{"id":90351,"date":"2025-03-13T20:34:24","date_gmt":"2025-03-13T20:34:24","guid":{"rendered":"https:\/\/www.shqiperia.com\/blog\/?p=90351"},"modified":"2025-03-13T20:34:24","modified_gmt":"2025-03-13T20:34:24","slug":"cfare-e-motivonte-mikelanxhelon","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/cfare-e-motivonte-mikelanxhelon\/","title":{"rendered":"\u00c7far\u00eb e motivonte Mikelanxhelon?"},"content":{"rendered":"
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13 Mars 2025<\/p>\n

E enjtja, 6 mars, sh\u00ebnon 550-vjetorin e lindjes s\u00eb Mikelanxhelo Buonarrotit. Ai nuk do t\u00eb fryj\u00eb qirinj, sigurisht, por veprat e tij vazhdojn\u00eb t\u00eb magjepsin imagjinat\u00ebn e publikut. Vitin e kaluar, gati shtat\u00eb milion\u00eb turist\u00eb u drejtuan drejt Vatikanit, ku ndodhen afresket e tij n\u00eb tavanin e Kapel\u00ebs Sistine dhe \u201cGjykimi i Fundit\u201d. Dy milion\u00eb t\u00eb tjer\u00eb v\u00ebrshuan drejt statuj\u00ebs s\u00eb Davidit n\u00eb Firence n\u00eb vitin 2023, viti m\u00eb i fundit p\u00ebr t\u00eb cilin ka statistika. Ekspozitat muzeale t\u00eb veprave t\u00eb tij zakonisht t\u00ebrheqin turma njer\u00ebzish.<\/p>\n

\u201cGjeni\u201d \u00ebsht\u00eb fjala q\u00eb p\u00ebrdoret m\u00eb shpesh p\u00ebr t\u00eb shpjeguar Mikelanxhelon. Por edhe gjenialiteti ka nevoj\u00eb p\u00ebr nj\u00eb katalizator. Bota nuk do ta dij\u00eb kurr\u00eb q\u00eb ti je nj\u00eb i till\u00eb, p\u00ebrve\u00e7 n\u00ebse ke nj\u00eb shtys\u00eb p\u00ebr t\u00eb vepruar. Katalizatori i Mikelanxhelos ishte ambicia. Ishte fillimi dhe fundi i jet\u00ebs s\u00eb tij: d\u00ebshira p\u00ebr t\u00eb qen\u00eb m\u00eb i miri, p\u00ebr t\u00eb tejkaluar t\u00eb gjith\u00eb t\u00eb gjall\u00ebt dhe t\u00eb vdekurit, dhe p\u00ebr t’u njohur si i till\u00eb.<\/p>\n

N\u00eb vitin 1487, kur ishte rreth 12 vje\u00e7, ai realizoi piktur\u00ebn e tij t\u00eb par\u00eb, \u201cMundimi i Sh\u00ebn Antonit\u201d, nj\u00eb kopje e nj\u00eb gravure nga Martin Schongauer q\u00eb p\u00ebrshkruante shenjtorin i sulmuar nga demon\u00eb fantastik\u00eb. Por p\u00ebrpjekja e Mikelanxhelos, q\u00eb sot ndodhet n\u00eb Muzeun e Artit Kimbell, \u00ebsht\u00eb m\u00eb shum\u00eb se nj\u00eb kopje. Gravurat jan\u00eb nj\u00eb form\u00eb vizatimi bardhezi; Mikelanxhelo p\u00ebrdori ngjyra. Imazhi i Schongauer-it ishte shum\u00eb i detajuar; ai i Mikelanxhelos edhe m\u00eb shum\u00eb, p\u00ebr shembull, ai shtoi luspa me shk\u00eblqim n\u00eb nj\u00ebrin nga p\u00ebrbind\u00ebshat. Sfondi i gravur\u00ebs ishte i pap\u00ebrcaktuar; ai i piktur\u00ebs ishte nj\u00eb peizazh italian i ndritsh\u00ebm.<\/p>\n

