{"id":19560,"date":"2019-04-13T08:58:31","date_gmt":"2019-04-13T08:58:31","guid":{"rendered":"http:\/\/www.shqiperia.com\/blog\/?p=19560"},"modified":"2019-04-13T08:58:31","modified_gmt":"2019-04-13T08:58:31","slug":"maro-konda-historia-e-labes-se-rralle-ne-telajon-e-lazar-tacit","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/maro-konda-historia-e-labes-se-rralle-ne-telajon-e-lazar-tacit\/","title":{"rendered":"Maro Konda, historia e labes s\u00eb rrall\u00eb n\u00eb telajon e Lazar Ta\u00e7it. –"},"content":{"rendered":"
\"\"

Maro Kondo<\/p><\/div>\n

Maro Konda, historia e labes s\u00eb rrall\u00eb n\u00eb telajon e Lazar Ta\u00e7it. –<\/strong><\/p>\n

Tabloja kompozicionale “Maro Konda”, pikturuar nga Lazar Ta\u00e7i n\u00eb fund t\u00eb viteve \u201980-t\u00eb ka qen\u00eb vizioni i par\u00eb fotografik e filmik, ku n\u00eb veprat e artit jan\u00eb jet\u00ebsuar figura mitologjike, fetare dhe reale.<\/em><\/p>\n

Nga: Agim Janina \u200b\u200b\u200b\u200b\u200b\u200b\u200b\u00a0<\/a><\/p>\n

“Maro Konda”. Historia dhe rrjedha e ngjarjeve n\u00ebp\u00ebr shekuj kan\u00eb pasur nevoj\u00ebn e piktur\u00ebs. N\u00eb nj\u00eb far\u00eb m\u00ebnyre piktura fillon me incizimet n\u00eb sip\u00ebrfaqet e shpellave, p\u00ebr t\u00eb vazhduar bashk\u00eb me skulptur\u00ebn, mozaikun, afreskun, vitrazhin etj., duke krijuar imazhin e par\u00eb t\u00eb b\u00ebmave t\u00eb historis\u00eb.<\/em><\/p>\n

Historia e Piktur\u00ebs, n\u00eb munges\u00eb t\u00eb fotografimit, fillimisht \u00ebsht\u00eb pjell\u00eb e k\u00ebrkes\u00ebs s\u00eb paraqitjes pamore t\u00eb tyre. Edhe lindja e artit abstrakt nuk e ka ulur r\u00ebnd\u00ebsin\u00eb e piktur\u00ebs historike. Piktura ka qen\u00eb vizioni i par\u00eb fotografik e filmik, ku n\u00eb veprat e artit jan\u00eb jet\u00ebsuar figura mitologjike, fetare dhe reale. \u00cbsht\u00eb brenda dhe p\u00ebrtej reales, sepse arti interpreton, abstragon dhe d\u00ebshmon vler\u00eb, e cila shkon p\u00ebrtej ngjarjes.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Tabloja kompozicionale “Maro Konda”, pikturuar nga Lazar Ta\u00e7i n\u00eb fund t\u00eb viteve \u201980-t\u00eb \u00ebsht\u00eb nj\u00eb prej tyre. N\u00eb rinin\u00eb e hershme, s\u00eb bashku me ilustrime t\u00eb shum\u00eb e shum\u00eb librave, tregimeve n\u00eb gazeta e revista, \u00ebsht\u00eb mar\u00eb edhe me tablot\u00eb kompozicionale historike. At\u00ebbot\u00eb shum\u00eb prej personazheve historik\u00eb n\u00eb mungs\u00eb t\u00eb plot\u00eb t\u00eb imazheve, jan\u00eb b\u00ebr\u00eb nga fantazia. P\u00ebr ta realizuar duhet njohje e ngjarjes dhe e personazhit, veshjes, koh\u00ebs dhe vendit, kur dhe ku zhvillohet, \u00e7astit si duhet paraqitur, etj, probleme, q\u00eb piktori i ka zgjidhur mjesht\u00ebrisht. Ky \u00ebsht\u00eb \u00e7asti historik, p\u00ebr t\u00eb nd\u00ebrtuar kompozimin. Kthimi i faktit historik n\u00eb fakt artistik dhe k\u00ebt\u00eb t\u00eb fundit n\u00eb nd\u00ebrtimin e nj\u00eb tabloje me vler\u00eb artistike, \u00ebsht\u00eb rruga e gjat\u00eb e lodhshme, n\u00eb nj\u00eb proces zbulimi e tjet\u00ebrsimi, n\u00eb or\u00eb e or\u00eb pun\u00eb t\u00eb ngul\u00ebt, aq sa vet\u00eb piktori e p\u00ebrjeton emocionalisht ngjarjen, kthehet dhe shndrrohet n\u00eb “personazh” t\u00eb brendsh\u00ebm, bashkohet e b\u00ebhet shum\u00eb i af\u00ebrt me gjith\u00e7ka, q\u00eb lidhet me personazhin e ngjarjen, \u00e7’ka i jep n\u00eb fund kompozimin.<\/em><\/p>\n

