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Simon Rrota, piktori q\u00eb i jetoi t\u00eb gjitha koh\u00ebt, nga monarkia te \u201cNjeriu i Ri\u201d<\/p>\n
16 dhjetor 2019<\/em><\/p>\n NGA RUBENS SHIMA<\/strong><\/p>\n SIMON RROTA, PIKTORI I RIGJETUR<\/strong><\/p>\n Historia e artit n\u00eb Shqip\u00ebri zakonisht paraqitet pa paraardh\u00ebs dhe ndoshta pa pasardh\u00ebs. E tashmja e ka t\u00eb pamundur t\u00eb eksploroj\u00eb apo n\u00ebnvizoj\u00eb \u00e7\u00ebshtjet e s\u00eb shkuar\u00ebs, k\u00ebrkimi n\u00eb historin\u00eb e artit nuk ekziston. Ekspozitat jan\u00eb t\u00eb zbrazura, pa gjurm\u00eb konceptesh historike, t\u00eb nj\u00ebjta n\u00eb paraqitje si gur\u00eb dominoje, q\u00eb shtyjn\u00eb nj\u00ebri-tjetrin n\u00eb rresht p\u00ebr nj\u00eb. N\u00eb k\u00ebt\u00eb mjedis t\u00eb zymt\u00eb artistik, pjes\u00ebmarrja para pak koh\u00ebsh n\u00eb promovimin e botimit monografik t\u00eb piktorit Simon Rrota, shkruar prej studiueses Suzana Varvarica, ishte nj\u00eb ngjarje me vler\u00eb p\u00ebr t\u00eb gjith\u00eb ata, q\u00eb jan\u00eb t\u00eb interesuar n\u00eb l\u00ebmin e historis\u00eb s\u00eb piktur\u00ebs n\u00eb Shqip\u00ebri. Nj\u00eb lib\u00ebr, nj\u00eb k\u00ebrkim i vlefsh\u00ebm, trajtuar n\u00eb form\u00eb jet\u00ebshkrimore, q\u00eb shkund disi pluhurin e harres\u00ebs historike, e cila prej dekadash mbuloi krijimtarin\u00eb e nj\u00eb prej piktor\u00ebve t\u00eb par\u00eb shqiptar\u00eb, Simon Rrot\u00ebs. Artist, q\u00eb p\u00ebrfshin n\u00eb vetvete nj\u00eb dikotomi, nj\u00eb kontrast t\u00eb fort\u00eb mes amatorit dhe profesionistit, mes romantizmit f\u00ebmij\u00ebror dhe avitjes realiste n\u00eb piktur\u00eb. Piktur\u00eb q\u00eb manifeston n\u00eb thelb vones\u00ebn e skajshme historike, n\u00eb raport me zhvillimet e artit europian. Si n\u00eb nj\u00eb eksperiment laboratorik shkak\u2013pasoj\u00eb, vonesa historike tjet\u00ebrsohet n\u00eb veti, n\u00eb tipar dallues, q\u00eb paracakton filles\u00ebn e piktur\u00ebs dhe historis\u00eb s\u00eb artit shqiptar. Konstante kjo, p\u00ebr gjith\u00eb grupin e aventurier\u00ebve pionier\u00eb, amator\u00eb dhe profesionist\u00eb, t\u00eb shkolluar ose jo, q\u00eb l\u00ebvruan piktur\u00ebn, arkitektur\u00ebn, fotografin\u00eb, nga fillimi i shek. XX deri n\u00eb periudh\u00ebn mes dy luft\u00ebrave bot\u00ebrore. Dhe, n\u00eb m\u00ebnyr\u00ebn e tyre t\u00eb pazakont\u00eb, sh\u00ebnjuan fillimin e historis\u00eb s\u00eb artit n\u00eb vend.<\/p>\n Simon Rrota, piktori q\u00eb i jetoi t\u00eb gjitha koh\u00ebt, nga monarkia te \u201cNjeriu i Ri\u201d \u201cPusi i fshatit\u201d, 1934<\/p>\n Krijimtaria e piktor\u00ebve udh\u00eb\u00e7el\u00ebs t\u00eb piktur\u00ebs shqiptare, p\u00ebrfshir\u00eb edhe vepr\u00ebn e Simon Rrot\u00ebs, fillimisht u trajtua si n\u00ebnprodukt piktorik. U ligj\u00ebrua si folklorike, u konsiderua e padobishme prej gjenerat\u00ebs s\u00eb piktor\u00ebve t\u00eb rinj, q\u00eb kishin marr\u00eb p\u00ebrsip\u00ebr t\u00eb nd\u00ebrtonin virtualisht, me penel dhe boj\u00eb, socializmin dydimensional. M\u00eb pas, trajektorja historike do t\u00eb ndryshonte n\u00ebn nj\u00eb drit\u00eb t\u00eb re zhvillimesh politike rreth fundit t\u00eb regjimit. Piktura e Rrot\u00ebs u pa dhe shfryt\u00ebzua si material ilustrativ, nj\u00eb lloj l\u00ebnde pleh\u00ebruese p\u00ebr p\u00ebrforcimin e ides\u00eb nacionaliste dhe fiksioneve t\u00eb saj.