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N\u00eb at\u00eb koh\u00eb, Mikelanxhelo ishte gati t\u00eb niste nj\u00eb praktik\u00eb n\u00ebn drejtimin e Domenico Ghirlandaio-s, artistit m\u00eb t\u00eb suksessh\u00ebm tregtar n\u00eb Firence. Praktikant\u00ebt fillonin duke p\u00ebrzier ngjyrat dhe m\u00eb pas kalonin te kopjimi i vizatimeve t\u00eb mjeshtrit deri sa, pas disa vitesh, lejoheshin t\u00eb pikturonin pjes\u00eb dyt\u00ebsore n\u00eb porosit\u00eb e tij. K\u00ebshtu q\u00eb mesazhi i k\u00ebsaj kopjeje ishte: Un\u00eb nuk kam nevoj\u00eb p\u00ebr Ghirlandaio-n.<\/p>\n

Kalojm\u00eb n\u00eb vitin 1547. Mikelanxhelo, tashm\u00eb n\u00eb t\u00eb 70-at (do t\u00eb jetonte deri n\u00eb mosh\u00ebn 88-vje\u00e7are), nis nj\u00eb grup skulpturor Piet\u00e0 me kat\u00ebr figura, q\u00eb sot ndodhet n\u00eb Firence. Nj\u00eb nga zbulimet m\u00eb t\u00eb m\u00ebdha arkeologjike t\u00eb epok\u00ebs ishte Laokoonti (rreth 27 para Krishtit.\u201368 pas Krishtit), nj\u00eb mermer i lasht\u00eb grek i zbuluar n\u00eb vitin 1506 q\u00eb p\u00ebrshkruante tri figura n\u00eb madh\u00ebsi reale t\u00eb sulmuara nga gjarp\u00ebrinj. P\u00ebr nj\u00eb kultur\u00eb q\u00eb adhuronte bot\u00ebn klasike, artet dhe let\u00ebrsia e saj ishin nj\u00eb kombinim i shkrimeve t\u00eb shenjta, manualeve t\u00eb instruksionit dhe standardeve t\u00eb cil\u00ebsis\u00eb, ishte nj\u00eb zbulim spektakolar. Nj\u00eb tekst i lasht\u00eb romak i mbijetuar, \u201cHistoria Natyrale\u201d e Plinit t\u00eb Vjet\u00ebr, thoshte se ishte gdhendur nga nj\u00eb bllok i vet\u00ebm. Por pas g\u00ebrmimit, inspektimi zbuloi se ishte p\u00ebrb\u00ebr\u00eb nga pes\u00eb pjes\u00eb t\u00eb ve\u00e7anta t\u00eb skalitura dhe t\u00eb p\u00ebrshtatura bashk\u00eb.<\/p>\n

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N\u00eb k\u00ebt\u00eb Piet\u00e0, Mikelanxhelo synoi t\u00eb tregonte se, ndryshe nga t\u00eb lasht\u00ebt, ai mund t\u00eb gdhendte nj\u00eb grup me shum\u00eb figura nga nj\u00eb bllok i vet\u00ebm. P\u00ebr m\u00eb tep\u00ebr, ashtu si me Schongauer-in, ai donte t’i kalonte ata, duke gdhendur kat\u00ebr figura, jo tre. Grupi mbeti i pap\u00ebrfunduar kur Mikelanxhelo vdiq, k\u00ebshtu q\u00eb rezultati i gar\u00ebs mbetet i pavendosur. Por episodi tregon se flak\u00ebt e ambicies digjeshin po aq fort n\u00eb mendjen e tij t\u00eb moshuar sa n\u00eb at\u00eb t\u00eb adoleshentit.<\/p>\n

T\u00eb gjith\u00eb artist\u00ebt e m\u00ebdhenj jan\u00eb ambicioz\u00eb dhe Firence e shekullit t\u00eb 15-t\u00eb, ku Mikelanxhelo kaloi vitet e tij formuese, gum\u00ebzhinte prej tyre. Megjithat\u00eb, ambicia e Mikelanxhelos spikat. Nj\u00eb nga m\u00ebnyrat m\u00eb t\u00eb dukshme me t\u00eb cil\u00ebn manifestohej kjo ishte reagimi i tij ndaj v\u00ebshtir\u00ebsive. Shumica e njer\u00ebzve p\u00ebrpiqen t\u00eb anashkalojn\u00eb pengesat; Mikelanxhelo i p\u00ebrqafonte, madje i dyfishonte ato.<\/p>\n