\"\"

Llazar Taci Maro Kondi<\/p><\/div>\n

P\u00ebrvoja e gjat\u00eb me ilustrimet dhe kujtesa vizive e ka ndihmuar ndihmuar n\u00eb drejtim t\u00eb vizatimit Lazar Ta\u00e7i ia ka dal\u00eb q\u00eb faktin historik p\u00ebr t\u00eb cilin nuk kishte njohje fare apo thjesht nj\u00eb vizion t\u00eb vak\u00ebt, ta shndroj\u00eb n\u00eb fakt artistik, duke dh\u00ebn\u00eb nj\u00eb kompozim me vler\u00eb, sepse \u00ebsht\u00eb piktor me kultur\u00eb m\u00eb t\u00eb gj\u00ebr\u00eb se ajo profesionale. N\u00eb nj\u00eb far\u00eb kuptimi kompozimi kthehet n\u00eb nj\u00eb lloj indentikiti shpreh\u00ebs i ndodhis\u00eb duke t\u00eb bindur vizualisht p\u00ebr v\u00ebrtet\u00ebsin\u00eb e saj.<\/em><\/p>\n

Fillesa e vepr\u00ebs vjen nga nj\u00eb revist\u00eb e koh\u00ebs, ku i k\u00ebrkohet t\u00eb b\u00ebr\u00eb ilustrimin e nj\u00eb tregimi. Mir\u00ebpo piktorit i p\u00eblqeu si \u00e7ast. Nis e ngrihet kompozimi. \u201cN\u00eb at\u00eb koh\u00eb tek revista \u201cPionieri\u201d, kujton artisti, jo vet\u00ebm p\u00ebr k\u00ebt\u00eb figur\u00eb, por p\u00ebr t\u00eb gjith\u00eb figurat e mesjet\u00ebs, por edhe p\u00ebr figurat e nacional\u00e7lirimtare, shum\u00eb prej tyre detyroheshim t\u2019i sajonim, sepse nuk ekzistonte materiali fotografik. Nuk kishte asnj\u00eb t\u00eb dh\u00ebn\u00eb vizuale mbi heroin\u00ebn dhe e gjitha gjith\u00eb figura e saj \u00ebsht\u00eb fantazi e piktorit. Dihej se ishte nuse nga fshati Fter\u00eb, shprehet piktori. U mundova t\u00eb gjeja n\u00ebp\u00ebr enciklopedi t\u00eb ndryshme veshjet turke t\u00eb asaj kohe. Personazhi \u00ebsht\u00eb Maro Konda, trime labe. Jetoi n\u00eb fillim t\u00eb shekullit XVI. U martua n\u00eb \u00c7orraj. N\u00eb vitin 1537, n\u00eb mbrojtje t\u00eb luft\u00ebtar\u00ebve \u00e7orrjot\u00eb, sakrifikoi veten, duke hedhur n\u00eb gremin\u00eb nj\u00eb num\u00ebr jeni\u00e7er\u00ebsh turq, s\u00eb bashku me veten e saj. Ngjarja zhvillohet n\u00eb \u00c7orraj t\u00eb Lab\u00ebris\u00eb, ku n\u00eb shek. XVI u dynd\u00ebn taboret osmane p\u00ebr nd\u00ebshkim. Burrat u fsheh\u00ebn n\u00ebp\u00ebr shpella, maleve p\u00ebrreth. Osmanet zun\u00eb burimet e ujit. Nj\u00eb dit\u00eb aty u pa Maro Konda, q\u00eb donte t’u d\u00ebrgonte uj\u00eb burrave.<\/em><\/p>\n

