{"id":8864,"date":"2018-06-20T08:51:09","date_gmt":"2018-06-20T08:51:09","guid":{"rendered":"http:\/\/www.shqiperia.com\/blog\/?p=8864"},"modified":"2018-06-20T08:51:33","modified_gmt":"2018-06-20T08:51:33","slug":"katedralja-e-parisit","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/katedralja-e-parisit\/","title":{"rendered":"Katedralja e Parisit. –"},"content":{"rendered":"

\"\"<\/p>\n

Katedralja e Parisit. –
\n<\/strong><\/p>\n

Viktor Hygo<\/strong><\/p>\n

Katedralja e Sh\u00ebn M\u00ebris\u00eb s\u00eb Parisit \u00ebsht\u00eb padyshim edhe sot e k\u00ebsaj dite nj\u00eb nd\u00ebrtes\u00eb madh\u00ebshtore. Por, sado e bukur q\u00eb ka mbetur katedralja duke u plakur, njeriu nuk mund t\u00eb mos pik\u00ebllohet dhe t\u00eb mos pezmatohet kur sheh gjymtimet dhe d\u00ebmtimet e panum\u00ebrta q\u00eb i kan\u00eb b\u00ebr\u00eb koha dhe njer\u00ebzit k\u00ebsaj p\u00ebrmendoreje t\u00eb nderuar t\u00eb lasht\u00ebsis\u00eb, pa e p\u00ebrfillur fare Karlin e Madh, q\u00eb i ka pas v\u00ebn\u00eb gurin e par\u00eb, dhe Filip Augustin, q\u00eb i ka pas v\u00ebn\u00eb gurin e fundit.<\/p>\n

N\u00eb fytyr\u00ebn e k\u00ebsaj mbret\u00ebreshe t\u00eb vjet\u00ebr t\u00eb katedraleve tona gjendet p\u00ebrher\u00eb, p\u00ebrbri \u00e7do rrudhe, edhe nj\u00eb shenj\u00eb plage. Tempus edax, homo edacio ), gj\u00eb q\u00eb un\u00eb do ta p\u00ebrktheja me shum\u00eb d\u00ebshir\u00eb k\u00ebshtu: \u201cKoha \u00ebsht\u00eb e verb\u00ebr, njeriu \u00ebsht\u00eb kok\u00ebtrash\u00eb\u201d.<\/p>\n

Sikur t\u00eb kishim nge t\u00eb shqyrtonim bashk\u00eb me lexuesin nj\u00eb nga nj\u00eb t\u00eb gjitha ato gjurm\u00eb shkat\u00ebrrimi q\u00eb i jan\u00eb l\u00ebn\u00eb k\u00ebsaj faltoreje t\u00eb vjet\u00ebr, do t\u00eb vinim re se pjesa q\u00eb i takon k\u00ebtu koh\u00ebs \u00ebsht\u00eb fare e vog\u00ebl dhe se d\u00ebmin m\u00eb t\u00eb madh e kan\u00eb sjell\u00eb njer\u00ebzit, sidomos njer\u00ebzit e artit. E quaj p\u00ebr detyr\u00eb t\u00eb p\u00ebrmend \u201cnjer\u00ebzit e artit\u201d, sepse gjat\u00eb k\u00ebtyre dy shekujve ka pasur plot njer\u00ebz q\u00eb kan\u00eb marr\u00eb titullin e arkitektit.<\/p>\n

\"\"<\/p>\n

Para s\u00eb gjithash, p\u00ebr t\u2019u kufizuar vet\u00ebm me disa shembulla nga m\u00eb t\u00eb r\u00ebnd\u00ebsishmet, duhet th\u00ebn\u00eb se do t\u00eb ishte e v\u00ebshtir\u00eb t\u00eb gjendej n\u00eb historin\u00eb e arkitektur\u00ebs nj\u00eb faqe m\u00eb e bukur se ajo e fasad\u00ebs s\u00eb k\u00ebsaj katedraleje, ku na dalin p\u00ebrpara syve nj\u00ebri pas tjetrit dhe n\u00eb t\u00ebr\u00ebsi tri portale me qemer gotik; p\u00ebrmbi to nj\u00eb korniz\u00eb e dh\u00ebmb\u00ebzuar, q\u00eb duket sikur \u00ebsht\u00eb q\u00ebndisur me nj\u00ebzet e tet\u00eb kamare mbret\u00ebrore, nj\u00eb dritare \u2013rozet\u00eb qendrore shum\u00eb e madhe me dy dritare t\u00eb vendosura an\u00ebve, si ai prifti q\u00eb q\u00ebndron midis dhiakut dhe ndihm\u00ebsdhiakut: arkada e lart\u00eb dhe elegante e galeris\u00eb me skalitje n\u00eb form\u00eb t\u00ebrfili, q\u00eb mban mbi shtyllat e saja t\u00eb holla nj\u00eb platform\u00eb t\u00eb r\u00ebnd\u00eb, dhe, s\u00eb fundi, dy kulla kambanaresh t\u00eb m\u00ebdha e t\u00eb zeza me streh\u00eb prej pllo\u00e7ash t\u00eb murrme.<\/p>\n

