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LAJME KOTRADIKTORE NGA ARTI<\/p>\n
Leonardo da Vinci mund t\u00eb ket\u00eb pikturuar nj\u00eb tjet\u00ebr “Mona Liza”. Nj\u00eb betej\u00eb ligjore do t\u00eb shqyrtoj\u00eb autenticitetin dhe pretenduesin e nj\u00eb pjese t\u00eb piktur\u00ebs<\/p>\n
Ata jan\u00eb t\u00eb ngjashme por nuk jan\u00eb identike. Ata jan\u00eb aq t\u00eb famshme sa secila prej tyre pretendon mbi autenticitetin. Nj\u00eb prej kryeveprave t\u00eb mjeshtrit t\u00eb Rilindjes s\u00eb Art\u00eb, Leonardo da Vin\u00e7i, Mona Liza, e gjen veten n\u00eb nj\u00eb tjet\u00ebr aren\u00eb “p\u00ebrleshjesh”. Me flok\u00ebt e saj t\u00eb err\u00ebt dhe me buz\u00ebqeshjen fillestare, e ashtuquajtura “Mona Liza e Isleworth ” mban nj\u00eb ngjashm\u00ebri t\u00eb \u00e7uditshme me Mona Liz\u00ebn q\u00eb gjendet n\u00eb Louv\u00ebr.
\nP\u00ebr disa ekspert\u00eb, k\u00ebto ngjashm\u00ebri sugjerojn\u00eb se piktura \u00ebsht\u00eb nj\u00eb kopje e thjesht\u00eb, megjith\u00ebse nj\u00eb pjes\u00eb e vog\u00ebl e historian\u00ebve t\u00eb artit, besojn\u00eb se ajo ishte nj\u00eb version i hersh\u00ebm, i pap\u00ebrfunduar nga vet\u00eb Leonardo da Vin\u00e7i .
\nKy debat ka t\u00ebrbuar p\u00ebr dekada. Por tani portreti q\u00ebndron n\u00eb qend\u00ebr t\u00eb nj\u00eb mosmarr\u00ebveshjeje t\u00eb re: nj\u00eb betej\u00eb e af\u00ebrt ligjore mbi pron\u00ebsin\u00eb e saj. Dhe n\u00ebse shitja rekorde m\u00eb 2017 e nj\u00eb Leonardo tjet\u00ebr t\u00eb kontestuar – “Salvator Mundi”, v\u00ebrtetimi i t\u00eb cilit debatohet ende shum\u00eb – \u00ebsht\u00eb gjith\u00e7ka p\u00ebr tu diskutuar, mund t\u00eb ket\u00eb miliona dollar\u00eb n\u00eb loj\u00eb.
\nE njohur p\u00ebr disa si “Mona Lisa e hershme”, piktura ka kaluar pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb pes\u00eb dekadave t\u00eb shkuara e fshehura n\u00eb nj\u00eb kasafort\u00eb bankash zvicerane. E fituar nga nj\u00eb konsorcium i fsheht\u00eb n\u00eb vitin 2008, piktura \u00ebsht\u00eb ekspozuar n\u00eb nj\u00eb num\u00ebr galerish, m\u00eb s\u00eb shumti n\u00eb Singapor n\u00eb 2014 dhe Shanghai dy vjet m\u00eb von\u00eb.
\nPastaj, n\u00eb qershor, ajo u shfaq n\u00eb Palazzo Bastogi t\u00eb Firences, hera e par\u00eb q\u00eb \u00ebsht\u00eb par\u00eb n\u00eb publik n\u00eb Evrop\u00eb, k\u00ebt\u00eb shekull. Nd\u00ebrsa shfaqja arriti n\u00eb p\u00ebrfundimin e saj, nj\u00eb pretendues anonim \u00e7eli nj\u00eb betej\u00eb ligjore p\u00ebr nj\u00eb \u00e7erek t\u00eb pron\u00ebsis\u00eb s\u00eb k\u00ebsaj vepre arti.