<\/p>\n Subjektet e pikturuara prej tij si Sk\u00ebnderbeu dhe betejat e tij, mal\u00ebsor\u00ebt, grat\u00eb me veshjet shum\u00ebngjyr\u00ebshe, q\u00eb popullonin peizazhet e nj\u00eb toke t\u00eb begat\u00eb, p\u00ebrputheshin me nevojat e makin\u00ebs propagandistike t\u00eb koh\u00ebs. Ato sh\u00ebrbenin si shtresa imazhesh mbivendos\u00ebse p\u00ebr projektimin e klishes\u00eb s\u00eb shqiptarit t\u00eb pap\u00ebrkulsh\u00ebm, trash\u00ebgim historik i \u201cNjeriut t\u00eb Ri\u201d.<\/p>\n Duke sajuar nj\u00eb histori arti identike me historin\u00eb politike zyrtare t\u00eb regjimit diktatorial, vepra e Simon Rrot\u00ebs dhe periudha e bashk\u00ebkoh\u00ebsve t\u00eb tij, si Kol\u00eb Idromeno, Spiro Xega, Zef Kolombi etj., u cil\u00ebsua zyrtarisht si \u201cArti i Rilindjes Komb\u00ebtare\u201d. Puna e tyre u paraqit si nj\u00eb p\u00ebrpjekje p\u00ebr ngjizjen e ideve komb\u00ebtare dhe atdhetare t\u00eb nj\u00eb grupi patriot\u00ebsh me penel n\u00eb dor\u00eb p\u00ebr \u00e7\u00ebshtjen shqiptare. Nj\u00eb stereotip banal, q\u00eb retushoi dhe transformoi faktin historik n\u00eb p\u00ebrrall\u00eb.<\/p>\n Simon Rrota, piktori q\u00eb i jetoi t\u00eb gjitha koh\u00ebt, nga monarkia te \u201cNjeriu i Ri\u201d Por e v\u00ebrteta e pap\u00ebrshtatshme p\u00ebr historin\u00eb e djeshme dhe ndoshta dhe t\u00eb sotme, \u00ebsht\u00eb sa e thjesht\u00eb aq edhe njer\u00ebzore; piktor\u00ebt e fillimshekullit XX, p\u00ebrfshir\u00eb dhe Simon Rrot\u00ebn, ishin zanat\u00e7inj t\u00eb lir\u00eb, komer\u00e7ant\u00eb q\u00eb tregtonin dhe nxirrnin jetes\u00ebn n\u00eb saj\u00eb t\u00eb profesioneve si piktura, fotografia, prodhimi i kartolinave dhe gjith\u00e7kaje tjet\u00ebr q\u00eb mund\u00ebsonte zeja e artit dhe prej s\u00eb cil\u00ebs mund t\u00eb fitoje para. Pikturonin sipas k\u00ebrkesave dhe porosive; nga Sk\u00ebnderbeu n\u00eb kal\u00eb, tek Ahmet Zogu po n\u00eb t\u00eb nj\u00ebjtin kal\u00eb; nga portrete t\u00eb ushtar\u00ebve t\u00eb huaj, te portretet e \u00e7ifteve t\u00eb martuara; nga grat\u00eb me veshjet tradicionale, te peizazhet idilike me mjellma dhe uj\u00ebvara.