Tavani i Kapel\u00ebs Sistine, t\u00eb cilin ai u porosit ta pikturonte n\u00eb vitin 1508, p\u00ebrshkohet n\u00eb t\u00eb dyja an\u00ebt e gjata nga kat\u00ebr spandrel\u00eb, elemente arkitekturore trek\u00ebnd\u00ebshe. Ato jan\u00eb nd\u00ebrhyrje shp\u00ebrqendruese q\u00eb do ta komplikonin pothuajse \u00e7do skem\u00eb pamore q\u00eb nj\u00eb artist mund t\u00eb hartonte.<\/p>\n

Bashk\u00ebkoh\u00ebsi dhe kolegu m\u00eb i ri i Mikelanxhelos, Rafaeli, hasi probleme t\u00eb ngjashme n\u00eb disa nga dhomat prit\u00ebse papale t\u00eb Vatikanit, \u201cStanze\u201d, q\u00eb ishte porositur t\u2019i dekoronte af\u00ebrsisht n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb. Po ashtu, kat\u00ebr shekuj m\u00eb von\u00eb, Henri Matisse n\u00eb murin e tij p\u00ebr Fondacionin Barnes n\u00eb Filadelfia. T\u00eb dy piktor\u00ebt pikturuan p\u00ebrreth tyre. Mikelanxhelo shtoi m\u00eb shum\u00eb arkitektur\u00eb, duke vendosur tregimet e tij biblike brenda nj\u00eb rrjeti pilastrash t\u00eb pikturuar, kornizash dhe elementesh t\u00eb tjera. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, ai neutralizoi nd\u00ebrhyrjet e spandrel\u00ebve duke i p\u00ebrthithur ato n\u00eb programin dekorativ t\u00eb p\u00ebrgjithsh\u00ebm.<\/p>\n

Nga vinte ky motivim e paepur? Mikelanxhelo ishte dhe gjithmon\u00eb e shihte veten si nj\u00eb firencez. Dhe n\u00ebse Firence ishte di\u00e7ka n\u00eb fund t\u00eb Mesjet\u00ebs dhe n\u00eb fillimet e Rilindjes, ajo ishte Qyteti i Ambicies.<\/p>\n

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Firence filloi si nj\u00eb koloni romake, e themeluar n\u00eb shekullin e par\u00eb para Krishtit, nj\u00eb lidhje me madh\u00ebshtin\u00eb perandorake q\u00eb do t’u jepte brezave t\u00eb m\u00ebvonsh\u00ebm nj\u00eb ndjenj\u00eb t\u00eb fuqishme t\u00eb fatit. P\u00ebr rreth nj\u00eb mij\u00eb vjet m\u00eb pas, ndodhi pak gj\u00eb me r\u00ebnd\u00ebsi. M\u00eb pas, n\u00eb shekullin e 12-t\u00eb, qyteti doli n\u00eb sken\u00ebn bot\u00ebrore pothuajse si nj\u00eb forc\u00eb natyrore. Historian\u00ebt \u00e7uditen, dhe mbeten t\u00eb pafjal\u00eb, nga shpejt\u00ebsia me t\u00eb cil\u00ebn kaloi nga nj\u00eb qytet i prapambetur n\u00eb nj\u00eb lider n\u00eb ekonomin\u00eb rajonale dhe, m\u00eb von\u00eb, n\u00eb at\u00eb europiane. N\u00eb at\u00eb koh\u00eb, qytete t\u00eb tjera si Pisa, Lucca, Siena dhe Venecia dominonin gadishullin. Por deri n\u00eb fund t\u00eb shekullit t\u00eb 13-t\u00eb, industrit\u00eb e tekstilit dhe bankat e Firences e kishin kthyer at\u00eb n\u00eb nj\u00eb kryeqytet nd\u00ebrkomb\u00ebtar t\u00eb tregtis\u00eb dhe financave me nj\u00eb popullsi m\u00eb t\u00eb madhe se ajo e Londr\u00ebs. K\u00ebshtu, Papa Bonifaci VIII u shpreh se qytetar\u00ebt e saj ishin si nj\u00eb element i pest\u00eb: Kudo n\u00eb Europ\u00eb ku gjeje aj\u00ebr, zjarr, tok\u00eb dhe uj\u00eb, gjeje tregtar\u00eb dhe bankier\u00eb firencez\u00eb.<\/p>\n

