{"id":18730,"date":"2019-03-25T10:23:46","date_gmt":"2019-03-25T10:23:46","guid":{"rendered":"http:\/\/www.shqiperia.com\/blog\/?p=18730"},"modified":"2019-03-25T11:08:30","modified_gmt":"2019-03-25T11:08:30","slug":"estetika-e-lakuriqesise-ne-pikturen-e-shpresa-beqirit","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/estetika-e-lakuriqesise-ne-pikturen-e-shpresa-beqirit\/","title":{"rendered":"Estetika e lakuriq\u00ebsis\u00eb n\u00eb piktur\u00ebn e Shpresa Beqirit"},"content":{"rendered":"
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Piktorja Shpresa Beqiri<\/p><\/div>\n

Estetika e lakuriq\u00ebsis\u00eb n\u00eb piktur\u00ebn e Shpresa Beqirit. –<\/strong><\/p>\n

Piktorja mbledh bashk\u00eb dukuri t\u00eb shum\u00ebfishta nga jeta e saj apo vegime t\u00eb s\u00eb kaluar\u00ebs, duke i b\u00ebr\u00eb ato pjes\u00eb t\u00eb s\u00eb tashmes n\u00ebn poetik\u00ebn simbolike, n\u00eb trajtimin e figur\u00ebs fem\u00ebrore apo t\u00eb mashkullit si n\u00eb vepr\u00ebn \u201cTradita\u201d<\/em><\/p>\n

Nga: Oltsen Gripshi<\/a><\/p>\n

Ngjyra dhe ndjeshm\u00ebria si pjes\u00eb e nj\u00eb kompozite harmonike, nga ku buron vetmia t\u00ebrheq\u00ebse e p\u00ebrb\u00ebr\u00eb nga grimcat molekulare gjith\u00ebformuese t\u00eb universit t\u00eb nj\u00eb pikture. Nj\u00eb piktur\u00eb, e cila n\u00eb vetvete buron nga thell\u00ebsit\u00eb e pavet\u00ebdijes s\u00eb nj\u00eb bote poetike fem\u00ebrore t\u00eb mbushur plot imagjinat\u00eb dhe vegime p\u00ebrrallore\u2026 nj\u00eb realitet mbi realitetin fizik, ku n\u00eb embrion mbart p\u00ebrballjen metafizike t\u00eb kozmogonis\u00eb dhe at\u00eb fizike t\u00ebkozmologjis\u00eb [\u2026].<\/p>\n

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Piktorja Shpresa Beqiri<\/p><\/div>\n

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V\u00ebshtrimi estetik k\u00ebrkon t\u00eb dep\u00ebrtoi n\u00eb anatomin\u00eb gjith\u00ebformuese t\u00eb piktur\u00ebs s\u00eb Shpresa Beqirit, n\u00eb indet m\u00eb t\u00eb st\u00ebrholluara t\u00eb mendimit t\u00eb saj. \u2013 Nj\u00eb stil, i cili shtrihet nga fauvizmi onirik deri duke mb\u00ebrritur n\u00eb leximin tim te realizmi primitivo-magjik! Nj\u00eb piktur\u00eb e ngjyrt\u00eb, me tipare t\u00eb theksuara stilizimi, ku gjymtyr\u00ebt e trupit njer\u00ebzor hollohen, st\u00ebrgjaten, duke marr\u00eb trajta t\u00eb krijesave t\u00eb panjohura, t\u00eb mbinatyrshme \u2013 gati tejkalon realen fizike p\u00ebr t\u00eb rikrijuar nj\u00eb realitet tjet\u00ebr, at\u00eb t\u00eb ndjeshm\u00ebris\u00eb s\u00eb piktores [\u2026]. Braktisja me vet\u00ebdije e vizatimit t\u00eb p\u00ebrsosur \u00ebsht\u00eb hapi i pari i piktores drejt nj\u00eb hap\u00ebsire t\u00eb lir\u00eb pakushte dhe kufizime. Krijesa njer\u00ebzore p\u00ebr nga tiparet, format dhe perceptimi, por dhe krijesa t\u00eb rikrijuara, t\u00eb lindura nga embioni kozmik, i cili fle n\u00eb brendin\u00eb e qenies. Linja t\u00eb gjata, t\u00eb lirshme plot harkime t\u00eb cilat p\u00ebrkufizojn\u00eb forma magjike n\u00eb brend\u00ebsi t\u00eb nj\u00eb hap\u00ebsire \u00ebnd\u00ebrruese.<\/p>\n