<\/p>\n Subjektet e pikturuara diktoheshin m\u00eb s\u00eb shumti nga k\u00ebrkesat e koh\u00ebs dhe trendet e saj. Nuk kish alternativ\u00eb tjet\u00ebr n\u00eb nj\u00eb vend ku piktura duhej t\u00eb shpikej nga e para. Liria artistike as ndihmonte dhe as hynte n\u00eb pun\u00eb. Marr\u00ebdh\u00ebnia e artit me pushtetin dhe tregun vazhdon t\u00eb jet\u00eb problem edhe sot e k\u00ebsaj dite n\u00eb Shqip\u00ebri. N\u00eb periudh\u00ebn kur jetoi dhe punoi Rrota, puna e tij orientohej dhe diktohej n\u00eb p\u00ebrmbushjen e k\u00ebrkesave dhe porosive t\u00eb shtres\u00ebs s\u00eb borgjezis\u00eb orientale shqiptare. Subjektet, personazhet dhe cil\u00ebsia piktorike e vepr\u00ebs s\u00eb tij \u00ebsht\u00eb e nj\u00ebtrajtshme me mend\u00ebsin\u00eb kulturore t\u00eb Shqip\u00ebris\u00eb s\u00eb atyre viteve. Krijimtaria q\u00eb la pas duhet par\u00eb dhe mir\u00ebkuptuar gjithnj\u00eb n\u00eb kontekst historik dhe zhvillimor t\u00eb nj\u00eb shoq\u00ebrie, q\u00eb sapo kish filluar t\u00eb ndryshonte jetes\u00ebn primitive st\u00ebrgjyshore. I till\u00eb ishte Simon Rrota, nj\u00eb artizan, q\u00eb deri n\u00eb fund t\u00eb jet\u00ebs e ushtroi piktur\u00ebn si zeje pavar\u00ebsisht koh\u00ebve q\u00eb jetoi: monarki, fashiz\u00ebm, socializ\u00ebm. Vite me par\u00eb, gjat\u00eb nj\u00eb k\u00ebrkimi n\u00eb Arkivin Qendror hasa n\u00eb nj\u00eb jet\u00ebshkrim t\u00eb Kol\u00eb Idromenos, shkruar n\u00eb 1961 prej Lec \u00c7ob\u00ebs, nj\u00eb material biografik, i cili ende pret drit\u00ebn e botimit prej gjysm\u00ebshekulli. Tek e shfletoja, m\u00eb t\u00ebrhoqi v\u00ebmendjen nj\u00eb bised\u00eb nd\u00ebrmjet dy piktor\u00ebve shkodran\u00eb, ku Kol\u00eb Idromeno i drejtohej me fjal\u00eb leht\u00ebsuese Simon Rrot\u00ebs: \u201cSimon, q\u00ebndro i fort\u00eb, mos u demoralizo, se do t\u00eb vij\u00eb zamani nj\u00eb dit\u00eb edhe p\u00ebr pun\u00ebn ton\u00eb\u201d. Si p\u00ebr ironi t\u00eb fatit, zamani p\u00ebr k\u00ebt\u00eb burr\u00eb zamani nuk erdhi as nga koha e Partis\u00eb e as nga institucionet e artit apo nga ndonj\u00eb p\u00ebrpjekje e familjar\u00ebve t\u00eb tij, por nga dy koleksionist\u00eb t\u00eb v\u00ebmendsh\u00ebm, Kozma Dashi dhe Leonidha \u00c7obo, t\u00eb cil\u00ebt me kushtim mb\u00ebshtet\u00ebn dhe financuan botimin e gjer\u00eb dhe t\u00eb holl\u00ebsish\u00ebm t\u00eb vepr\u00ebs s\u00eb tij. D\u00ebshira p\u00ebr t\u00eb koleksionuar vepr\u00ebn e Rrot\u00ebs, shpejt u z\u00ebvend\u00ebsua nga interesi n\u00eb hulumtimin e historis\u00eb, koh\u00ebs n\u00eb t\u00eb cil\u00ebn jetoi dhe ndikimeve t\u00eb ndryshme n\u00eb piktur\u00ebn e tij. Krejt ndryshe nga mend\u00ebsia tipike e koleksionistit fillestar, i cili nuk e tejkalon dot vetveten n\u00eb nevoj\u00ebn mburravece p\u00ebr t\u00eb poseduar nj\u00eb vep\u00ebr arti thjesht p\u00ebr status shoq\u00ebror, financuesit e k\u00ebtij botimi kuptuan se ish n\u00eb interesin publik, n\u00eb dobi t\u00eb k\u00ebrkimit artistik, zbulimi i plot\u00eb i vepr\u00ebs s\u00eb harruar t\u00eb Simon Rrot\u00ebs.