Dinte di\u00e7ka mbi figurat e vajzave suliote, q\u00eb u hodh\u00ebn nga shk\u00ebmbi n\u00eb gremin\u00eb. Duke lexuar tregimin ndodh shndrimi i fjal\u00ebs n\u00eb figur\u00eb, ajo magji gjat\u00eb e procesit krijues t\u00eb piktorit. Nga nj\u00eb ilustrim i thjesht\u00eb n\u00eb faqet e revis\u00ebs, ngacmohet p\u00ebr ta trajtuar m\u00eb tej k\u00ebt\u00eb figur\u00eb p\u00ebr t\u00eb gjetur nj\u00eb zgjidhje sa m\u00eb interesante. Populli i k\u00ebndoi: “Bij\u00eb Fterre, nuse \u00c7orre, Djalin m\u00eb t\u00eb mir\u00eb more, Po \u00e7\u2019e do, nuk e g\u00ebzove,<\/em><\/p>\n

Nga shk\u00ebminjt\u00eb u l\u00ebshove, Turqit prapa \u00e7\u2019i more, S\u2019more nj\u00eb, po di taborre…”<\/em><\/p>\n

Dhe nj\u00eb cop\u00ebz tjet\u00ebr “Haj, haj moj Maro Konda Vlor\u00ebn q\u00eb aq shum\u00eb e deshe<\/em><\/p>\n

T\u00eb ka ardhur me peshqeshe p\u00ebr burrat n\u00eb at\u00eb sheshe derdhe nektarin q\u00eb keshe.<\/em><\/p>\n

N\u00eb Vlore erdhe p\u00ebr krishtlindje me shum\u00eb mall, po na le shum\u00eb dhimbje ne t\u00eb themi me shum\u00eb bindje p\u00ebr ty ka vet\u00ebm dit\u00eblindje”…<\/em><\/p>\n

Gjith\u00e7ka aty \u00ebsht\u00eb b\u00ebr\u00eb me fantazi, vendi, malet, shtegu i ngusht\u00eb, personazhet, etj. Nuk kishte qen\u00eb ndonj\u00ebher\u00eb n\u00eb krahin\u00ebn e heroin\u00ebs, mir\u00ebpo nga p\u00ebrshkrimi i holl\u00ebsish\u00ebm dhe plot ndjenj\u00eb, q\u00eb i b\u00ebnte autori, n\u00eb mendje iu ngrit p\u00ebrfytyrimi i gjith\u00e7kaje. Luft\u00ebtar\u00ebt ishin t\u00eb rrethuar u ngjit\u00ebn n\u00eb majat e maleve dhe turqit p\u00ebr t\u2019i detyruar, t\u00eb dorzoheshin kishin z\u00ebn\u00eb prit\u00eb n\u00eb burimet e ujit. At\u00ebhere Maro merr f\u00ebmij\u00ebn e mitur n\u00eb dor\u00eb, n\u00eb krah bucelat me uj\u00eb dhe niset drejt burimit. Bie n\u00eb prit\u00ebn e turq\u00ebve. E kap\u00ebn Maron e bukur dhe n\u00ebn k\u00ebrc\u00ebnim e shtr\u00ebnguan t’u tregonte, ku fshiheshin burrat e fshatit.<\/em><\/p>\n

Vajza i udh\u00ebhoqi n\u00ebp\u00ebr nj\u00eb shteg t\u00eb verb\u00ebr, t\u00eb thepisur, i cili nuk t\u00eb nxirrte askund, p\u00ebrfundonte diku, n\u00eb mes rr\u00ebpirave t\u00eb maleve t\u00eb asaj zone, ku nizam\u00ebt nga frika lidhen t\u00eb gjith\u00eb me nj\u00eb litar. N\u00eb \u00e7astin kur arrin n\u00eb fund t\u00eb shtegut, Maro kthehet pas dhe n\u00eb m\u00ebnyr\u00eb t\u00eb beft\u00eb shtyn t\u00eb parin e turq\u00ebve. T\u00eb lidhur njeri pas tjetrit me nj\u00eb litar flururojn\u00eb bashk\u00eb n\u00eb humner\u00eb, duke t\u00ebrhequr pas gjith\u00eb taborin e nizamev\u00eb.<\/em><\/p>\n