T\u00eb gjitha k\u00ebto pjes\u00eb harmonike t\u00eb nj\u00eb t\u00ebr\u00ebsie madh\u00ebshtore, t\u00eb ngritura nj\u00ebra mbi tjetr\u00ebn n\u00eb pes\u00eb kate vigane, shtjellojn\u00eb para syve tan\u00eb me nj\u00eb larmi t\u00eb pafund detalet e tyre t\u00eb panum\u00ebrta t\u00eb skalitura dhe t\u00eb gdhendura, q\u00eb shtrihen mbi hijeshin\u00eb e qet\u00eb t\u00eb s\u00eb t\u00ebr\u00ebs. Ko \u00ebsht\u00eb, si t\u00eb thuash, nj\u00eb simfoni e madhe prej guri; vep\u00ebr kolosale e nj\u00eb njeriu dhe e nj\u00eb populli; nj\u00eb t\u00ebr\u00ebsi e vetme dhe nj\u00ebkoh\u00ebsisht e nd\u00ebrlikuar, si\u00e7 jan\u00eb \u201cIliada\u201d dhe \u201cRomanserua\u201d ), me t\u00eb cilat ajo \u00ebsht\u00eb mot\u00ebr; krijim i mrekulluesh\u00ebm, ku jan\u00eb shkrir\u00eb t\u00eb gjitha forcat e nj\u00eb epoke, ku n\u00eb \u00e7do gur spikat n\u00eb nj\u00ebqind m\u00ebnyra fantazia e pun\u00ebtorit, e drejtuar nga gjenia e artistit; me pak fjal\u00eb, nj\u00eb krijes\u00eb e duarve t\u00eb njeriut, e fuqishme dhe e pasur.<\/p>\n

Ajo q\u00eb po themi k\u00ebtu p\u00ebr fasad\u00ebn duhet th\u00ebn\u00eb p\u00ebr gjith\u00eb katedralen n\u00eb p\u00ebrgjith\u00ebsi; dhe ajo q\u00eb themi p\u00ebr Katedralen e Parisit duhet th\u00ebn\u00eb edhe p\u00ebr t\u00eb gjitha kishat kristiane t\u00eb mesjet\u00ebs. \u00c7do gj\u00eb ka vendin e saj, logjik\u00ebn e saj dhe p\u00ebrpjes\u00ebtimet e saja n\u00eb k\u00ebt\u00eb lloj arti q\u00eb ka lindur vetvetiu. T\u00eb mat\u00ebsh nj\u00eb gisht t\u00eb k\u00ebmb\u00ebs s\u00eb nj\u00eb vigani, do t\u00eb thot\u00eb t\u00eb mat\u00ebsh t\u00ebr\u00eb viganin.
\nPor le t\u00eb kthehemi te fasada e katedrales, ashtu si\u00e7 na paraqitet ajo edhe sot, kur shkojm\u00eb e soditim me nderim t\u00eb thell\u00eb k\u00ebt\u00eb katedrale hijer\u00ebnd\u00eb dhe t\u00eb fuqishme, e cila, sipas kronist\u00ebve t\u00eb saj, t\u00eb kall tmerrin: quae mole sua terrorem incutit spectantibus ).<\/p>\n

\"\"<\/p>\n

Sot k\u00ebsaj fasade i mungojn\u00eb tri pjes\u00eb kryesore: s\u00eb pari, t\u00eb nj\u00ebmb\u00ebdhjet\u00eb shkallinat, q\u00eb e ngrinin at\u00eb mbi nivelin e tok\u00ebs; pastaj rreshti i posht\u00ebm i statujave, q\u00eb zinin kamaret e t\u00eb tri portaleve, dhe, s\u00eb fundi, rreshti i sip\u00ebrm i statujave, q\u00eb zbukuronin dikur galerin\u00eb e katit t\u00eb par\u00eb dhe q\u00eb paraqitnin nj\u00ebzet e tet\u00eb mbret\u00ebrit e lasht\u00eb t\u00eb Franc\u00ebs, q\u00eb nga Kildeberti e deri te Filip Augusti, i cili mbante n\u00eb dor\u00eb simbolin e pushtetit mbret\u00ebror.
\nKoha, duke e lartuar pak nga pak dhe n\u00eb m\u00ebnyr\u00eb t\u00eb pandalshme nivelin e truallit t\u00eb Qytetit t\u00eb Vjet\u00ebr, b\u00ebri t\u00eb zhdukeshin shkall\u00ebt. Por megjith\u00ebq\u00eb zgjerimi p\u00ebrher\u00eb m\u00eb i madh i kalldr\u00ebmit t\u00eb Parisit pruri zhdukjen nj\u00ebra pas tjetr\u00ebs t\u00eb atyre nj\u00ebmb\u00ebdhjet\u00eb shkallinave, q\u00eb e b\u00ebnin edhe m\u00eb madh\u00ebshtore lasht\u00ebsin\u00eb e k\u00ebsaj nd\u00ebrtese, prap\u00ebseprap\u00eb, koha i ka dh\u00ebn\u00eb, ndoshta, kish\u00ebs m\u00eb shum\u00eb nga sa i ka marr\u00eb: ajo i ka dh\u00ebn\u00eb fasad\u00ebs s\u00eb saj at\u00eb kolorit t\u00eb err\u00ebt t\u00eb shekujve, q\u00eb e b\u00ebn pleq\u00ebrin\u00eb e k\u00ebtyre p\u00ebrmendoreve epok\u00ebn e lul\u00ebzimit m\u00eb t\u00eb madh t\u00eb bukuris\u00eb s\u00eb tyre.<\/p>\n