<\/p>\n Simon Rrota, piktori q\u00eb i jetoi t\u00eb gjitha koh\u00ebt, nga monarkia te \u201cNjeriu i Ri\u201d Dy dekadat e fundit t\u00eb jet\u00ebs Rrota i kaloi n\u00ebn regjimin diktatorial. \u201cRevolucionin popullor\u201d e p\u00ebrjetoi i t\u00ebrhequr dhe relativisht n\u00eb mosh\u00eb t\u00eb thyer. Traditat, kultura, feja, familjet dhe burrat e z\u00ebsh\u00ebm t\u00eb koh\u00ebs s\u00eb tij po zhdukeshin nga tabloja e madhe e historis\u00eb, gjith\u00e7ka kish besuar m\u00eb par\u00eb po p\u00ebrmbysej me shpejt\u00ebsi. N\u00eb kushtet e reja t\u00eb krijuara provon t\u2019i qaset \u201cartit t\u00eb pushtetit t\u00eb popullit\u201d. Grat\u00eb e dikurshme me kostumet shum\u00ebngjyr\u00ebshe pikturohen ulur byth\u00eb pem\u00ebs, duke lexuar gazet\u00ebn. Si n\u00eb mrekullit\u00eb biblike, fshataret e djeshme analfabete t\u00eb Rrot\u00ebs shnd\u00ebrrohen n\u00eb lexuese t\u00eb rregullta gazetash, t\u00eb interesuara p\u00ebr p\u00ebrparimin socialist t\u00eb vendit. Kjo p\u00ebrshtatje me k\u00ebrkes\u00ebn zyrtare evidentohet edhe n\u00eb tema t\u00eb tjera, t\u00eb pikturuara, si n\u00eb tablot\u00eb: \u201cNd\u00ebrtimi i fshatit t\u00eb ri\u201d apo peizazhin \u201cN\u00eb stacionin e traktor\u00ebve\u201d. Pavar\u00ebsisht p\u00ebrpjekjeve rishtare p\u00ebr aderim n\u00eb realizmin socialist, marr\u00ebdh\u00ebnia e Rrot\u00ebs me k\u00ebt\u00eb art ishte nj\u00eb d\u00ebshtim mbres\u00ebl\u00ebn\u00ebs. M\u00ebnyra e t\u00eb pikturuarit, bot\u00ebkuptimi dhe formimi i tij akademik nuk ia mund\u00ebsonte as dometh\u00ebnien e as pajtimin me dogm\u00ebn e realizmit socialist. Piktura e tij ishte e dh\u00ebn\u00eb pas detajit dhe subjekteve si familja, objektet familjare, grat\u00eb me kostumet tradicionale, mal\u00ebsor\u00ebt n\u00eb peizazhin intim, pjes\u00eb e nj\u00eb bote t\u00eb humbur dhe t\u00eb harruar. Piktura e tij ishte krijuar p\u00ebr soditje, p\u00ebr p\u00ebrhumbje, tipare diametralisht t\u00eb kund\u00ebrta me artin e ri. \u201cNjeriu i Ri\u201d nuk mund t\u00eb humbte n\u00eb loj\u00ebrat dhe hilet e detajit apo t\u00eb zhytej n\u00eb mendimet e nj\u00eb bote t\u00eb vjet\u00ebr. P\u00ebr artin e realizmit socialist, mesazhi politik ishte q\u00ebllimi par\u00ebsor dhe final. Arti ishte shnd\u00ebrruar n\u00eb mjet propagande, p\u00ebr\u00e7ues ideologjik, p\u00ebrhap\u00ebs dhe mb\u00ebshtet\u00ebs i q\u00ebllimeve t\u00eb partis\u00eb-shtet. I t\u00ebrhequr, Simon Rrota kuptoi se koha e tij p\u00ebrfundoi para jet\u00ebs. Perdja u ul n\u00eb vitin 1961.<\/p>\n Me vdekjen e tij, nj\u00eb udh\u00ebtim i ri do t\u00eb niste. Ai n\u00ebp\u00ebr historin\u00eb e shkurt\u00ebr, por t\u00eb ngat\u00ebrruar t\u00eb piktur\u00ebs shqiptare.<\/p>\n Gazeta Panorama.<\/p>\n","protected":false},"excerpt":{"rendered":" Simon Rrota, piktori q\u00eb i jetoi t\u00eb gjitha koh\u00ebt, nga monarkia te \u201cNjeriu i Ri\u201d 16 dhjetor 2019 NGA RUBENS SHIMA SIMON RROTA, PIKTORI I RIGJETUR Historia e artit n\u00eb Shqip\u00ebri zakonisht paraqitet pa paraardh\u00ebs dhe ndoshta pa pasardh\u00ebs. E tashmja e ka t\u00eb pamundur t\u00eb eksploroj\u00eb apo n\u00ebnvizoj\u00eb \u00e7\u00ebshtjet e s\u00eb shkuar\u00ebs, k\u00ebrkimi n\u00eb […]<\/p>\n","protected":false},"author":9,"featured_media":29398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,86],"tags":[],"class_list":["post-29397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/12\/rrota03.jpg?fit=2080%2C1250&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-7E9","jetpack-related-posts":[{"id":100303,"url":"https:\/\/www.shqiperia.com\/blog\/amedeo-modigliani-vjen-ne-tirane\/","url_meta":{"origin":29397,"position":0},"title":"Amedeo Modigliani vjen ne Tiran\u00eb","author":"Kurt Farka","date":"May 15, 2026","format":false,"excerpt":"15 Maji 2026 Ekspozita e mb\u00ebshtetur nga \u201cLuarasi\u201d sjell artin e shek.XX p\u00ebr shqiptar\u00ebt Amedeo Modigliani, nj\u00eb figur\u00eb emblematike e artit t\u00eb shekullit t\u00eb 20-t\u00eb vjen n\u00eb Tiran\u00eb p\u00ebrmes veprave t\u00eb tij. N\u00eb galerin\u00eb Kalo, nj\u00eb ekspozit\u00eb e mb\u00ebshtetur nga Universiteti Luarasi, u \u00e7el n\u00eb nj\u00eb mbr\u00ebmje t\u00eb rezervuar p\u00ebr\u2026","rel":"","context":"In "Arte"","block_context":{"text":"Arte","link":"https:\/\/www.shqiperia.com\/blog\/category\/arte\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Amedeo-Modigliani-2.jpg?fit=1200%2C750&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Amedeo-Modigliani-2.jpg?fit=1200%2C750&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Amedeo-Modigliani-2.jpg?fit=1200%2C750&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Amedeo-Modigliani-2.jpg?fit=1200%2C750&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Amedeo-Modigliani-2.jpg?fit=1200%2C750&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":100164,"url":"https:\/\/www.shqiperia.com\/blog\/alarm-apo-histori-e-harruar-rasti-i-pare-i-hantavirus-ne-shqiperi\/","url_meta":{"origin":29397,"position":1},"title":"Alarm apo histori e harruar? – Rasti i par\u00eb i Hantavirus n\u00eb Shqip\u00ebri","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 Nj\u00eb rast i Hantavirus \u00ebsht\u00eb identifikuar n\u00eb Shqip\u00ebri q\u00eb rreth kat\u00ebr dekada m\u00eb par\u00eb, duke treguar se prania e k\u00ebtij virusi n\u00eb vend nuk \u00ebsht\u00eb nj\u00eb fenomen i ri, por nj\u00eb realitet i dokumentuar q\u00eb prej viteve \u201980. Referuar nj\u00eb publikimi n\u00eb revist\u00ebn prestigjioze The Lancet, rasti\u2026","rel":"","context":"In "Histori"","block_context":{"text":"Histori","link":"https:\/\/www.shqiperia.com\/blog\/category\/histori\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/640-0-5f86265b9546d1befb9e98e9744fc0c5-1.jpeg?fit=640%2C360&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/640-0-5f86265b9546d1befb9e98e9744fc0c5-1.jpeg?fit=640%2C360&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/640-0-5f86265b9546d1befb9e98e9744fc0c5-1.jpeg?fit=640%2C360&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":100161,"url":"https:\/\/www.shqiperia.com\/blog\/agjencia-telegrafike-me-ekspozite-shpalos-historine-e-lajmit-shqiptar\/","url_meta":{"origin":29397,"position":2},"title":"Agjencia Telegrafike me ekspozit\u00eb shpalos