr lirin\u00eb e tyre\u201d. Butka e\u00a0ndjek m\u00eb tej themelimin e Partis\u00eb Socialdemokrate (1944), t\u00eb konceptuar nga Musineja si \u201crrug\u00eb e mesme\u201d midis ekstremizmave, me synim drejt\u00ebsin\u00eb shoq\u00ebrore dhe pluralizmin. Shkrimet e saj te \u201cZ\u00ebri i Liris\u00eb\u201d dhe \u201cGruaja shqiptare\u201d d\u00ebshmojn\u00eb nj\u00eb vet\u00ebdije subjektivizuese dhe qytetare: mbrojtjen e individit, besimin te arsimi, respektin p\u00ebr ligjin dhe debatin si themel t\u00eb kontrat\u00ebs shoq\u00ebrore. N\u00eb pjes\u00ebt m\u00eb dramatike t\u00eb librit, Musineja p\u00ebrshkruhet si figur\u00eb tragjike, e cila nga themeluese partie u b\u00eb e burgosur politike, nga intelektuale e lir\u00eb, u shnd\u00ebrrua, p\u00ebrmes heshtjes s\u00eb imponuar, n\u00eb z\u00eb t\u00eb vet\u00ebdijes. Ajo refuzoi autokritik\u00ebn, ruajti dinjitetin dhe, p\u00ebrmes q\u00ebndres\u00ebs, u b\u00eb shenj\u00eb e moralit t\u00eb pandryshuesh\u00ebm. Let\u00ebrk\u00ebmbimi i saj me familjar\u00ebt dhe miqt\u00eb, t\u00eb sjell\u00eb n\u00eb lib\u00ebr, e p\u00ebrforcon k\u00ebt\u00eb profil: \u201cNjeriu jeton p\u00ebrmes idealeve, jo p\u00ebrmes frik\u00ebs.\u201d K\u00ebtu, Butka \u00ebsht\u00eb i kujdessh\u00ebm t\u00eb mos e estetizoj\u00eb vuajtjen. Dhe n\u00eb k\u00ebt\u00eb pik\u00eb ajo trajtohet si kosto e liris\u00eb, e jo si retorik\u00eb. Si sprov\u00eb etike, jo si spektak\u00ebl emocional.<\/p>\n Libri ka edhe nj\u00eb funksion memorial sepse e rikthen figur\u00ebn e Musines\u00eb n\u00eb kujtes\u00ebn kulturore shqiptare, dhe kjo beh\u00ebt jo me ton apologjetik, por si rivendosje, duke i dh\u00ebn\u00eb lexuesit nj\u00eb imazh t\u00eb plot\u00eb t\u00eb saj si shkrimtare dhe si njeri q\u00eb e p\u00ebrjet\u00ebson historin\u00eb si mision moral. N\u00eb k\u00ebt\u00eb rrafsh, \u201cNj\u00eb yll\u00ebsi\u201d \u00ebsht\u00eb lib\u00ebr p\u00ebr Musinen\u00eb dhe vet\u00ebdijen e saj, gj\u00eb q\u00eb n\u00eb kulturat e vogla shpesh mbetet e brisht\u00eb, por fiton q\u00ebndrueshm\u00ebri kur figurat e s\u00eb kaluar\u00ebs rishkruhen me kujdes dhe me integritet.<\/p>\n MONOGRAFIA E BUTK\u00cbS<\/strong><\/p>\n Kontributi i monografis\u00eb s\u00eb Butk\u00ebs \u00ebsht\u00eb i trefisht\u00eb. S\u00eb pari, pasuria e burimeve dokumentare, sidomos atyre t\u00eb pabotuara, q\u00eb ndihmojn\u00eb n\u00eb rind\u00ebrtimin e biografis\u00eb s\u00eb sakt\u00eb t\u00eb Musines\u00eb dhe t\u00eb mjedisit kulturor t\u00eb koh\u00ebs s\u00eb saj. S\u00eb dyti, qart\u00ebsia narrative dhe aft\u00ebsia p\u00ebr ta shnd\u00ebrruar dokumentin n\u00eb narracion, pa e humbur norm\u00ebn e objektivitetit dhe pa e r\u00ebnduar me zbukurime stilistike. S\u00eb treti, shtrirja e materialit, e cila e b\u00ebn vepr\u00ebn referenc\u00eb t\u00eb domosdoshme p\u00ebr studimet mbi Musine Kokalarin dhe let\u00ebrsin\u00eb e grave shqiptare. Kufiri i vet\u00ebm q\u00eb vihet re, dhe q\u00eb autori duket se e pranon si zgjedhje, \u00ebsht\u00eb diskutimi mbi konceptin e autores ose t\u00eb letrar\u00ebsis\u00eb s\u00eb saj. Butka, fokusin e mban te dimensioni historik dhe social i figur\u00ebs, duke l\u00ebn\u00eb t\u00eb hapur shtegun p\u00ebr studime t\u00eb tjera estetike q\u00eb mund t\u00eb hetojn\u00eb, poetik\u00ebn e shkrimit t\u00eb Musines\u00eb.