Po kush i ka rr\u00ebzuar t\u00eb dy rreshtat e statujave? Kush i ka l\u00ebn\u00eb kamaret t\u00eb zbraz\u00ebta? Kush e ka b\u00ebr\u00eb mu n\u00eb mes t\u00eb portalit qendror at\u00eb qemer t\u00eb ri dhe bastard? Kush ka guxuar t\u00eb vendos\u00eb atje at\u00eb der\u00eb t\u00eb skalitur, t\u00eb r\u00ebnd\u00eb dhe t\u00eb shp\u00eblar\u00eb t\u00eb stilit t\u00eb Luigjit XV p\u00ebrbri arabeskave t\u00eb Biskornetit? Njer\u00ebzit, arkitekt\u00ebt, artist\u00ebt e koh\u00ebs son\u00eb.
\nDhe brenda n\u00eb nd\u00ebrtes\u00eb, kush e ka p\u00ebrmbysur at\u00eb shtatoren vigane t\u00eb sh\u00ebn Kristoforit, q\u00eb ka qen\u00eb po aq e famshme nd\u00ebrmjet shtatoreve, sa \u00e7\u2019\u00ebsht\u00eb salla e madhe e Pallatit t\u00eb Drejt\u00ebsis\u00eb nd\u00ebrmjet sallave t\u00eb tjera dhe shtiza e katedrales s\u00eb Strasburgut nd\u00ebrmjet kambanareve? Dhe, kush i ka hequr nga faltorja me aq vrazhd\u00ebsi ato mij\u00ebra statuja, q\u00eb mbushnin gjith\u00eb hap\u00ebsir\u00ebn nd\u00ebrmjet kolonave t\u00eb navat\u00ebs dhe t\u00eb korit, statuja n\u00eb gjunj\u00eb, statuja n\u00eb k\u00ebmb\u00eb, statuja mbi kuaj, statuja burrash, grash, f\u00ebmij\u00ebsh, mbret\u00ebrish, peshkop\u00ebsh, luft\u00ebtar\u00ebsh, statuja prej guri, prej mermeri, prej ari, prej argjendi, prej bakri, madje, edhe prej dylli? Sigurisht jo koha.<\/p>\n

Dhe kush ka v\u00ebn\u00eb n\u00eb vend t\u00eb altarit t\u00eb vjet\u00ebr gotik, t\u00eb mbuluar plot madh\u00ebshti me sarkofag\u00eb dhe relikuar\u00eb, at\u00eb qivur t\u00eb r\u00ebnd\u00eb prej guri, t\u00eb zbukuruar me re dhe me koka engj\u00ebjsh, i cili i ngjan nj\u00eb modeli arkitektural t\u00eb kish\u00ebs Val-d\u00eb-Gras ose t\u00eb Sht\u00ebpis\u00eb s\u00eb Invalid\u00ebve? Kush e ka ngulur pa pik\u00eb shije k\u00ebt\u00eb anakroniz\u00ebm t\u00eb r\u00ebnd\u00eb prej guri n\u00eb pllakat e dyshemes\u00eb karolingase, vep\u00ebr e Erkandit? Mos vall\u00eb Luigji XIV, p\u00ebr t\u2019i plot\u00ebsuar d\u00ebshir\u00ebn Luigjit t\u00eb XIII?<\/p>\n