Subjektivizmi njer\u00ebzor si horizonti i pafund i nj\u00eb universi; gati p\u00ebr ta fuqizuar perspektiv\u00ebn trep\u00ebrmasore t\u00eb marr\u00ebdh\u00ebnies brenda dhe jasht qenies. Nj\u00eb marr\u00ebdh\u00ebnie, ku hap\u00ebsira si perceptim gjeografik, hap\u00ebsira si qasje filozofike dhe hap\u00ebsira e nj\u00eb kanavace, e cila e p\u00ebrthith universin e piktores Beqiri n\u00eb nj\u00eb materie t\u00eb vetme; subjektivizmi dhe aft\u00ebsia e vet\u00ebnjohjes, vet\u00ebdijes, duke i dh\u00ebn\u00eb krijesave t\u00eb saj nj\u00eb madh\u00ebshti hyjnore karshi objektivizmit real q\u00eb gjendet n\u00eb natyr\u00eb.<\/p>\n

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Piktorja Shpresa Beqiri<\/p><\/div>\n

N\u00eb hap\u00ebsirat e saj konvencionale bashk\u00ebjetojn\u00eb ngusht\u00ebsisht fuqish\u00ebm disa dukuri t\u00eb cilat lidhen magjish\u00ebm mes nj\u00ebra-tjetr\u00ebs si; element\u00ebt folkloristik, kostumet komb\u00ebtare popullore, tradita, dashuria leht\u00ebsisht e perceptueshme p\u00ebr hijeshin\u00eb e lakuriq\u00ebsis\u00eb fem\u00ebrore dhe malinkonia f\u00ebmij\u00ebrore, ku kjo e fundit i vesh veprat e piktores plot ngaz\u00ebllim e lumturi p\u00ebr jet\u00ebn [\u2026]. Imazhe t\u00eb cilat p\u00ebrcjellin dhe komunikojn\u00eb optimiz\u00ebm, emocione, fal\u00eb kjo p\u00ebrdorimit t\u00eb ngjyrave t\u00eb ndezura plot drit\u00eb verbuese. Imazhe t\u00eb nj\u00eb bote, e cila p\u00ebrngjan\u00eb me at\u00eb t\u00eb ikonave bizantine, ku p\u00ebrtej estetik\u00ebs pamore mbizot\u00ebron nj\u00eb frym\u00eb shpirt\u00ebrore mistike, gati-gati duket sikur k\u00ebto imazhe i sheh p\u00ebrmes vitrazheve t\u00eb nj\u00eb kishe gotike!<\/p>\n

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Piktorja Shpresa Beqiri<\/p><\/div>\n

