{"id":5952,"date":"2018-04-06T14:21:35","date_gmt":"2018-04-06T14:21:35","guid":{"rendered":"http:\/\/www.shqiperia.com\/blog\/?p=5952"},"modified":"2018-04-06T18:37:14","modified_gmt":"2018-04-06T18:37:14","slug":"dy-rruget-e-idromenos-210-figurat-qe-trajtohen-dhe-pershkruhen-me-vertetesi-dhe-veshje-tradicionale-popullore-te-shkodres-dhe-zones-perreth-15-foto-frgmente-te-vepres","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/dy-rruget-e-idromenos-210-figurat-qe-trajtohen-dhe-pershkruhen-me-vertetesi-dhe-veshje-tradicionale-popullore-te-shkodres-dhe-zones-perreth-15-foto-frgmente-te-vepres\/","title":{"rendered":"\u201cDy Rruget\u201d e Idromenos-210 figurat q\u00eb trajtohen dhe p\u00ebrshkruhen me v\u00ebrtet\u00ebsi dhe veshje tradicionale popullore t\u00eb Shkodr\u00ebs dhe zon\u00ebs p\u00ebrreth. ( 15 Foto-frgmente te vepres). –"},"content":{"rendered":"

\"\"<\/p>\n

Vepra \u201cRrug\u00ebt e Jet\u00ebs\u201d(Dy Rruget)\u00a0 e Kol Idromenos(1896) \u00a0ka\u00a0 n\u00eb p\u00ebrmbajtje t\u00eb saj marr\u00ebdh\u00ebnien e njer\u00ebzve me moralin shoq\u00ebror dhe besimin fetar. N\u00eb k\u00ebt\u00eb kompozim figural nuk shohim ndonj\u00eb frym\u00eb mistike, sepse perceptimi artistik \u00ebsht\u00eb bazuar mbi veprimtarin\u00eb komplekse t\u00eb njeriut n\u00eb aktivitetin e zakonsh\u00ebm ditor. Nga m\u00ebnyra e konceptimit dhe p\u00ebrmbajtjes s\u00eb saj, vepra t\u00eb krijon ndjesin\u00eb si nj\u00eb zgjatim logjik i artit popullor,pavar\u00ebsisht tematik\u00ebs thell\u00ebsisht fetare: Njer\u00ebz q\u00eb kryejn\u00eb\u00a0 veprimtari t\u00eb ndryshme, ndajn\u00eb rrug\u00ebt e jet\u00ebs, ferrin dhe parajs\u00ebn. N\u00eb k\u00ebto grupime shprehen aspekte gjykimi p\u00ebr m\u00ebkatet dhe mir\u00ebsin\u00eb q\u00eb kan\u00eb kryer personazhet gjat\u00eb veprimtaris\u00eb tyre familjare shoq\u00ebrore.<\/p>\n

\"\" \"\" \"\" \"\" \"\"
\nJan\u00eb interesante skema t\u00eb tilla, si: arg\u00ebtim me aheng, me gjah, duke kal\u00ebruar, duke kryer grabitje apo duke b\u00ebr\u00eb loj\u00ebra t\u00eb ndryshme etj. Jan\u00eb plot 210 figurat q\u00eb trajtohen dhe p\u00ebrshkruhen me v\u00ebrtet\u00ebsi kaligrafike, pasi shumica mbajn\u00eb veshje tradicionale popullore t\u00eb Shkodr\u00ebs dhe zon\u00ebs p\u00ebrreth.<\/p>\n

\u201cRrug\u00ebt e jet\u00ebs\u201d \u00ebsht\u00eb nj\u00eb vep\u00ebr me tematik\u00eb mitologjike, me p\u00ebrmasa t\u00eb m\u00ebdha ku p\u00ebrshkruhen me v\u00ebrtet\u00ebsi etnografike skema t\u00eb ndryshme nga veprimtaria ditore e njer\u00ebzve t\u00eb shtresave shoq\u00ebrore t\u00eb ndryshme. Sipas shkrimeve dhe m\u00ebsimeve t\u00eb Bibl\u00ebs, veprimtaria njer\u00ebzore \u00ebsht\u00eb e gjykueshme prandaj ajo duhet t\u00eb udh\u00ebhiqet nga dashuria dhe mir\u00ebsia. Njeriu merr rrug\u00ebn e p\u00ebrcaktuar nga fati n\u00eb baz\u00eb t\u00eb veprimeve qe ka kryer n\u00eb jet\u00eb. Pik\u00ebrisht k\u00ebto ide pasqyrohen n\u00eb ket\u00eb vep\u00ebr me r\u00ebnd\u00ebsi fetare dhe folklorike. P\u00ebrmes tregimit dhe alegoris\u00eb piktori analizon veprimtarin\u00eb e p\u00ebrditshme t\u00eb grupeve shoq\u00ebrore ku r\u00ebnd\u00ebsi merr prezantimi i veshjeve te tyre tradicionale. Kjo p\u00ebrcakton nivelet klasore t\u00eb shoq\u00ebris\u00eb dhe veset e tyre.<\/p>\n