historin\u00eb e lajmit shqiptar","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 Ekspozita e Agjencis\u00eb Telegrafike duket se po zgjon kureshtje jo t\u00eb vog\u00ebl. Agjencia raporton se qindra turist\u00eb t\u00eb huaj jan\u00eb ndalur t\u00eb vizitojn\u00eb me k\u00ebrsh\u00ebri ekspozit\u00ebn e \u00e7elur n\u00eb Kalan\u00eb e Tiran\u00ebs nga Agjencia Telegrafike Shqiptare, me tem\u00eb \u201cATSH \u2013 Nj\u00eb rrug\u00ebtim n\u00eb historin\u00eb e lajmit shqiptar\u201d.\u2026","rel":"","context":"In "Kultura"","block_context":{"text":"Kultura","link":"https:\/\/www.shqiperia.com\/blog\/category\/kultura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/0dac2990-5481-4e1a-bc5f-856643659817.jpg?fit=870%2C519&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/0dac2990-5481-4e1a-bc5f-856643659817.jpg?fit=870%2C519&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/0dac2990-5481-4e1a-bc5f-856643659817.jpg?fit=870%2C519&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/0dac2990-5481-4e1a-bc5f-856643659817.jpg?fit=870%2C519&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":100155,"url":"https:\/\/www.shqiperia.com\/blog\/kullat-e-boshta-dhe-xhepat-e-zbrazet-pied-a-terre-ne-tirane\/","url_meta":{"origin":29397,"position":3},"title":"Kullat e boshta dhe xhepat e zbraz\u00ebt: – Pied-\u00e0-terre n\u00eb Tiran\u00eb","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 Nga: Adrian Thano Ekuilibri \u00ebsht\u00eb zgjidhja. Nj\u00eb shoq\u00ebri e sh\u00ebndetshme nuk duhet as t\u00eb adhuroj\u00eb miliarder\u00ebt si per\u00ebndi dhe as t\u2019i trajtoj\u00eb k\u00ebta si armiq publik\u00eb. Pasuria duhet t\u00eb mbaj\u00eb p\u00ebrgjegj\u00ebsi, taksa duhet t\u00eb mbetet instrument ekonomie. K\u00ebtu vijm\u00eb te p\u00ebrshtatja e k\u00ebtij debati n\u00eb aktualitetin shqiptar.\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Screenshot_20260511_134013_Gallery.jpg?fit=720%2C494&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Screenshot_20260511_134013_Gallery.jpg?fit=720%2C494&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Screenshot_20260511_134013_Gallery.jpg?fit=720%2C494&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/Screenshot_20260511_134013_Gallery.jpg?fit=720%2C494&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":100415,"url":"https:\/\/www.shqiperia.com\/blog\/raporti-i-iom-brezi-i-dyte-i-emigranteve-shqiptare-pothuajse-eshte-asimiluar\/","url_meta":{"origin":29397,"position":4},"title":"Raporti i IOM: Brezi i dyt\u00eb i emigrant\u00ebve shqiptar\u00eb pothuajse \u00ebsht\u00eb asimiluar","author":"Kurt Farka","date":"May 18, 2026","format":false,"excerpt":"18 Maji 2026 Shqip\u00ebria jo vet\u00ebm q\u00eb nuk po p\u00ebrfiton nga potencialet e diaspor\u00ebs po duket se po humbet t\u00ebr\u00ebsisht lidhjet pasi brezi i dyt\u00eb pothuajse \u00ebsht\u00eb asimiluar dhe nuk gjen shum\u00eb lidhje me vendin. Nj\u00eb studim i fundit i Organizat\u00ebs