Por konkurrenca, bashk\u00ebshoq\u00ebruesja e ambicies, nuk kufizohej vet\u00ebm n\u00eb sektor\u00ebt tregtar\u00eb dhe financiar\u00eb t\u00eb Firences; ajo dep\u00ebrtonte pothuajse \u00e7do aspekt t\u00eb shoq\u00ebris\u00eb. Qyteti drejtohej nga esnaf\u00ebt, nj\u00eb kombinim i korporatave dhe sindikatave q\u00eb rregullonin tregtit\u00eb dhe industrit\u00eb individuale, por gjithashtu kishin p\u00ebrgjegj\u00ebsi p\u00ebr disa vepra publike. Rivaliteti midis dy prej tyre, nj\u00ebri p\u00ebrgjegj\u00ebs p\u00ebr Katedralen dhe tjetri p\u00ebr Pag\u00ebzoren p\u00ebrball\u00eb saj, ndezi nj\u00eb gar\u00eb 150-vje\u00e7are p\u00ebr sponsorizime artistike q\u00eb kulmoi me dy nga kryeveprat m\u00eb t\u00eb m\u00ebdha t\u00eb Rilindjes. Nj\u00ebra ishte kupola e Filippo Brunelleschi-t mbi katedrale (1436), nj\u00eb mrekulli inxhinierike pasi, pavar\u00ebsisht se kishte nj\u00eb diamet\u00ebr m\u00eb t\u00eb madh se ai i Panteonit n\u00eb Rom\u00eb, ajo u nd\u00ebrtua pa kall\u00ebpet prej druri q\u00eb zakonisht duheshin p\u00ebr t\u00eb mb\u00ebshtetur harqet dhe kupolat gjat\u00eb ngritjes s\u00eb tyre. Tjetra ishte dyert lindore t\u00eb Pag\u00ebzores nga Lorenzo Ghiberti, t\u00eb njohura si \u201cDyert e Parajs\u00ebs\u201d (1452), me 10 relievet e tyre prej bronzi t\u00eb art\u00eb me subjekte nga Dhiata e Vjet\u00ebr q\u00eb menj\u00ebher\u00eb u b\u00ebn\u00eb nj\u00eb pik\u00eb referimi p\u00ebr artist\u00ebt brez pas brezi.<\/p>\n

M\u00ebsimi i kupol\u00ebs ishte se nuk kishte kufij; se \u00e7far\u00ebdo q\u00eb mendja mund t\u00eb konceptonte, dora mund ta krijonte. Nd\u00ebrsa ai i \u201cDyerve\u201d ishte fuqia e q\u00ebndrueshme e coup de th\u00e9\u00e2tre-s, kthesa mahnit\u00ebse q\u00eb t\u00eb l\u00eb pa frym\u00eb. T\u00eb dyja k\u00ebto nocione do t\u00eb ndikonin n\u00eb praktik\u00ebn e Mikelanxhelos, ve\u00e7an\u00ebrisht n\u00eb tavanin e Kapel\u00ebs Sistine.<\/p>\n

Dhe artist\u00ebt, qofshin praktikant\u00eb apo profesionist\u00eb, konkurronin vazhdimisht p\u00ebr ep\u00ebrsi. Gjat\u00eb gjith\u00eb jet\u00ebs s\u00eb tij, Mikelanxhelo mbajti shenj\u00ebn e k\u00ebtij lloji konkurrence. Kur nj\u00eb dit\u00eb ai b\u00ebri nj\u00eb koment p\u00ebr vizatimin e nj\u00eb studenti tjet\u00ebr, ky i fundit iu kthye dhe i theu hund\u00ebn.<\/p>\n