\"\" \"\" \"\" \"\" \"\"<\/p>\n

P\u00ebr m\u00ebnyr\u00ebn e jet\u00ebs q\u00eb b\u00ebjn\u00eb njer\u00ebzit\u00a0 p\u00ebr m\u00ebkatet dhe te mirat, jan\u00eb caktuar dy rrug\u00eb, Parajsa dhe Ferri; k\u00ebt\u00eb p\u00ebrpiqet t\u00eb tregoj\u00eb kjo vep\u00ebr. Nd\u00ebrkoh\u00eb q\u00eb \u00ebsht\u00eb p\u00ebrcaktuar masa e njer\u00ebzve q\u00eb kan\u00eb marr\u00eb destinacionet e tyre, n\u00eb saj\u00eb veprimtaris\u00eb njer\u00ebzore dhe shoq\u00ebrore, duke kaluar n\u00eb rrug\u00ebt q\u00eb kan\u00eb merituar, Parajsa, p\u00ebr t\u00eb gjith\u00eb ata, me sjellje dhe moral t\u00eb lart\u00eb njer\u00ebzor,familjar dhe shoq\u00ebror; nd\u00ebrsa ferri, i gatsh\u00ebm t\u00eb pres\u00eb t\u00eb gjith\u00eb ata q\u00eb kan\u00eb vese t\u00eb k\u00ebqija,t\u00eb d\u00ebmshme dhe me munges\u00eb morali njer\u00ebzor. N\u00eb ferr pasqyrohen\u00a0 ngjarje t\u00eb jet\u00ebs tok\u00ebsore, t\u00eb mbushura plot me vese t\u00eb k\u00ebqija. Nd\u00ebrsa n\u00eb parajs\u00eb ka vend vet\u00ebm p\u00ebr njer\u00ebzit me virtyte morale,q\u00eb kryejn\u00eb veprimtari normale njer\u00ebzore. Kjo vep\u00ebr \u00ebsht\u00eb interesante se ka arritur t\u00eb p\u00ebrshkruaj\u00eb me holl\u00ebsi dhe t\u00eb diferencoj\u00eb grupime t\u00eb p\u00ebrcaktuara me veprime dhe gjeste q\u00eb d\u00ebnohen nga morali shoq\u00ebror, besimi dhe feja. N\u00eb vep\u00ebr gjejm\u00eb p\u00ebrshkrime ngjarjesh, momente te ve\u00e7anta nga veprimtaria shoq\u00ebrore.<\/p>\n

Por me r\u00ebnd\u00ebsi \u00ebsht\u00eb p\u00ebrshkrimi real dhe i holl\u00ebsish\u00ebm i veshjeve tradicionale t\u00eb qytetar\u00ebve katolik\u00eb t\u00eb Shkodr\u00ebs. Nisur nga nj\u00eb tematik\u00eb dhe subjekt fetar, artisti i referohet artit popullor si nj\u00eb perceptim real i vlerave. N\u00eb k\u00ebt\u00eb vep\u00ebr, nd\u00ebr t\u00eb tjera, dallon dhe nj\u00eb skem\u00eb gazmore shum\u00eb interesante \u201cAheng Shkodran\u201d. Vepra \u00ebsht\u00eb e mbushur me skema folklorike dhe grupime t\u00eb kompozuar me nj\u00eb fantazi t\u00eb madhe. Vepra t\u00eb tilla marrin p\u00ebrfytyrime t\u00eb ve\u00e7anta folklorike poetike. N\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb mund t\u00eb dallojm\u00eb p\u00ebrshkrimet e tipave shum\u00eb te pasur dhe me karaktere t\u00eb ndrysh\u00ebm. Vepra ka marre vlera te m\u00ebdha etnografike sepse personazhet, jan\u00eb veshur me kostume tradicionale. P\u00ebrve\u00e7 figurave t\u00eb muzikant\u00ebve ku gjejm\u00eb edhe vet\u00eb portretin e artistit, t\u00eb tjer\u00ebt jan\u00eb duke k\u00ebnduar e g\u00ebzuar, n\u00eb m\u00ebnyr\u00eb origjinale. Mes k\u00ebsaj atmosfere g\u00ebzimi, spikasin dhe figurat e sh\u00ebmtuara t\u00eb dy djajve, q\u00eb jan\u00eb pikturuar me nj\u00eb fantazi t\u00eb ve\u00e7ant\u00eb e t\u00eb \u00e7uditshme.<\/p>\n