\u201cKapa pik\u00ebrisht \u00e7astin, – tregon piktori, – kur Maro me f\u00ebmij\u00ebn n\u00eb dor\u00eb shtyn turkun e par\u00eb dhe shtyrja q\u00eb i ka dh\u00ebn\u00eb, duke i hypur edhe sip\u00ebr me trup p\u00ebr t\u2019i dh\u00ebn\u00eb m\u00eb shum\u00eb efekt rr\u00ebzimit posht\u00eb. Pik\u00ebn e shikimit jam munduar ta marr n\u00eb m\u00ebnyr\u00eb sa m\u00eb ekspresive, dmth sa m\u00eb n\u00eb skor\u00e7o nga posht\u00eb p\u00ebr ta b\u00ebr\u00eb sa m\u00eb t\u00eb fuqishme p\u00ebr t\u00eb dh\u00ebn\u00eb ndjesin\u00eb e r\u00ebnies nga lart\u00ebsia\u201d.<\/em><\/p>\n

Punoi gati nj\u00eb vit, fillimisht duke skicuar shum\u00eb, variant pas varianti n\u00eb laboratorin e tij krijues. Plot nj\u00eb dosje. Pasi e mbaroi, i lumtur bashk\u00eb me nj\u00eb vep\u00ebr tjet\u00ebr, titulluar \u201cSulm mbi saraje\u201d, punuar p\u00ebr tre \u2013 kat\u00ebr or\u00eb, e d\u00ebrgoi n\u00eb ekspozit\u00eb, por ironia e koh\u00ebs, tabloja nuk vihet n\u00eb ekspozit\u00eb. I japin nj\u00eb p\u00ebrgjigje tragjikomike, \u201ck\u00ebta ty dy tashti kur t\u00eb bien nga shk\u00ebmbi nuk dihet se ne cilin pozicion mund t\u00eb bien aty posht\u00eb. Ndoshta mund t\u00eb ket\u00eb ndonj\u00eb krevat me sust\u00eb aty posht\u00eb…! Humori i zi i komisioneve t\u00eb koh\u00ebs\u201d! N\u00eb fund t\u00eb viteve \u201990, piktori s\u00eb bashku me nj\u00eb grup artist\u00ebsh, t\u00eb cil\u00ebt kishin marr\u00eb pjes\u00eb n\u00eb ngritjen e disa muzeve t\u00eb koh\u00ebs, u d\u00ebguan n\u00eb Itali. Hera e par\u00eb, q\u00eb dite jasht\u00eb shtetit. \u201cN\u00eb Rom\u00eb, rr\u00ebfen piktori, kisha tezen dhe me q\u00eb ndihesha borxhli ndaj saj, se m\u00eb kishte d\u00ebrguar televizor me ngjyra dhe disa pako p\u00ebr f\u00ebmij\u00ebt, mendova t\u2019i d\u00ebrgoj di\u00e7ka… Mora tablon\u00eb, s\u00eb bashku edhe me tre t\u00eb tjera, p\u00ebr t\u2019ia b\u00ebr\u00eb dhurat\u00eb. Tabloja e par\u00eb ka qen\u00eb n\u00eb nj\u00eb gam\u00eb m\u00eb t\u00eb ngroht\u00eb se sa kjo midis oranzh\u00ebs dhe jeshileve. Si kompozim \u00ebsht\u00eb i nj\u00ebjt\u00eb. Ia dhash\u00eb tezes at\u00eb bashk\u00eb me tre punime t\u00eb tjera, nj\u00eb p\u00ebr tezen, p\u00ebr dy vajzat dhe p\u00ebr djalin. Secil\u00ebs familje nga nj\u00eb punim t\u00eb ve\u00e7ant\u00eb\u201d. Sot tabloja rri varur n\u00eb nj\u00eb nga ato sht\u00ebpit\u00eb n\u00eb Itali. Por artisti nuk mund t\u00eb ndahej kaq leht\u00eb nga vepra. Para se sa t\u00eb shkonte n\u00eb Itali, fillon nj\u00eb variant t\u00eb dyt\u00eb. E kopjon n\u00eb let\u00ebr kalk, me t\u00eb nj\u00ebjtat p\u00ebrmasa dhe e hodhi n\u00eb nj\u00eb let\u00ebr t\u00eb bardh\u00eb dhe pasi u kthehet nga Italia e p\u00ebrfundon n\u00eb talajo me ngjyra vaji. Tabloja tashm\u00eb rri n\u00eb studio. Shikon nj\u00eb objekt dhe e kqyr me shum\u00eb v\u00ebmendje dhe e rregjistron n\u00eb kujtes\u00ebn. M\u00eb pas arrin ta riprodhoj\u00eb pothuajse, jo n\u00eb ngjashm\u00ebri fotografike, por duke kapur thelbin. Kjo kujtes\u00eb vizive shuhet ngadal\u00eb pas nj\u00eb kohe… por n\u00eb skutet e p\u00ebrfytyrimit t\u00eb kujtes\u00ebs imazhet jan\u00eb t\u00eb shtresuara dhe artisti i risjell n\u00eb jet\u00eb n\u00eb veprat e tjera, duke hyr\u00eb deri n\u00eb detajet m\u00eb t\u00eb imta. Vepra t\u00eb tilla sot jan\u00eb gjithnj\u00eb e m\u00eb t\u00eb rralla. Por historia i k\u00ebrkon. Ajo duhet t\u00eb b\u00ebhet pjes\u00eb e ndonj\u00eb muzeu, t\u00eb cilit do t\u2019i b\u00ebnte nder prania e saj.<\/em><\/p>\n

