{"id":43797,"date":"2021-02-05T07:01:12","date_gmt":"2021-02-05T07:01:12","guid":{"rendered":"https:\/\/www.shqiperia.com\/blog\/?p=43797"},"modified":"2021-02-05T07:01:51","modified_gmt":"2021-02-05T07:01:51","slug":"simbole-mijeravjecare-ne-oxhakun-e-shtepise-se-fazli-bllates","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/simbole-mijeravjecare-ne-oxhakun-e-shtepise-se-fazli-bllates\/","title":{"rendered":"Simbole mij\u00ebravje\u00e7are\u00a0 ne Oxhakun e sht\u00ebpis\u00eb se Fazli Bllat\u00ebs"},"content":{"rendered":"

\"\"<\/p>\n

Simbole mij\u00ebravje\u00e7are\u00a0 ne Oxhakun e sht\u00ebpis\u00eb se Fazli Bllat\u00ebs<\/p>\n

Nga: Qazim Namani Emin Sallahu<\/strong><\/p>\n

Sht\u00ebpia e Fazli Bllat\u00ebs gjendet n\u00eb fshatin Rashan, t\u00eb komun\u00ebs s\u00eb Mitrovic\u00ebs. Kjo sht\u00ebpi e nd\u00ebrtuar me nj\u00eb teknik\u00eb t\u00eb lart\u00eb t\u00eb nd\u00ebrtimit n\u00eb nj\u00eb kodrin\u00eb piktoreske q\u00eb shtrihet diku rreth 500m n\u00eb an\u00ebn e djatht\u00eb prej shkoll\u00ebs s\u00eb fshatit pasqyron vlerat etno-kulturore t\u00eb rajonit.<\/p>\n

\"\"<\/p>\n

Sht\u00ebpia \u00ebsht\u00eb nd\u00ebrtuar n\u00eb mes t\u00eb dy luft\u00ebrave bot\u00ebrore, e cila i ka ruajtur tiparet e faz\u00ebs fillestare t\u00eb nd\u00ebrtimit. Objekti \u00ebsht\u00eb nd\u00ebrtuar n\u00eb dy kate, ku n\u00eb katin e par\u00eb ishte sht\u00ebpia e zjarrit me oxhak, nd\u00ebrsa n\u00eb katin e dyt\u00eb po ashtu kthina e pritjes me oxhak t\u00eb punuar me ornamente monumentale nga mjesht\u00ebr vendor. Lidhja n\u00eb mes t\u00eb kateve b\u00ebhej p\u00ebrmes shkall\u00ebve t\u00eb brendshme. Muret e sht\u00ebpis\u00eb ishin punuar me gur\u00eb t\u00eb gdhendur rrethanor, dhe n\u00eb disa k\u00ebnde e kishte edhe sistemin mbrojt\u00ebs t\u00eb fr\u00ebngjive.<\/p>\n

Arkitektura dhe stili i nd\u00ebrtimit t\u00eb k\u00ebsaj sht\u00ebpie tregon m\u00eb s\u00eb miri p\u00ebr kultur\u00ebn e banimit dhe aft\u00ebsit\u00eb e mjeshtrit shqiptar p\u00ebr t\u00eb realizuar vepra t\u00eb artit si\u00e7 paraqiten n\u00eb oxhakun e kthin\u00ebs s\u00eb k\u00ebsaj sht\u00ebpie n\u00eb katin e sip\u00ebrm.<\/p>\n

Guri i oxhakut i punuar n\u00eb vitin 1934, tregon m\u00eb s\u00eb miri p\u00ebr tradit\u00ebn e skalitjes s\u00eb gur\u00ebve nga mjesht\u00ebr popullor\u00eb t\u00eb k\u00ebsaj ane. Motivet e skalitura n\u00eb k\u00ebt\u00eb gur\u00eb jan\u00eb t\u00eb punuara n\u00eb m\u00ebnyr\u00eb t\u00eb\u00a0 \u00a0p\u00ebrsosur ku kemi paraqitjet simetrike t\u00eb figurave dhe simboleve me dometh\u00ebnie q\u00eb i japin kuptim t\u00eb plot\u00eb gjendjes politike, sociale dhe ekonomike p\u00ebr popullat\u00ebn shqiptare n\u00eb mes t\u00eb dy luft\u00ebrave bot\u00ebrore.<\/p>\n

\"\" \"\"<\/p>\n

Si\u00e7 shihet posht\u00eb n\u00eb t\u00eb dy an\u00ebt e gurit t\u00eb skalitur paraqiten brinj\u00ebt e cjapit si simbol i lasht\u00eb te popullata iliro-dardane. Sip\u00ebr gurit ku ndizej vatra n\u00eb t\u00eb dy an\u00ebt \u00ebsht\u00eb skalitur ena e ushqimit dhe simbolet e lashta astrale t\u00eb h\u00ebn\u00ebs dhe diellit, q\u00eb tregojn\u00eb mikpritjen dhe bujarin\u00eb e familjeve shqiptare.<\/p>\n