Nga m\u00ebnyra se si veprojn\u00eb djajt\u00eb, duket sikur kan\u00eb ndikuar,p\u00ebr ti t\u00ebrhequr n\u00eb rrug\u00eb t\u00eb \u201ckeqe\u201d.\u00a0 Kjo skem\u00eb ka p\u00ebrshkrime figurash me l\u00ebvizje interesante, t\u00eb pikturuara me holl\u00ebsi dhe korrektes\u00eb etnografike, veshjet e qytetaris\u00eb s\u00eb Shkodr\u00ebs. Njer\u00ebzit n\u00eb kok\u00eb mbajn\u00eb, fes t\u00eb kuq me xhufke qe i varet mbrapa, (element me influence turke). K\u00ebmisha t\u00eb bardha, jelek\u00eb t\u00eb kuq me ornamentike t\u00eb pasur, q\u00ebndisur me gajtan me ngjyr\u00eb t\u00eb zez\u00eb, brez ku dominon ngjyra e kuqe. T\u00eb gjith\u00eb kan\u00eb benevrek\u00eb t\u00eb err\u00ebt. Kjo \u00ebsht\u00eb p\u00ebrgjith\u00ebsisht atmosfera q\u00eb buron nga kostumografia q\u00eb \u00ebsht\u00eb padyshim veshje e shtres\u00ebs s\u00eb thjesht\u00eb qytetare. Nj\u00eb moment tjet\u00ebr n\u00eb k\u00ebt\u00eb tablo jan\u00eb dy kalor\u00ebsit e pasur, t\u00eb veshur me kostum tradicional. Ata udh\u00ebtojn\u00eb t\u00eb qet\u00eb mbi kuaj. Mbrapa u shkon nj\u00eb fshatar, q\u00eb me sa duket \u00ebsht\u00eb nj\u00eb nga sh\u00ebrb\u00ebtor\u00ebt e tyre. Ai dallon se ka nj\u00eb veshje tjet\u00ebr, q\u00eb p\u00ebrdoren n\u00eb fshatrat e zon\u00ebs, apo nga njer\u00ebz t\u00eb shtres\u00ebs t\u00eb ul\u00ebt shoq\u00ebrore.<\/p>\n

\"\" \"\" \"\" \"\"<\/p>\n

Nd\u00ebrsa kalor\u00ebsit kan\u00eb veshje qytetare me fes t\u00eb kuq, me jelek, brezorja me ornamente,ku duken pisqollat. Benevrek\u00eb t\u00eb err\u00ebt, me k\u00ebmbore t\u00eb bardh\u00eb dhe k\u00ebpuc\u00eb t\u00eb zeza. Kjo ka plot\u00ebsuar n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb kostumin tradicional q\u00eb p\u00ebrdoret nga qytetar\u00eb t\u00eb pasur dhe fisnike t\u00eb Shkodr\u00ebs. Nd\u00ebrsa fshatari n\u00eb kok\u00eb ka qeleshe t\u00eb bardh\u00eb, k\u00ebmish\u00eb t\u00eb bardh\u00eb, jelek t\u00eb err\u00ebt me m\u00ebng\u00eb t\u00eb shkurtra, me tirqet e bardha prej shajaku, me ornamente n\u00eb form\u00eb azhuri te zi, qe ndjek form\u00ebn anash deri posht\u00eb, af\u00ebr opingave. N\u00eb krah\u00eb ka hedhur nj\u00eb pushk\u00eb. \u00cbsht\u00eb e dukshme q\u00eb K.Idromeno, ka nj\u00eb opsesion pozitiv dhe lidhje t\u00eb pandar\u00eb vler\u00ebsimi dhe bashk\u00ebpunimi me folklorin dhe etnografin\u00eb. Madje, ky artist ka influencuar edhe te piktor\u00eb t\u00eb tjer\u00eb, q\u00eb t\u00eb nd\u00ebrtonin nj\u00eb lidhje emocionale dhe t\u00eb ve\u00e7ant\u00eb ndaj motiveve folklorike dhe elementeve etnografike.<\/p>\n