\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Maro Konda, historia e labes s\u00eb rrall\u00eb n\u00eb telajon e Lazar Ta\u00e7it. – Tabloja kompozicionale “Maro Konda”, pikturuar nga Lazar Ta\u00e7i n\u00eb fund t\u00eb viteve \u201980-t\u00eb ka qen\u00eb vizioni i par\u00eb fotografik e filmik, ku n\u00eb veprat e artit jan\u00eb jet\u00ebsuar figura mitologjike, fetare dhe reale. Nga: Agim Janina \u200b\u200b\u200b\u200b\u200b\u200b\u200b\u00a0 “Maro Konda”. Historia dhe rrjedha […]<\/p>\n","protected":false},"author":9,"featured_media":19561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,86],"tags":[],"class_list":["post-19560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/04\/1554980739_5680079913091767825706745139328304133701632n2.jpg?fit=780%2C440&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-55u","jetpack-related-posts":[{"id":78414,"url":"https:\/\/www.shqiperia.com\/blog\/intelektualet-shqiptare-peticion-ama-s-largoni-sharlatanet-nga-ekranet-po-kultivojne-psikoza-te-semura-ne-opinionin-publik\/","url_meta":{"origin":19560,"position":0},"title":"Intelektual\u00ebt shqiptar\u00eb peticion AMA-s: Largoni sharlatan\u00ebt nga ekranet, po kultivojn\u00eb psikoza t\u00eb s\u00ebmura n\u00eb opinionin publik","author":"Kurt Farka","date":"February 18, 2024","format":false,"excerpt":"17 Shkurt 2024 ... Niveli i ul\u00ebt i informacionit shkencor n\u00eb nj\u00eb pjes\u00eb t\u00eb mediave tona, promovimi i dijeve amatoreske, i nj\u00eb etimologjie vulgare dhe sharlatanizmi kan\u00eb krijuar nj\u00eb situat\u00eb alarmante... Nj\u00eb grup intelektual\u00ebsh nga m\u00eb t\u00eb r\u00ebnd\u00ebsishmit n\u00eb vend, ku renditen: Rexhep Qosja, Bamir Topi, Xhevat Lloshi, P\u00ebllumb Xhufi\u2026","rel":"","context":"In "Blogu i Udh\u00ebtarit"","block_context":{"text":"Blogu i Udh\u00ebtarit","link":"https:\/\/www.shqiperia.com\/blog\/category\/blogu-i-udhetarit\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2024\/02\/600-388-ama-1708288381-1.jpg?fit=600%2C388&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2024\/02\/600-388-ama-1708288381-1.jpg?fit=600%2C388&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2024\/02\/600-388-ama-1708288381-1.jpg?fit=600%2C388&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":859,"url":"https:\/\/www.shqiperia.com\/blog\/shekspiri-nje-premiere-shqiptare-nga-justin-anderson\/","url_meta":{"origin":19560,"position":1},"title":"Shekspiri, nj\u00eb premier\u00eb shqiptare nga Justin Anderson","author":"Kurt Farka","date":"January 9, 2018","format":false,"excerpt":"Regjisori Justin Andeson thote: \"U p\u00ebrpoq\u00ebm, duke filluar nga detajet, kostumet, l\u00ebvizjet, dialekt\u00ebt, muzika t\u00eb ishte specifike dhe p\u00ebrfaq\u00ebsuese e trevave shqiptare\u201d. Teatri Metropol \u00e7el k\u00ebt\u00eb fillim dimri premier\u00ebn absolute \u201cNata e Dymb\u00ebdhjet\u00eb\u201d t\u00eb Uilliam Shekspir. 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