Dhe kush ka v\u00ebn\u00eb xhama t\u00eb bardh\u00eb, t\u00eb ftoht\u00eb n\u00eb vend t\u00eb atyre vitrinave me ngjyra t\u00eb ndez\u00ebt, q\u00eb mahnitnin syt\u00eb e st\u00ebrgjysh\u00ebrve tan\u00eb, tek shihnin her\u00eb rozet\u00ebn e portalit kryesor, her\u00eb dritaret me qemer\u00eb t\u00eb altarit? Dhe \u00e7\u2019do t\u00eb thoshte ndonj\u00eb dhjak i shekullit XVI, po t\u00eb shihte at\u00eb suva t\u00eb verdh\u00eb, me t\u00eb cil\u00ebn kryepeshkop\u00ebt tan\u00eb vandal\u00eb e kan\u00eb lla\u00e7kavitur katedralen? Atij do t\u2019i kujtohej se pik\u00ebrisht me boj\u00eb t\u00eb verdh\u00eb i sh\u00ebnonte xhelati sht\u00ebpit\u00eb e njer\u00ebzve t\u00eb d\u00ebnuar nga ligji; do t\u2019i kujtohej pallati Pti-Burbon ), q\u00eb u lye edhe ai fund e krye me boj\u00eb t\u00eb verdh\u00eb p\u00ebr shkak t\u00eb tradhtis\u00eb s\u00eb konestablit, boj\u00eb, q\u00eb sipas Sovalit, ishte \u201caq e fort\u00eb dhe e q\u00ebndrueshme, saq\u00eb edhe pas nj\u00ebqind vjet\u00ebsh e ka ruajtur freskin\u00eb e vet\u201d. Dhiaku do t\u00eb pandehte se ky vend i shenjt\u00eb \u00ebsht\u00eb p\u00ebrdhosur dhe do t\u00eb ikte i tmerruar.
\nDhe, po t\u00eb ngjitemi n\u00eb maj\u00eb t\u00eb katedrales, pa u ndalur n\u00eb nj\u00ebmij\u00eb shfaqje t\u00eb vogla barbarizmi, do t\u00eb pyesim veten: \u00e7\u2019u b\u00eb ajo kambanare e vog\u00ebl, e bukur, q\u00eb mb\u00ebshtetej n\u00eb pik\u00ebn e kryq\u00ebzimit t\u00eb kubes\u00eb dhe q\u00eb ishte po aq delikate dhe po aq e hedhur sa fqinja e saj, shtiza e kish\u00ebs Sen Shapel (q\u00eb \u00ebsht\u00eb prishur edhe ajo)? E hijshme, maj\u00ebmpreht\u00eb, kumbuese, e tejdukshme, ajo ngrihej n\u00eb qiell m\u00eb lart se kullat! Nj\u00eb arkitekt me shije t\u00eb holl\u00eb n\u00eb vitin 1787 e gjymtoi at\u00eb dhe, p\u00ebr t\u00eb fshehur plag\u00ebn pandehu se mjaftonte t\u00eb vihej mbi t\u00eb ca plast\u00ebr plumbi, q\u00eb i ngjet nj\u00eb kapaku kusie.<\/p>\n

N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb jan\u00eb trajtuar veprat e mrekullueshme t\u00eb artit mesjetar pothuaj kudo e sidomos n\u00eb Franc\u00eb. Mbi g\u00ebrmadhat e tija mund t\u00eb shquash tri lloj d\u00ebmtimesh pak a shum\u00eb t\u00eb thella: s\u00eb pari, bien n\u00eb sy ato q\u00eb ka shkaktuar koha, e cila ka prishur aty-k\u00ebtu n\u00eb m\u00ebnyr\u00eb t\u00eb pandijshme dhe ka mbuluar me ndryshk sip\u00ebrfaqen e nd\u00ebrtesave; pastaj mbi to kan\u00eb shp\u00ebrthyer turbullirat politike dhe fetare, t\u00eb cilat e kan\u00eb shqyer veshjen e pasur skulpturore dhe skalitjet e katedraleve, kan\u00eb thyer rozetat, kan\u00eb k\u00ebputur gjerdan\u00ebt e p\u00ebrb\u00ebr\u00eb prej arabeskash dhe statuetash, kan\u00eb shembur shtatoret, qoft\u00eb sepse k\u00ebto kishin nga nj\u00eb tiar\u00eb, qoft\u00eb sepse mbanin n\u00eb kok\u00eb nga nj\u00eb kuror\u00eb; s\u00eb fundi, vepr\u00ebn shkat\u00ebrrimtare e plot\u00ebsuan modat p\u00ebrher\u00eb e m\u00eb groteske dhe m\u00eb bajate, q\u00eb z\u00ebvend\u00ebsuan nj\u00ebra-tjetr\u00ebn, me r\u00ebnien e pashmangshme t\u00eb arkitektur\u00ebs, pas atyre ravgimeve anarkike, por madh\u00ebshtore, q\u00eb karakterizojn\u00eb epok\u00ebn e Rilindjes.
\nModat kan\u00eb sjell\u00eb m\u00eb shum\u00eb d\u00ebm se revolucionet. Ato kan\u00eb prekur palc\u00ebn e artit mesjetar, kan\u00eb cenuar vet\u00eb baz\u00ebn e tij, i kan\u00eb cunguar, i kan\u00eb shtremb\u00ebruar, i kan\u00eb prishur nd\u00ebrtes\u00ebs form\u00ebn dhe simbolin e saj, kuptimin dhe bukurin\u00eb e saj. Nga ana tjet\u00ebr, modat kan\u00eb guxuar ta ndryshojn\u00eb at\u00eb fund e krye, gj\u00eb q\u00eb nuk kan\u00eb synuar ta b\u00ebjn\u00eb as koha, as revolucionet. Duke e hequr veten t\u00eb pagabueshme n\u00eb l\u00ebmin e \u201cshij\u00ebs s\u00eb mir\u00eb\u201d, ato, pa pik\u00eb turpi, kan\u00eb v\u00ebn\u00eb p\u00ebrsip\u00ebr plag\u00ebve t\u00eb arkitektur\u00ebs gotike stringlat e tyre t\u00eb mjera e jet\u00ebshkrurt\u00ebra: shirita mermeri, pompone ) metali, medalione, nj\u00eb mori ornamentesh vezake, volutash, kurorash, thekash, flakash prej guri, sht\u00ebllungash prej bronxi, amuresh ) topolak\u00eb dhe kerubin\u00ebsh faqekuq\u00eb, t\u00eb cil\u00ebt, si ajo s\u00ebmundja e g\u00ebrbul\u00ebs, z\u00ebn\u00eb ta gllab\u00ebrojn\u00eb fytyr\u00ebn e artit qysh n\u00eb lut\u00ebsoren e Katerina d\u00eb Medi\u00e7it ) dhe q\u00eb, dy shekuj m\u00eb von\u00eb, e b\u00ebjn\u00eb k\u00ebt\u00eb art t\u00eb sfilitur dhe artificial t\u00eb shuhet fare n\u00eb buduarin e zonj\u00ebs Dybarri ).<\/p>\n