\nAvokati i k\u00ebrkes\u00ebs, Giovanni Battista Protti, i cili, gjat\u00eb nj\u00eb interviste telefonike, do ta p\u00ebrshkruante klientin e tij si pjes\u00ebtar t\u00eb nj\u00eb “familje t\u00eb shquar evropiane”, thot\u00eb se ai ka prova historike q\u00eb tregojn\u00eb se ish-pronari i piktur\u00ebs pranoi t\u00eb shiste 25% t\u00eb aksioneve n\u00eb artin, q\u00eb u trash\u00ebgua m\u00eb pas nga klienti i tij. I shqet\u00ebsuar se piktura do t\u00eb zhduket p\u00ebrs\u00ebri n\u00eb nj\u00eb ruajtje n\u00eb Zvic\u00ebr, Protti ka k\u00ebrkuar nga nj\u00eb gjykat\u00eb e Firences q\u00eb ta sekuestroj\u00eb at\u00eb. K\u00ebrkesa do t\u00eb d\u00ebgjohet nga gjykata t\u00eb h\u00ebn\u00ebn.
\nPronar\u00ebt – ose pronar\u00ebt e shumic\u00ebs, sipas mendimit t\u00eb Protti – mbeten anonim\u00eb, dhe k\u00ebshtu nuk mund t\u00eb kontaktohen p\u00ebr p\u00ebrgjigje. Por nj\u00eb organizat\u00eb me qend\u00ebr n\u00eb Zyrih, e quajtur, Fondacioni “Mona Lisa”, e krijuar p\u00ebr t\u00eb hulumtuar historin\u00eb e piktur\u00ebs, nd\u00ebrsa k\u00ebmb\u00ebngul se \u00ebsht\u00eb “e ve\u00e7ant\u00eb ” nga pronar\u00ebt, tha n\u00ebp\u00ebrmjet nj\u00eb emaili se \u00e7\u00ebshtja e familjes \u00ebsht\u00eb “pa merit\u00eb”. Fondacioni “Mona Lisa” ka konfirmuar p\u00ebr CNN se do t\u00eb marr\u00eb pjes\u00eb n\u00eb seanc\u00ebn gjyq\u00ebsore.
\nNj\u00eb shekull pyetjesh
\nPretendimi i familjes s\u00eb paidentifikuar \u00ebsht\u00eb rr\u00ebnjosur n\u00eb historin\u00eb e gjall\u00eb t\u00eb piktur\u00ebs. Nd\u00ebrsa ekzistojn\u00eb boshll\u00ebqe t\u00eb m\u00ebdha n\u00eb origjin\u00ebn e saj t\u00eb hershme , historian\u00ebt e artit gjurmojn\u00eb historin\u00eb e vepr\u00ebs q\u00eb nga fillimi i shekullit t\u00eb 20-t\u00eb, kur u zbulua nga artisti dhe koleksionisti, Hugh Blaker, n\u00eb nj\u00eb sht\u00ebpi n\u00eb Angli.
\nBlaker e zhvendosi piktur\u00ebn n\u00eb studion e tij n\u00eb Isleworth, nj\u00eb vend n\u00eb periferi t\u00eb Londr\u00ebs per\u00ebndimore. Ai ishte i bindur se kjo tablo ishte portreti i m\u00ebhersh\u00ebm i nj\u00eb t\u00eb reje, t\u00eb quajtur, Lisa del Giocondo, realizuar nga mjeshtri i Rilindjes s\u00eb Art\u00eb. Dhe subjekt i “Mona Liz\u00ebs” n\u00eb Louv\u00ebr \u00ebsht\u00eb nj\u00eb realizim i m\u00ebvonsh\u00ebm nga Leonardo. K\u00ebt\u00eb pretendim, njerku i Blaker John Eyre, e shtron n\u00eb nj\u00eb botim me disa hulumtime ku n\u00eb thelb trajtohet se mjeshtri ishte i njohur si piktori q\u00eb realizonte disa versione t\u00eb t\u00eb nj\u00ebjt\u00ebs tablo.