Nd\u00ebrkomb\u00ebtare p\u00ebr Migracionin (IOM) q\u00eb ka n\u00eb fokus riintegrimin\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/diaspora.jpg?fit=890%2C606&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/diaspora.jpg?fit=890%2C606&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/diaspora.jpg?fit=890%2C606&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/diaspora.jpg?fit=890%2C606&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":100145,"url":"https:\/\/www.shqiperia.com\/blog\/sekreti-i-erret-i-familjes-holandeze-zbulohet-pas-80-vitesh-piktura-e-grabitur-nga-nazistet-e-koleksionistit-hebre\/","url_meta":{"origin":29397,"position":5},"title":"Sekreti i err\u00ebt i familjes holandeze, zbulohet pas 80 vitesh piktura e grabitur nga nazist\u00ebt e koleksionistit hebre","author":"Kurt Farka","date":"May 12, 2026","format":false,"excerpt":"12 Maji 2026 Nj\u00eb piktur\u00eb e vjedhur nga nazist\u00ebt gjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore \u00ebsht\u00eb zbuluar n\u00eb sht\u00ebpin\u00eb e pasardh\u00ebsve t\u00eb nj\u00eb bashk\u00ebpun\u00ebtori t\u00eb njohur holandez t\u00eb regjimit nazist, duke rikthyer n\u00eb v\u00ebmendje plag\u00ebt e grabitjes s\u00eb veprave t\u00eb artit gjat\u00eb luft\u00ebs. B\u00ebhet fjal\u00eb p\u00ebr vepr\u00ebn \u201cPortreti i nj\u00eb Vajze\u2026","rel":"","context":"In "Arte"","block_context":{"text":"Arte","link":"https:\/\/www.shqiperia.com\/blog\/category\/arte\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/portreti.webp?fit=1024%2C576&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/portreti.webp?fit=1024%2C576&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/portreti.webp?fit=1024%2C576&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/05\/portreti.webp?fit=1024%2C576&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/29397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/comments?post=29397"}],"version-history":[{"count":1,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/29397\/revisions"}],"predecessor-version":[{"id":29402,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/posts\/29397\/revisions\/29402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media\/29398"}],"wp:attachment":[{"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/media?parent=29397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/categories?post=29397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shqiperia.com\/blog\/wp-json\/wp\/v2\/tags?post=29397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/12\/Simon_Rrota_Tek_pusi_i_fshatit_1934.jpg?resize=747%2C523&ssl=1\")
16 dhjetor 2019
NGA RUBENS SHIMA<\/p><\/div>\n![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/12\/rrota03-1.jpg?resize=748%2C449&ssl=1\")
16 dhjetor 2019
NGA RUBENS SHIMA<\/p><\/div>\n![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/12\/simon-rrota.jpg?resize=815%2C685&ssl=1\")
16 dhjetor 2019
NGA RUBENS SHIMA<\/p><\/div>\n