At\u00eb art t\u00eb mrekulluesh\u00ebm q\u00eb kishin krijuar vandal\u00ebt, e vran\u00eb akademik\u00ebt.
\nNj\u00eb miz\u00ebri arkitekt\u00ebsh t\u00eb shkolluar dhe t\u00eb diplomuar, q\u00eb kan\u00eb prishur me vet\u00ebdije dhe frym\u00ebn e nj\u00eb shije t\u00eb keqe, i z\u00ebvend\u00ebsuan tantellat gotike me flet\u00ebt e \u00e7ikores t\u00eb koh\u00ebs s\u00eb Luigjit XV, p\u00ebr lavdin\u00eb m\u00eb t\u00eb madhe t\u00eb Partenonit. K\u00ebshtu dhe gomari i bie me shqelm luanit q\u00eb vdes. K\u00ebshtu dhe lisin q\u00eb fillon e thahet e brejn\u00eb, e shpojn\u00eb, e cop\u00ebtojn\u00eb vemjet.<\/p>\n

Katedralja e Sh\u00ebn M\u00ebris\u00eb s\u00eb Parisit, nga ana tjet\u00ebr nuk mund t\u00eb quhet nj\u00eb monument i p\u00ebrkryer, i plot\u00eb, i p\u00ebrcaktuar. Ajo nuk \u00ebsht\u00eb nj\u00eb kish\u00eb e stilit romanik, por nuk \u00ebsht\u00eb as edhe nj\u00eb kish\u00eb e thjesht\u00eb gotike. \u00cbsht\u00eb nj\u00eb lloj nd\u00ebrtese e nd\u00ebrmjetshme.<\/p>\n

Ajo \u00ebsht\u00eb nd\u00ebrtes\u00eb e nj\u00eb periudhe kalimtare. Arkitekti sakson sapo kishte ngritur shtyllat e para t\u00eb navat\u00ebs, kur kubeja me qemer gotik, e sjell\u00eb n\u00eb Evrop\u00eb nga kryqtar\u00ebt, erdhi dhe u vendos triumfalisht mbi ato kapele t\u00eb gjera romanike, q\u00eb duhej t\u00eb mbanin vet\u00ebm nj\u00eb kube n\u00eb form\u00eb gjysm\u00ebrrethi. Duke u b\u00ebr\u00eb qysh at\u00ebher\u00eb sundimtare e plotfuqishme, kubeja me qemer ka p\u00ebrcaktuar format e gjith\u00eb katedrales n\u00eb t\u00ebr\u00ebsi. E pap\u00ebrvoj\u00eb dhe e druajtur n\u00eb fillim, kjo kube zgjerohet, zmadhohet, por prap\u00eb e p\u00ebrmban vetveten, nuk guxon t\u00eb l\u00ebshohet drejt qiellit me majat e shtizave dhe t\u00eb harqeve t\u00eb saja t\u00eb larta, si\u00e7 b\u00ebri m\u00eb von\u00eb n\u00eb shum\u00eb katedrale t\u00eb mrekullueshme. Njeriu ka p\u00ebrshtypjen se asaj i r\u00ebndohet fqinj\u00ebsia me shtyllat e r\u00ebnda romanike.<\/p>\n