N\u00eb pjes\u00ebn qendrore t\u00eb gurit \u00ebsht\u00eb skalitur ylli gjasht\u00ebcep\u00ebsh, duke u plot\u00ebsuar n\u00eb mes t\u00eb brinj\u00ebve me yllin pes\u00ebcep\u00ebsh, nd\u00ebrsa n\u00eb qend\u00ebr t\u00eb bashkimit t\u00eb dy trek\u00ebnd\u00ebshave barabrinj\u00ebs \u00ebsht\u00eb paraqitur rozeta si simbol i diellit.<\/p>\n

N\u00eb mes t\u00eb dy simboleve t\u00eb yllit gjasht\u00ebcep\u00ebsh \u00ebsht\u00eb shkruar numri i dat\u00ebs, muajit dhe vitit t\u00eb punimit t\u00eb gurit, nd\u00ebrsa posht\u00eb k\u00ebtij shkrimi po ashtu jan\u00eb skalitur dy yje pes\u00ebcep\u00ebshe, brenda rrethit, q\u00eb paraqesin fazat e para t\u00eb l\u00ebvizjes komuniste n\u00eb k\u00ebto an\u00eb. Mbi p\u00ebrshkrim jan\u00eb skalitur dy katrore q\u00eb peshojn\u00eb n\u00eb brinj\u00eb, nd\u00ebrsa mbi k\u00ebta dy katror\u00eb prap\u00eb jan\u00eb skalitur dy yje pes\u00ebcep\u00ebshe po ashtu t\u00eb mbyllura n\u00eb rreth. Paraqitja e katrorit n\u00eb gur p\u00ebrfaq\u00ebson tok\u00ebn, vendin n\u00eb besim, ku n\u00eb rastin konkret n\u00eb m\u00ebnyr\u00eb figurative shprehet rreziku i humbjes s\u00eb tok\u00ebs q\u00eb p\u00ebrkon me at\u00eb periudh\u00eb kohore t\u00eb kolonizimit. N\u00eb t\u00eb dy an\u00ebt e k\u00ebtyre dy yjeve pes\u00ebcep\u00ebshe \u00ebsht\u00eb skalitur nga nj\u00eb kat\u00ebrk\u00ebnd\u00ebsh dhe nga nj\u00eb rozet\u00eb n\u00eb l\u00ebvizje n\u00eb drejtim t\u00eb kund\u00ebrt t\u00eb akrepave t\u00eb or\u00ebs. Edhe pse rozetat paraqiten n\u00eb drejtim t\u00eb kund\u00ebrt me akrepa t\u00eb or\u00ebs, k\u00ebtu kat\u00ebrk\u00ebnd\u00ebshi na paraqitet n\u00eb form\u00eb t\u00eb rregullt, q\u00eb simbolizon shpres\u00ebn e unitetit, bashkimit t\u00eb fiseve q\u00eb na paraqiten t\u00eb punuara sip\u00ebr dy kat\u00ebrk\u00ebnd\u00ebshave.<\/p>\n

L\u00ebvizja e rozet\u00ebs n\u00eb drejtim t\u00eb kund\u00ebrt me akrepat e or\u00ebs tregon n\u00eb m\u00ebnyr\u00eb figurative p\u00ebr gjendjen e v\u00ebshtir\u00eb dhe pa perspektiv\u00eb p\u00ebr jet\u00eb t\u00eb popullat\u00ebs shqiptare gjat\u00eb k\u00ebtyre viteve t\u00eb sundimit nga Mbret\u00ebria Serbo-Kroato-Sllovene, periudh\u00eb kjo q\u00eb karakterizohet me fazat e kolonizimit t\u00eb tokave shqiptare me serb\u00eb, torturave, burgosjes, vrasjes dhe shp\u00ebrnguljes me dhun\u00eb t\u00eb popullat\u00ebs shqiptare p\u00ebr n\u00eb Turqi. N\u00eb pjes\u00ebn e sip\u00ebrme t\u00eb gurit \u00ebsht\u00eb punuar rozeta duke i bashkuar dy trek\u00ebnd\u00ebshat barabrinj\u00ebs, katror\u00ebve t\u00eb plot\u00ebsuar dhe trek\u00ebnd\u00ebshave tjer\u00eb mes brinj\u00ebve me lulen e jet\u00ebs n\u00eb mes, \u00a0t\u00eb cilat paraqesin bashkimin\u00a0 e dymb\u00ebdhjet\u00eb fiseve shqiptare brenda nj\u00eb rrethi q\u00eb simbolizon kultin e diellit.<\/p>\n