<\/p>\n N\u00eb p\u00ebrfundim, \u201cMusine Kokalari \u2013 Nj\u00eb yll\u00ebsi\u201d nd\u00ebrton portretin e dyfisht\u00eb t\u00eb Musines\u00eb si shkrimtare e liris\u00eb dhe si d\u00ebshmitare e vet\u00ebdijes politike. N\u00eb planin estetik, ajo shfaqet si pararend\u00ebse e let\u00ebrsis\u00eb s\u00eb grave shqiptare, me sensibilitet q\u00eb nd\u00ebrthur tradit\u00ebn me modernitetin. Nd\u00ebrsa n\u00eb aspektin moral e politik, si figur\u00eb q\u00eb guxoi t\u00eb mendonte ndryshe dhe t\u00eb q\u00ebndronte e lir\u00eb p\u00ebrball\u00eb dhun\u00ebs s\u00eb ideologjis\u00eb. P\u00ebr Uran Butk\u00ebn, Musineja nuk \u00ebsht\u00eb subjekt historie, por simbol i kap\u00ebrcimit t\u00eb kufijve midis artit dhe veprimit, midis fjal\u00ebs dhe sakrific\u00ebs. Ajo qe krijuese q\u00eb e mbrojti lirin\u00eb p\u00ebrmes shkrimit dhe qytetare q\u00eb pagoi me jet\u00ebn e saj publike \u00e7mimin e bindjes demokratike. Monografia, d\u00ebshmon se fjala \u00ebsht\u00eb m\u00eb e fort\u00eb se burgu dhe se liria e mendimit mbijeton p\u00ebrmes kujtes\u00ebs s\u00eb artikuluar. N\u00eb k\u00ebt\u00eb kuptim, \u201cNj\u00eb yll\u00ebsi\u201d d\u00ebfton se fjala e lir\u00eb \u00ebsht\u00eb vet\u00ebdija m\u00eb e lart\u00eb e njeriut.<\/p>\n Autorja, Drejtoresh\u00eb e Institutit Albanologjik \u2013 Prishtin\u00eb<\/p>\n \/Gazeta Panorama<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" 9 Nentor 2025 NGA MELIZA KRASNIQI\/ Botimi m\u00eb i ri i Uran Butk\u00ebs, \u201cMusine Kokalari \u2013 Nj\u00eb yll\u00ebsi\u201d (V\u00ebllimi I, Instituti i Studimeve Historike \u201cLumo Sk\u00ebndo\u201d, 2025), \u00ebsht\u00eb vep\u00ebr q\u00eb tejkalon kufijt\u00eb e biografis\u00eb klasike dhe nd\u00ebrtohet si monument i kujtes\u00ebs dhe i vet\u00ebdijes kulturore shqiptare. N\u00eb k\u00ebt\u00eb lib\u00ebr, Butka nd\u00ebrthur metod\u00ebn e historianit, intuit\u00ebn […]<\/p>\n","protected":false},"author":9,"featured_media":94799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[27,85,10],"tags":[],"class_list":["post-94798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogu-i-udhetarit","category-histori","category-kultura"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2025\/11\/Musine-Kokalari-nje-yllesi.jpg?fit=1200%2C630&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-oF0","jetpack-related-posts":[{"id":101070,"url":"https:\/\/www.shqiperia.com\/blog\/studim-mjedisor-me-buldozier-dhate-butrintin-me-koncesion-sot-doni-ti-hyni-nartes-me-koke\/","url_meta":{"origin":94798,"position":0},"title":"\u201cStudim mjedisor me buldozier? 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