Por studimi i k\u00ebtyre nd\u00ebrtesave t\u00eb periudh\u00ebs kalimtare nga stil romanik n\u00eb stilin gotik ka po aq r\u00ebnd\u00ebsi sa dhe studimi i modeleve t\u00eb stilit t\u00eb thjesht\u00eb. Ato shprehin nj\u00eb nuanc\u00eb t\u00eb artit, dhe pa to artin do ta kish marr\u00eb lumi. N\u00eb to kubeja me qemer\u00eb \u00ebsht\u00eb shartuar me kuben\u00eb q\u00eb ka form\u00ebn e nj\u00eb gjysm\u00ebrrethi.
\nKatedralja e Sh\u00ebn M\u00ebris\u00eb \u00ebsht\u00eb nj\u00eb vep\u00ebr interesante e k\u00ebtij tipi. \u00c7do faqe, \u00e7do gur i k\u00ebsaj p\u00ebrmendoreje t\u00eb nderuar \u00ebsht\u00eb jo vet\u00ebm nj\u00eb faqe e historis\u00eb s\u00eb Franc\u00ebs, por edhe e historis\u00eb s\u00eb shkenc\u00ebs dhe t\u00eb artit.
\nK\u00ebto nd\u00ebrtesa t\u00eb stilit t\u00eb p\u00ebrzier paraqesin nj\u00eb interes t\u00eb madh si p\u00ebr artistin, ashtu edhe p\u00ebr amatorin e antikave dhe p\u00ebr historianin.<\/p>\n

Nj\u00eblloj si gjurm\u00ebt e mureve qiklopike, si piramidat e Egjyptit dhe pagodat vigane t\u00eb indian\u00ebve, ato t\u00eb b\u00ebjn\u00eb t\u00eb kuptosh sa i vjet\u00ebr, sa primitive \u00ebsht\u00eb arti i arkitektur\u00ebs dhe tregojn\u00eb qart\u00eb se p\u00ebrmendoret m\u00eb t\u00eb m\u00ebdha t\u00eb s\u00eb kaluar\u00ebs jan\u00eb jo aq krijime t\u00eb nj\u00eb njeriu t\u00eb vet\u00ebm, sesa vepra t\u00eb nj\u00eb shoq\u00ebrie t\u00eb t\u00ebr\u00eb; jan\u00eb m\u00eb tep\u00ebr pjell\u00eb e p\u00ebrpjekjeve krijuese t\u00eb nj\u00eb populli, sesa pjell\u00eb e mendjes s\u00eb nj\u00eb njeriu gjenial; jan\u00eb lymi q\u00eb l\u00eb prapa nj\u00eb komb; shtresa q\u00eb formojn\u00eb shekujt; mbeturina e avullimeve t\u00eb nj\u00ebpasnj\u00ebshme t\u00eb shoq\u00ebris\u00eb njer\u00ebzore; me nj\u00eb fjal\u00eb, jan\u00eb nj\u00eb lloj formacioni gjeologjik. \u00c7do val\u00eb e koh\u00ebs l\u00eb mbi p\u00ebrmendoren lymin e vet, \u00e7do brezni l\u00eb aty shtres\u00ebn e vet, \u00e7do individ l\u00eb gurin e vet. K\u00ebshtu b\u00ebjn\u00eb kastor\u00ebt, k\u00ebshtu b\u00ebjn\u00eb blet\u00ebt, k\u00ebshtu b\u00ebjn\u00eb edhe njer\u00ebzit. Simboli m\u00eb i madh i arkitektur\u00ebs, kulla e Babilonis\u00eb, ka qen\u00eb nj\u00eb zgjua blet\u00ebsh.<\/p>\n

Nd\u00ebrtesat e m\u00ebdha, ashtu si malet e m\u00ebdha, jan\u00eb nj\u00eb krijim i shekujve. Shpesh, forma e artit ndryshon, kurse ato ende nuk jan\u00eb p\u00ebrfunduar, pendent opera Interrupta ); at\u00ebher\u00eb ato marrin qet\u00eb-qet\u00eb drejtimin q\u00eb zgjedh arti. Arti i ri e merr p\u00ebrmendoren n\u00eb at\u00eb form\u00eb n\u00eb t\u00eb cil\u00ebn e gjen, trup\u00ebzohet n\u00eb t\u00eb, e p\u00ebrpunon at\u00eb, e zhvillon sipas fantazis\u00eb s\u00eb vet dhe, kur mundet, e p\u00ebrfundon at\u00eb. Kjo pun\u00eb b\u00ebhet pa mundime, pa trazime, pa kund\u00ebrveprime, n\u00eb baz\u00eb t\u00eb nj\u00eb ligji natyror, t\u00eb qet\u00eb e t\u00eb paansh\u00ebm: kjo \u00ebsht\u00eb nj\u00eb shartes\u00eb q\u00eb formohet, \u00ebsht\u00eb nj\u00eb l\u00ebng i ri druri q\u00eb qarkullon, \u00ebsht\u00eb nj\u00eb bim\u00ebsi q\u00eb lind rishtaz. Sigurisht, n\u00eb k\u00ebto shkrirje t\u00eb nj\u00ebpasnj\u00ebshme t\u00eb arteve t\u00eb ndryshme n\u00eb lart\u00ebsit\u00eb e ndryshme t\u00eb s\u00eb nj\u00ebjt\u00ebs nd\u00ebrtes\u00eb ka l\u00ebnd\u00eb t\u00eb mjaft\u00eb p\u00ebr t\u00eb shkruar v\u00ebllime t\u00eb t\u00ebra, sidomos lidhur me historin\u00eb e p\u00ebrgjithshme t\u00eb njer\u00ebzimit. Artisti, njeriu, individi zhduken n\u00eb k\u00ebto masive t\u00eb m\u00ebdha, pa l\u00ebn\u00eb pas as emrin e krijuesit; mendja e njeriut gjen n\u00eb to shprehjen dhe rezultatin e vet t\u00eb p\u00ebrgjithsh\u00ebm. Koha \u00ebsht\u00eb arkitekti, kurse populli \u00ebsht\u00eb muratori.<\/p>\n