Kjo ishte pra, bota n\u00eb t\u00eb cil\u00ebn lindi Mikelanxhelo: i shqet\u00ebsuar, sip\u00ebrmarr\u00ebs, plot besim n\u00eb vete dhe i vendosur p\u00ebr t\u00eb tejkaluar paraardh\u00ebsit klasik\u00eb.<\/p>\n

Por kultura unike konkurruese e Firences s\u00eb shekullit t\u00eb 15-t\u00eb, vet\u00eb, nuk mjafton p\u00ebr t\u00eb shpjeguar motivimin e Mikelanxhelos. P\u00ebr k\u00ebt\u00eb, duhet t\u00eb shohim nj\u00eb episod nga rinia e tij: Rreth mosh\u00ebs 15-vje\u00e7are, ai pa t\u00eb atin t\u00eb posht\u00ebrohej.<\/p>\n

Mikelanxhelo kishte vazhduar praktik\u00ebn me Ghirlandaio-n. Por pas rreth nj\u00eb viti, Lorenzo de\u2019 Medici, i njohur si Lorenzo i Mrekulluesh\u00ebm, sundimtari i Firences dhe nj\u00eb nga sponsor\u00ebt m\u00eb t\u00eb m\u00ebdhenj t\u00eb artit, e mori artistin e ri p\u00ebr ta bashkuar me nj\u00eb shkoll\u00eb skulpture q\u00eb sponsorizonte n\u00eb kopshtin e vil\u00ebs s\u00eb tij. Sipas biografit t\u00eb par\u00eb t\u00eb Mikelanxhelos, Lorenzo u impresionua aq shum\u00eb nga i riu sa thirri t\u00eb atin p\u00ebr ta fal\u00ebnderuar dhe shp\u00ebrblyer p\u00ebr gatishm\u00ebrin\u00eb p\u00ebr t\u2019u ndar\u00eb nga djali p\u00ebr nj\u00eb periudh\u00eb kaq t\u00eb gjat\u00eb. \u201cM\u00eb p\u00ebrdor, sepse do t\u00eb t\u00eb b\u00ebj nderin m\u00eb t\u00eb madh q\u00eb mundem,\u201d tha Lorenzo.<\/p>\n

I ati i Mikelanxhelos kurr\u00eb nuk kishte arritur ndonj\u00eb gj\u00eb t\u00eb madhe. Megjithat\u00eb, n\u00eb at\u00eb moment ai mund t\u00eb kishte pasur, ose qen\u00eb, gjith\u00e7ka. Por n\u00eb vend q\u00eb t\u00eb shtrinte dor\u00ebn drejt yjeve, ai k\u00ebrkoi nj\u00eb post n\u00eb zyr\u00ebn e dogan\u00ebs, nj\u00eb pun\u00eb aq e ul\u00ebt sa ishte pothuajse si nj\u00eb pun\u00eb n\u00eb post\u00eb. P\u00ebrgjigjja p\u00ebr\u00e7muese e Lorenzo-s: \u201cDo t\u00eb jesh gjithmon\u00eb i varf\u00ebr.\u201d<\/p>\n

Nuk ka t\u00eb dh\u00ebna p\u00ebr reagimin e menj\u00ebhersh\u00ebm t\u00eb Mikelanxhelos, por veprimet e tij t\u00eb m\u00ebvonshme flasin shum\u00eb. N\u00eb vitin 1505, pak pas p\u00ebrfundimit t\u00eb statuj\u00ebs s\u00eb Davidit me nj\u00eb sukses t\u00eb jasht\u00ebzakonsh\u00ebm, nj\u00eb tregtar i pasur i k\u00ebrkoi t\u00eb realizonte nj\u00eb piktur\u00eb t\u00eb Familjes s\u00eb Shenjt\u00eb. (\u201cDoni Tondo,\u201d q\u00eb sot ndodhet n\u00eb Uffizi.) Praktika n\u00eb at\u00eb koh\u00eb ishte q\u00eb pagesa t\u00eb caktohej pas p\u00ebrfundimit t\u00eb vepr\u00ebs, bazuar n\u00eb cil\u00ebsin\u00eb dhe fam\u00ebn e artistit. Mikelanxhelo k\u00ebrkoi 70 dukat\u00eb, shum\u00eb p\u00ebr nj\u00eb artist t\u00eb ri, edhe pse nj\u00eb q\u00eb sapo kishte tronditur Firencen. Doni i ofroi 40. I zem\u00ebruar, Mikelanxhelo k\u00ebrkoi 100, nj\u00eb shif\u00ebr e konsiderueshme. Aq ishte paga vjetore e Bruneleskit kur punonte p\u00ebr kupol\u00ebn dhe ai tashm\u00eb njihej si arkitekti m\u00eb i madh i koh\u00ebs. Doni m\u00eb n\u00eb fund pranoi p\u00ebr 70 dukat\u00eb.<\/p>\n