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Atmosferat onirike, p\u00ebrjetimet surreale, ku figurat amshore lakuriq tejkalojn\u00eb realitetin e vetvetes t\u00eb cilat krijojn\u00eb skena t\u00eb theksuara erotizmi dhe joshjeje, si dhe brisht\u00ebsia dep\u00ebrtuese n\u00eb portretet e seksit fem\u00ebror b\u00ebjn\u00eb q\u00eb piktura e Shpresa Beqirit t\u00eb kthehet n\u00eb nj\u00eb ur\u00eb ndjenjash dhe shpirt\u00ebrash midis piktur\u00ebs dhe poezis\u00eb. Qenia e saj si piktore ushqehet nga imagjinata f\u00ebmij\u00ebrore dhe nga fuqia ndjell\u00ebse plot kuptim t\u00eb miteve dhe legjendave shqiptare, duke materializuar n\u00eb form\u00eb dhe n\u00eb p\u00ebrmbajtje nj\u00eb estetik\u00eb krejt\u00ebsisht vetjake pamore, aq sa piktura kthehet n\u00eb hap\u00ebsir\u00ebn, ku piktorja arrin\u00eb t\u00eb kultivoj\u00eb poezin\u00eb e ekzistenc\u00ebs s\u00eb saj. Lakuriqet si n\u00ebnt\u00eb hyjneshat, Zanat e Maleve, Or\u00ebt apo si\u00e7 njihen ndryshe me eufemizmin Shtojzovallet t\u00eb cilat duket se kan\u00eb gjetur streh\u00ebz\u00ebn e tyre t\u00eb p\u00ebrbotshme n\u00eb kanavacat e Beqirit, aty, ku bashk\u00ebjetojn\u00eb harmonish\u00ebm n\u00eb rendin e p\u00ebrjet\u00ebsis\u00eb s\u00eb tyre pagane.<\/p>\n

\u201cSi Zanat ashtu dhe Or\u00ebt, pra Shtojzovallet, zot\u00ebrojn\u00eb edhe nj\u00eb fuqi t\u00eb mistershme: aft\u00ebsin\u00eb p\u00ebr t\u00eb shituar njer\u00ebzit. Zakonisht shitojn\u00eb burrat q\u00eb guxojn\u00eb t\u2019i shohin Shtojzovallet lakuriq tek lahen n\u00ebn drit\u00ebn e h\u00ebn\u00ebs, apo k\u00ebdo q\u00eb i trazon gjat\u00eb ekstaz\u00ebs s\u00eb tyre t\u00eb vall\u00ebzimit. Zanat dhe Or\u00ebt shitojn\u00eb k\u00ebdo, burr\u00eb apo grua, plak a t\u00eb ri me timbrik\u00ebn e hatashme t\u00eb tingujve q\u00eb prodhojn\u00eb gjat\u00eb t\u00eb k\u00ebnduarit ose me vallet e magjishme e mjete t\u00eb tjera, ashtu si edhe sh\u00ebrojn\u00eb apo u japin fuqi t\u00eb mbinatyrshme me qum\u00ebshtin e gjirit cilitdo q\u00eb ka fituar p\u00eblqimin e tyre.\u201d, k\u00ebshtu do t\u2019i p\u00ebrshkruante At Gj. Fishta k\u00ebto krijesa t\u00eb mbinatyrshme mitologjike.<\/p>\n