\nPas vdekjes s\u00eb Blaker, punimet e artit iu shit\u00ebn koleksionistit, Henry F. Pulitzer. Si Blaker dhe Eyre, ai ishte i sigurt se kjo vep\u00ebr ishte autentike e Leonardos. Koleksionisti m\u00eb 1966 librin “Ku \u00ebsht\u00eb Mona Lisa?”, n\u00eb t\u00eb cil\u00ebn ai argumentoi se piktura e tij ishte, n\u00eb t\u00eb v\u00ebrtet\u00eb, \u00ebsht\u00eb portreti i vet\u00ebm i Xhokond\u00ebs s\u00eb Leonardos.
\nPulitzer e zhvendosi pun\u00ebn p\u00ebr nj\u00eb ruajtje m\u00eb t\u00eb specializuar n\u00eb Zvic\u00ebr m\u00eb 1975 dhe, pas vdekjes s\u00eb tij kat\u00ebr vjet m\u00eb von\u00eb, ia la partnerit t\u00eb tij, Elizabeth Meyer. Kur vet\u00eb Meyer vdiq m\u00eb 2008, “Mona Lisa e Isleworth” u mor nga konsorciumi nd\u00ebrkomb\u00ebtar q\u00eb aktualisht e zot\u00ebron at\u00eb – dhe Fondacioni “Mona Lisa” u krijua po at\u00eb vit p\u00ebr t\u00eb studiuar mbi origjin\u00ebn e saj.<\/p>\n
![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/09\/Mona-Liza-Copy.jpg?resize=710%2C400&ssl=1\")
\nPor Protti pretendon se Meyers kishte n\u00eb pron\u00ebsi vet\u00ebm tre t\u00eb kat\u00ebrtat e piktur\u00ebs.
\nAi thot\u00eb se n\u00eb vitin 1964, Galeria Pulitzer shiti 25% t\u00eb piktur\u00ebs nj\u00eb prodhuesi porcelani n\u00eb Portugali, t\u00eb quajtur Leland Gilbert. Nj\u00eb urdh\u00ebr blerjeje e supozuar e viti 1964 – nj\u00eb kopje e s\u00eb cil\u00ebs u pa nga CNN – \u00ebsHt\u00eb d\u00ebshmi se Pulitzer kishte r\u00ebn\u00eb dakord t\u00eb shes\u00eb aksionet p\u00ebr 4,000 paund (rreth 80,000, ose 98,000 dollar\u00eb, n\u00eb parat\u00eb e sotme). Protti thot\u00eb se klient\u00ebt e tij jan\u00eb trash\u00ebgimtar\u00eb t\u00eb pasurive t\u00eb Gilbert dhe k\u00ebshtu ata kan\u00eb t\u00eb drejt\u00eb n\u00eb pjes\u00ebn e tij t\u00eb piktur\u00ebs.
\nAvokat i fondacionit, “Mona Lisa”, Marco Parducci – i cili theksoi, se ai nuk flet n\u00eb em\u00ebr t\u00eb pronar\u00ebve – i tha CNN n\u00eb nj\u00eb email, se pretendimi i Protti “\u00ebsht\u00eb qart\u00eb i paqen\u00eb”. Megjith\u00ebse nuk e komentoi konkretisht urdhrin e blerjes, ai tha se provat e paraqitura n\u00eb gjykat\u00eb “tregojn\u00eb sakt\u00ebsisht se trash\u00ebgimtari i Pulitzer ishte pronari i plot\u00eb dhe i ligjsh\u00ebm i piktur\u00ebs, p\u00ebr p\u00ebrjashtimin e t\u00eb gjith\u00eb pal\u00ebve t\u00eb treta”.<\/p>\n