K\u00ebshtu filloi nj\u00eb model sjelljeje q\u00eb vazhdoi gjat\u00eb gjith\u00eb jet\u00ebs s\u00eb tij, p\u00ebrfshir\u00eb injorimin e dy pap\u00ebve p\u00ebr munges\u00eb respekti (me zgjuarsi, ai u pajtua shpejt me secilin). I ati i Mikelanxhelos mund t\u00eb mos ket\u00eb pasur kurr\u00eb nj\u00eb ndjenj\u00eb p\u00ebr potencialin apo vler\u00ebn e tij. Por Mikelanxhelo e dinte vler\u00ebn e vet. Dhe do t\u00eb sigurohej q\u00eb edhe t\u00eb tjer\u00ebt ta dinin.<\/p>\n

Ne e njohim Mikelanxhelon si nj\u00eb artist t\u00eb Rilindjes. Por duhet ta kuptojm\u00eb edhe si nj\u00eb artist jasht\u00ebzakonisht ambicioz. I shtyr\u00eb nga ambicia e tij, ai krijoi nj\u00eb trup veprash q\u00eb, mbi pes\u00eb shekuj pas lindjes s\u00eb tij, ende magjeps audiencat. \/<\/p>\n

\u00a0<\/span>Wall Street Journal – Syri.net<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

13 Mars 2025 E enjtja, 6 mars, sh\u00ebnon 550-vjetorin e lindjes s\u00eb Mikelanxhelo Buonarrotit. Ai nuk do t\u00eb fryj\u00eb qirinj, sigurisht, por veprat e tij vazhdojn\u00eb t\u00eb magjepsin imagjinat\u00ebn e publikut. Vitin e kaluar, gati shtat\u00eb milion\u00eb turist\u00eb u drejtuan drejt Vatikanit, ku ndodhen afresket e tij n\u00eb tavanin e Kapel\u00ebs Sistine dhe \u201cGjykimi i […]<\/p>\n","protected":false},"author":9,"featured_media":90352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,86],"tags":[],"class_list":["post-90351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2025\/03\/arspo_sg-mikelanxhelo_alias_bojaxhiu_pollock_2006_humoreske.jpg?fit=1137%2C742&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-nvh","jetpack-related-posts":[{"id":100145,"url":"https:\/\/www.shqiperia.com\/blog\/sekreti-i-erret-i-familjes-holandeze-zbulohet-pas-80-vitesh-piktura-e-grabitur-nga-nazistet-e-koleksionistit-hebre\/","url_meta":{"origin":90351,"position":0},"title":"Sekreti i err\u00ebt i familjes holandeze, zbulohet pas 80 vitesh piktura e grabitur nga nazist\u00ebt e koleksionistit hebre","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 Nj\u00eb piktur\u00eb e vjedhur nga nazist\u00ebt gjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore \u00ebsht\u00eb zbuluar n\u00eb sht\u00ebpin\u00eb e pasardh\u00ebsve t\u00eb nj\u00eb bashk\u00ebpun\u00ebtori t\u00eb njohur holandez t\u00eb regjimit nazist, duke rikthyer n\u00eb v\u00ebmendje plag\u00ebt e grabitjes s\u00eb veprave t\u00eb artit gjat\u00eb luft\u00ebs. 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