Botuar tek: Shqiptarja.Com, pa autor, me dt.24.08.2013.<\/em><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Vepra \u201cRrug\u00ebt e Jet\u00ebs\u201d(Dy Rruget)\u00a0 e Kol Idromenos(1896) \u00a0ka\u00a0 n\u00eb p\u00ebrmbajtje t\u00eb saj marr\u00ebdh\u00ebnien e njer\u00ebzve me moralin shoq\u00ebror dhe besimin fetar. N\u00eb k\u00ebt\u00eb kompozim figural nuk shohim ndonj\u00eb frym\u00eb mistike, sepse perceptimi artistik \u00ebsht\u00eb bazuar mbi veprimtarin\u00eb komplekse t\u00eb njeriut n\u00eb aktivitetin e zakonsh\u00ebm ditor. Nga m\u00ebnyra e konceptimit dhe p\u00ebrmbajtjes s\u00eb saj, vepra […]<\/p>\n","protected":false},"author":9,"featured_media":5953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,86],"tags":[],"class_list":["post-5952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/04\/1-Dy-Rruget-Kol-Idromeno-2.jpg?fit=960%2C720&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-1y0","jetpack-related-posts":[{"id":100168,"url":"https:\/\/www.shqiperia.com\/blog\/gjyzepina-kosturi-pervjetori-i-lindjes\/","url_meta":{"origin":5952,"position":0},"title":"Gjyzepina Kosturi. Pervjetori i lindjes","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 M\u00eb 12 maj 1912 lindi Gjyzepina Kosturi (1912-1985), soprano dramatike dhe nj\u00eb nga figurat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb muzik\u00ebs operistike shqiptare. U lind n\u00eb Tivar, n\u00eb nj\u00eb familje t\u00eb vjet\u00ebr shkodrane, bija e Gjok\u00eb Misloc\u00ebs dhe Paolina Kodhelit (Marubi), nd\u00ebrsa ishte edhe mbesa e fotografit t\u00eb famsh\u00ebm\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Gjyzepina-Kosturi.webp?fit=728%2C430&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Gjyzepina-Kosturi.webp?fit=728%2C430&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Gjyzepina-Kosturi.webp?fit=728%2C430&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Gjyzepina-Kosturi.webp?fit=728%2C430&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":100123,"url":"https:\/\/www.shqiperia.com\/blog\/fundi-i-nje-perandorie-roma-nuk-u-shkaterrua-nga-barbaret-thone-te-dhenat-nga-antropologjia-molekulare\/","url_meta":{"origin":5952,"position":1},"title":"Fundi i nj\u00eb Perandorie – Roma nuk u shkat\u00ebrrua nga barbar\u00ebt, thon\u00eb t\u00eb dh\u00ebnat nga antropologjia molekulare","author":"Kurt Farka","date":"May 11, 2026","format":false,"excerpt":"11 Maji 2026 Fundi i Perandoris\u00eb Romake t\u00eb Per\u00ebndimit u verifikua n\u00eb vitin 476 dhe gjithnj\u00eb \u00ebsht\u00eb lidhur me migrimet n\u00eb mas\u00eb t\u00eb popullsive t\u00eb evrop\u00ebs veriore. Pushtimet barbare dhe momenti i mb\u00ebrritjes s\u00eb klaneve sh\u00ebnoi fundin e dominimit romak duke ndryshuar asetet shoq\u00ebrore dhe demografike t\u00eb gjith\u00eb konintentit. Por\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/perandoria-romake.jpg?fit=1024%2C684&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/perandoria-romake.jpg?fit=1024%2C684&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/perandoria-romake.jpg?fit=1024%2C684&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/perandoria-romake.jpg?fit=1024%2C684&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":18770,"url":"https:\/\/www.shqiperia.com\/blog\/kol-nikolle-idromeno-piktor-dhe-personalitet-i-madh-i-artit-shqiptar\/","url_meta":{"origin":5952,"position":2},"title":"Kol (Nikoll\u00eb) Idromeno- piktor dhe personalitet i madh i artit shqiptar.-","author":"Kurt Farka","date":"March 27, 2019","format":false,"excerpt":"Kol (Nikoll\u00eb) Idromeno- piktor dhe personalitet i madh i artit shqiptar.- Kol\u00eb Idromeno (1860-1939), piktori i filozofimit t\u00eb penelat\u00ebs, artisti polidimensional\u00a0i piktur\u00ebs, fotografis\u00eb, arkitektur\u00ebs e muzik\u00ebs, n\u00eb kap\u00ebrcyell t\u00eb shekullit t\u00eb XIX-t\u00eb. 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Historia e Ganimete Cuk\u00ebs \u00ebsht\u00eb nj\u00eb prej tyre. 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