Por, dekriptimi i estetik\u00ebs n\u00eb gjirin midis imazhit magjik dhe magjis\u00eb s\u00eb imazht n\u00eb piktur\u00ebn e Shpresa Beqirit p\u00ebrthyhet nga gjurmimi i pranis\u00eb her\u00eb pas here t\u00eb figur\u00ebs lakuriq mes lakuriqeve femra, t\u00eb nj\u00eb mushkulli viril, burr\u00ebror, i cili \u00ebsht\u00eb nj\u00eb tjet\u00ebr simbolik\u00eb shum\u00eb kuptimplot\u00eb n\u00eb analizimin dhe thellimin n\u00eb brend\u00ebsi t\u00eb brendis\u00eb s\u00eb piktores [\u2026] kumti i vet\u00eb ekzistenc\u00ebs s\u00eb saj. Shtojzovallet simbol i pjelloris\u00eb dhe Mashkulli si gjegj\u00ebsi i tyre, pjes\u00eb e pandar\u00eb bashk\u00eb me to i vazhdim\u00ebsis\u00eb s\u00eb jet\u00ebs. Prania e mashkullit qendron thuajse n\u00eb hije, por qendror nga zot\u00ebrimi i gjith\u00eb kompozimit si n\u00eb vepr\u00ebn \u201cVajzat\u201d, goj\u00eb vaji mbi kanavac\u00eb, 35 x 35 cm, 2003, fondi i krijimtaris\u00eb s\u00eb piktores. Nj\u00eb mashkull real, nga realiteti i p\u00ebrditshm\u00ebris\u00eb s\u00eb piktores, ku tiparet i tij modelojn\u00eb portretin e burrit ideal, t\u00eb atij burri si fuqia t\u00ebrheq\u00ebse e qenies s\u00eb saj, Nikolet Vasia. N\u00eb t\u00eb v\u00ebrtet\u00eb tek ai piktorja ka trup\u00ebzuar hyun Bari t\u00eb Maleve me brir\u00eb dhe k\u00ebmb\u00eb cjapi, ai q\u00eb ndjek dhe mbron Shtojzovallet. \u2013 Dhe ky lexim nuk \u00ebsht\u00eb aq pavend, sepse piktorja tek bashk\u00ebshorti i saj p\u00ebrthithte frym\u00ebzim, ndjenja, sikurse dhe ai p\u00ebr at\u00eb ishte mburoja e qenies s\u00eb saj, ndaj ajo imazhin e tij k\u00ebrkon ta vendos\u00eb n\u00eb qend\u00ebr t\u00eb nj\u00eb ikonografie hyjnore, duke e veshur at\u00eb n\u00ebn petkun poetik-mitologjik t\u00eb figur\u00ebs s\u00eb \u03a0\u03ac\u03bd[grc]-Paein-Bari (Bariu i Shenjt\u00eb) apo \u03a0\u1fb6v[grc]-Gjith\u00e7ka. \u2013 Gjith\u00e7ka sikurse ai ishte p\u00ebr piktoren. N\u00eb p\u00ebrforcim t\u00eb k\u00ebtij leximi ikonografik dhe krahasues mitologjik na vjen n\u00eb ndihm\u00eb edhe p\u00ebrkufizimi q\u00eb Plutarku i ka dh\u00ebn\u00eb k\u00ebsaj figure mitologjike n\u00eb vepr\u00ebn e tij \u201cDe defectu oraculorum[la]\u201d-Zvet\u00ebnimi i Orakujve, ku tregon se hyu Pan njohur n\u00eb mitologjin\u00eb shqiptare me disa em\u00ebrtime si: Bariu i Shenjt\u00eb, Bariu Hyjnor, Sh\u00ebn Marti, Shmarti, Shmartuku, Hazreti apo Haz\u00ebri (a Hezri), Njeriu\u00a0i Mir\u00eb, Njeriu\u00a0i Shenjt\u00eb apo Njeriu Jeshil. \u2013 T\u00eb ishte i vetmi hy mes hyjnive i vdeksh\u00ebm! Pra, edhe hyu i piktores ashtu si hyu i mitologjis\u00eb \u00ebsht\u00eb i vdeksh\u00ebm n\u00eb realitetin fizik, por aspak i till\u00eb n\u00eb piktur\u00ebn dhe kujtimet e saj.<\/p>\n

K\u00ebto jan\u00eb simbolika themelore n\u00eb zb\u00ebrthimin e imazhit psiko-filozofik n\u00eb piktur\u00ebn e Shpresa Beqirit, e cila ndon\u00ebse e ka p\u00ebrshtatur ashtu k\u00ebt\u00eb figur\u00eb mashkullore si dhe vet\u00eb femrat lakuriq t\u00eb sjella n\u00eb hap\u00ebsir\u00ebn e bashk\u00ebkoh\u00ebsis\u00eb ton\u00eb, p\u00ebrs\u00ebri piktura e k\u00ebsaj piktorje \u00ebsht\u00eb e lidhur ngusht\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb pand\u00ebrprer\u00eb me mitologjin\u00eb, etnografin\u00eb dhe antorpologjin\u00eb shqiptare.<\/p>\n