\"\"<\/p>\n

Me realizimin e veprave t\u00eb tilla d\u00ebshmohet se mjeshtri i jon\u00eb i tradit\u00ebs popullore edhe pse n\u00eb kushte shum\u00eb t\u00eb v\u00ebshtira n\u00eb vazhdim\u00ebsi ka treguar aft\u00ebsit\u00eb e tij p\u00ebr ta paraqitur gjendjen shpirt\u00ebrore dhe emocionale ndaj vuajtjeve t\u00eb popullit n\u00eb p\u00ebrgjith\u00ebsi, p\u00ebrmes simboleve astrale, htonike dhe gjeometrike q\u00eb nga lasht\u00ebsia e deri n\u00eb dit\u00ebt e sotme, duke i realizuar n\u00eb veprat e artit aplikativ n\u00eb tekstil, dru dhe skalitjes n\u00eb gur\u00eb.<\/p>\n

Nga Revista Drini<\/p>\n","protected":false},"excerpt":{"rendered":"

Simbole mij\u00ebravje\u00e7are\u00a0 ne Oxhakun e sht\u00ebpis\u00eb se Fazli Bllat\u00ebs Nga: Qazim Namani Emin Sallahu Sht\u00ebpia e Fazli Bllat\u00ebs gjendet n\u00eb fshatin Rashan, t\u00eb komun\u00ebs s\u00eb Mitrovic\u00ebs. Kjo sht\u00ebpi e nd\u00ebrtuar me nj\u00eb teknik\u00eb t\u00eb lart\u00eb t\u00eb nd\u00ebrtimit n\u00eb nj\u00eb kodrin\u00eb piktoreske q\u00eb shtrihet diku rreth 500m n\u00eb an\u00ebn e djatht\u00eb prej shkoll\u00ebs s\u00eb fshatit pasqyron […]<\/p>\n","protected":false},"author":9,"featured_media":43798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[85,10,86],"tags":[],"class_list":["post-43797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-histori","category-kultura","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2021\/02\/simbolet2-Copy.jpg?fit=551%2C329&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-bop","jetpack-related-posts":[{"id":100579,"url":"https:\/\/www.shqiperia.com\/blog\/kuriozitet-ankand-rekord-ne-paris-segment-origjinal-i-kulles-eiffel-shkon-per-qindra-mijera-euro\/","url_meta":{"origin":43797,"position":0},"title":"Kuriozitet: – Ankand rekord n\u00eb Paris\/ Segment origjinal i Kull\u00ebs Eiffel shkon p\u00ebr qindra mij\u00ebra euro","author":"Kurt Farka","date":"May 22, 2026","format":false,"excerpt":"22 Maji 2026 Nj\u00eb pjes\u00eb origjinale e shkall\u00ebve t\u00eb Kull\u00ebs Eiffel n\u00eb Paris \u00ebsht\u00eb shitur n\u00eb ankand p\u00ebr 450 mij\u00eb e 160 euro, sipas Sht\u00ebpis\u00eb Franceze t\u00eb Ankandeve Artcurial. 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Fokus i hetimeve \u00ebsht\u00eb verifikimi i rolit dhe p\u00ebrgjegj\u00ebsis\u00eb s\u00eb efektiv\u00ebve t\u00eb policis\u00eb n\u00eb lejimin apo mosparandalimin e k\u00ebtyre nd\u00ebrtimeve t\u00eb paligjshme. 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Ajo nuk ruan gjurm\u00eb\u00a0 t\u00eb hajateve.\u2026","rel":"","context":"In "Histori"","block_context":{"text":"Histori","link":"https:\/\/www.shqiperia.com\/blog\/category\/histori\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/12\/shtepia-kongresi.jpg?fit=430%2C243&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1358,"url":"https:\/\/www.shqiperia.com\/blog\/shtepia-e-muhamer-shabanit-ne-perlepnice-gjilan-kosove\/","url_meta":{"origin":43797,"position":4},"title":"Sht\u00ebpia e Muhamer Shabanit n\u00eb P\u00ebrlepnic\u00eb (Gjilan) -Kosove","author":"Kurt Farka","date":"January 15, 2018","format":false,"excerpt":"Sht\u00ebpia e Muhamer Shabanit gjendet n\u00eb fshatin P\u00ebrlepnic\u00eb t\u00eb komun\u00ebs s\u00eb Gjilanit-Kosove. Sht\u00ebpia \u00ebsht\u00eb nd\u00ebrtuar n\u00eb dekad\u00ebn e fundit t\u00eb shek. 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Konkretisht, vepra \u201cNumri 7A, 1948\u201d u shit t\u00eb h\u00ebn\u00ebn nga sht\u00ebpia e ankandeve Christie\u2019s\u2026","rel":"","context":"In "Arte"","block_context":{"text":"Arte","link":"https:\/\/www.shqiperia.com\/blog\/category\/arte\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Jackson-Pollock.png?fit=640%2C339&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Jackson-Pollock.png?fit=640%2C339&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Jackson-Pollock.png?fit=640%2C339&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/43797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/comments?post=43797"}],"version-history":[{"count":1,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/43797\/revisions"}],"predecessor-version":[{"id":43804,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/43797\/revisions\/43804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media\/43798"}],"wp:attachment":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media?parent=43797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/categories?post=43797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/tags?post=43797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}