Sh\u00ebnim:<\/strong> Kjo pjes\u00eb \u00ebsht\u00eb marr\u00eb nga romani i Viktor Hygo: \u201cKatedralja e Parisit\u201d, SHB \u201cNaim Frash\u00ebri\u201d, Tiran\u00eb, 1976, p\u00ebrkthyer nga Bujar Doko, Kreu XIV, f. 141-148<\/p>\n","protected":false},"excerpt":{"rendered":"

Katedralja e Parisit. – Viktor Hygo Katedralja e Sh\u00ebn M\u00ebris\u00eb s\u00eb Parisit \u00ebsht\u00eb padyshim edhe sot e k\u00ebsaj dite nj\u00eb nd\u00ebrtes\u00eb madh\u00ebshtore. Por, sado e bukur q\u00eb ka mbetur katedralja duke u plakur, njeriu nuk mund t\u00eb mos pik\u00ebllohet dhe t\u00eb mos pezmatohet kur sheh gjymtimet dhe d\u00ebmtimet e panum\u00ebrta q\u00eb i kan\u00eb b\u00ebr\u00eb koha […]<\/p>\n","protected":false},"author":9,"featured_media":8865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[27,10],"tags":[],"class_list":["post-8864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogu-i-udhetarit","category-kultura"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/06\/Katedralja-e-Parisit.-Cathdrale-Notre-Dame-de-.jpg?fit=791%2C395&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-2iY","jetpack-related-posts":[{"id":60417,"url":"https:\/\/www.shqiperia.com\/blog\/u-shkrumbua-nga-flaket-ne-2019-ja-kur-hapet-per-publikun-katedralja-e-notre-dame\/","url_meta":{"origin":8864,"position":0},"title":"U \u201cshkrumbua\u201d nga flak\u00ebt n\u00eb 2019. – Ja kur hapet p\u00ebr publikun Katedralja e Notre Dame","author":"Kurt Farka","date":"August 1, 2022","format":false,"excerpt":"Ja kur hapet p\u00ebr publikun Katedralja e Notre Dame 30 KORRIK 2022, 15:17 Katedralja Notre-Dame n\u00eb Paris \u00ebsht\u00eb nj\u00eb nd\u00ebr monumentet kulturore m\u00eb t\u00eb bukura n\u00eb bot\u00eb, por pas zjarrit q\u00eb ra n\u00eb vitin 2019 gjasat p\u00ebr ta rikthyer n\u00eb gjendjen e m\u00ebparshme u shuan dit\u00eb pas dite. Megjithat\u00eb duket\u2026","rel":"","context":"In "Njoftime Shtypi"","block_context":{"text":"Njoftime Shtypi","link":"https:\/\/www.shqiperia.com\/blog\/category\/njoftime-shtypi\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/08\/Ja-kur-hapet-per-publikun-Katedralja-e-Notre-Dame.jpeg?fit=640%2C360&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/08\/Ja-kur-hapet-per-publikun-Katedralja-e-Notre-Dame.jpeg?fit=640%2C360&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/08\/Ja-kur-hapet-per-publikun-Katedralja-e-Notre-Dame.jpeg?fit=640%2C360&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":19745,"url":"https:\/\/www.shqiperia.com\/blog\/mos-qani-per-katedralen-e-parisit-qani-per-veten\/","url_meta":{"origin":8864,"position":1},"title":"Mos qani p\u00ebr Katedralen e Parisit, qani p\u00ebr veten!!!","author":"Kurt Farka","date":"April 16, 2019","format":false,"excerpt":"Mos qani p\u00ebr Katedralen e Parisit, qani p\u00ebr veten!!! 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Nga:\u2026","rel":"","context":"In "Arte"","block_context":{"text":"Arte","link":"https:\/\/www.shqiperia.com\/blog\/category\/arte\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/04\/1555426396_KISHA-Copy.jpg?fit=780%2C410&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/04\/1555426396_KISHA-Copy.jpg?fit=780%2C410&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/04\/1555426396_KISHA-Copy.jpg?fit=780%2C410&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/04\/1555426396_KISHA-Copy.jpg?fit=780%2C410&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":77018,"url":"https:\/\/www.shqiperia.com\/blog\/katedralja-me-e-vjeter-ne-bote-katedralja-e-etcmiazdin-ne-armeni\/","url_meta":{"origin":8864,"position":2},"title":"Katedralja m\u00eb e vjet\u00ebr n\u00eb bot\u00eb, Katedralja e Et\u00e7miazdin n\u00eb Armeni","author":"Kurt Farka","date":"January 5, 2024","format":false,"excerpt":"5 Janar 2024 Katedralja e Et\u00e7miazdin, e cila njihet dhe si kisha m\u00ebm\u00eb e Armenis\u00eb, q\u00eb ndodhet n\u00eb qytetin e Vagharshapat, sipas shum\u00eb studiuesve, ajo \u00ebsht\u00eb kisha e par\u00eb e nd\u00ebrtuar n\u00eb Armeni si dhe mendohet se \u00ebsht\u00eb dhe katedralja e par\u00eb n\u00eb bot\u00eb. 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G\u00ebrmadhat e Katedrales s\u00eb Artan\u00ebs gjenden n\u00eb veri-lindje t\u00eb kompleksit t\u00eb Kalas\u00eb s\u00eb Artan\u00ebs dhe i takon koh\u00ebs s\u00eb Mesjet\u00ebs, p\u00ebrkat\u00ebsisht shek. t\u00eb XV. Ky\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/65254708_838949389824482_848017717519712256_n.jpg?fit=815%2C453&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/65254708_838949389824482_848017717519712256_n.jpg?fit=815%2C453&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/65254708_838949389824482_848017717519712256_n.jpg?fit=815%2C453&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/65254708_838949389824482_848017717519712256_n.jpg?fit=815%2C453&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":21689,"url":"https:\/\/www.shqiperia.com\/blog\/cfare-ka-mbetur-ne-notre-dame\/","url_meta":{"origin":8864,"position":4},"title":"\u00c7far\u00eb ka mbetur n\u00eb Notre-Dame\u2026","author":"Kurt Farka","date":"June 7, 2019","format":false,"excerpt":"\u00c7far\u00eb ka mbetur n\u00eb Notre-Dame\u2026 Nj\u00eb prej katedraleve m\u00eb t\u00eb njohura n\u00eb bot\u00eb, Notre-Dame n\u00eb Paris \u00ebsht\u00eb p\u00ebrfshir\u00eb dje pasdite nga nj\u00eb zjarr i madh. Zjarri ka shp\u00ebrthyer n\u00eb katet e sip\u00ebrme t\u00eb katedrales dhe shum\u00eb shpejt \u00ebsht\u00eb p\u00ebrhapur n\u00eb pjes\u00eb t\u00eb tjera. Si pasoj\u00eb e zjarrit \u00ebsht\u00eb rr\u00ebnuar edhe\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/n6-768x512.jpg?fit=768%2C403&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/n6-768x512.jpg?fit=768%2C403&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/n6-768x512.jpg?fit=768%2C403&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/06\/n6-768x512.jpg?fit=768%2C403&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":56635,"url":"https:\/\/www.shqiperia.com\/blog\/si-u-be-gaudi-gaudi-muzeu-i-parisit-ka-pergjigjen-per-arkitektin-katalanas-atipik\/","url_meta":{"origin":8864,"position":5},"title":"Si u b\u00eb Gaudi, Gaudi? – Muzeu i Parisit ka p\u00ebrgjigjen p\u00ebr arkitektin katalanas atipik","author":"Kurt Farka","date":"April 12, 2022","format":false,"excerpt":"Si u b\u00eb Gaudi, Gaudi? - Muzeu i Parisit ka p\u00ebrgjigjen p\u00ebr arkitektin katalanas atipik 12 Prill 2022 Muzeu \u201cOrsey\u201d n\u00eb Paris kthen n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes arkitektin katalanas Antoni Gaudi, i njohur n\u00eb mbar\u00eb bot\u00ebn p\u00ebr katedralen e tij \u201cSagrada Familia\u201d, nj\u00eb simbol i Barcelon\u00ebs, dhe shqyrton metodat e\u2026","rel":"","context":"In "Arte"","block_context":{"text":"Arte","link":"https:\/\/www.shqiperia.com\/blog\/category\/arte\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/04\/sagrada-familia-Arkitekti-katalanas-Antoni-Gaudi-Copy.jpg?fit=537%2C315&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/04\/sagrada-familia-Arkitekti-katalanas-Antoni-Gaudi-Copy.jpg?fit=537%2C315&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2022\/04\/sagrada-familia-Arkitekti-katalanas-Antoni-Gaudi-Copy.jpg?fit=537%2C315&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/8864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/comments?post=8864"}],"version-history":[{"count":2,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/8864\/revisions"}],"predecessor-version":[{"id":8868,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/8864\/revisions\/8868"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media\/8865"}],"wp:attachment":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media?parent=8864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/categories?post=8864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/tags?post=8864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}