Thjesht\u00ebsia e formave dhe lirshm\u00ebria stilizuese e tyre e shpien imazhin e k\u00ebsaj pikture n\u00eb fillesat e primitivizmit, por, nj\u00eb primitiviz\u00ebm, i cili g\u00ebrsheton mrekullisht at\u00eb t\u00eb gjurm\u00ebve t\u00eb para t\u00eb njer\u00ebzimit dhe at\u00eb t\u00eb piktur\u00ebs ruse n\u00eb vitet e para t\u00eb shekullit t\u00eb XX. Me kalimin e koh\u00ebs ajo \u00e7far\u00eb v\u00ebrehet n\u00eb modelimin brenda kompozimeve figurale \u00ebsht\u00eb se fuqia timbrike e ngjyrave shkon p\u00ebrtej kontureve t\u00eb trupave lakuriq, duke u p\u00ebrzier dhe shtrir\u00eb harmonish\u00ebm mes tyre mbi kanavac\u00eb. Nj\u00eb simbioz\u00eb l\u00ebnd\u00ebsh organike, fundja si vet\u00eb marr\u00ebdh\u00ebnia mes sekseve t\u00eb kund\u00ebrta apo pllenimi i qiejve pran\u00eb nj\u00ebri-tjetrit, aty, ku sinteza e gjith\u00e7kaje jan\u00eb ngjyrat. Nuk jan\u00eb m\u00eb linjat ata q\u00eb ndajn\u00eb figurat apo hap\u00ebsir\u00ebn, por njollat e ngjyrave t\u00eb ndezura fauves[fr].<\/p>\n

Estetika e k\u00ebsaj pikture ndon\u00ebse ka t\u00eb ngjar\u00eb me at\u00eb t\u00eb piktur\u00ebs surrealiste me n\u00eb qend\u00ebr \u00ebndrr\u00ebn, gjith\u00ebsesi p\u00ebrqendrimi i saj mbetet p\u00ebrmasa ONIRIKE. Nj\u00eb p\u00ebrmas\u00eb n\u00eb t\u00eb cil\u00ebn piktorja Beqiri mbledh bashk\u00eb dukuri t\u00eb shum\u00ebfishta nga jeta e saj apo vegime t\u00eb s\u00eb kaluar\u00ebs, duke i b\u00ebr\u00eb ato pjes\u00eb t\u00eb s\u00eb tashmes n\u00ebn poetik\u00ebn simbolike, n\u00eb trajtimin e figur\u00ebs fem\u00ebrore dhe her\u00eb-her\u00eb t\u00eb mashkullit si n\u00eb vepr\u00ebn \u201cTradita\u201d, boj\u00eb vaji mbi kanavac\u00eb, 60 x 50 cm, 2003, fondi i krijimtaris\u00eb s\u00eb piktores, si krijesa t\u00eb mbinatyrshme, t\u00eb ardhur nga nj\u00eb tjet\u00ebr realitet. Nj\u00eb \u00e7ift t\u00eb rinjsh t\u00eb cil\u00ebt duken sikur vall\u00ebzojn\u00eb dhe t\u00eb dehur nga joshja seksuale e nd\u00ebrsjellt\u00eb\u2026 nj\u00eb imazh sa simbolik aq dhe shpirt\u00ebror, i cili na sjell n\u00eb v\u00ebmendje piktur\u00ebn simboliste t\u00eb piktorit francez Gustave Moreau. Piktura g\u00ebrsheton elemente t\u00eb dy koh\u00ebve, at\u00eb t\u00eb tradit\u00ebs me veshjet folkloristike me \u00e7iftin n\u00eb planin e dyt\u00eb n\u00ebn gam\u00ebn e ngjyr\u00ebs s\u00eb kuqe dhe \u00e7iftit t\u00eb t\u00eb rinjve t\u00eb zhveshur lakuriq t\u00eb cil\u00ebt pozojn\u00eb n\u00eb planin e par\u00eb. Lakuriq, t\u00eb sinqert\u00eb, ashtu si dy krijesa t\u00eb porsalindura, pa mllefe dhe intriga jet\u00ebsore. Kostumet popullore t\u00eb zadrimoreve dhe kostumet popullore t\u00eb Shqip\u00ebris\u00eb s\u00eb mesme jan\u00eb kulminacioni identifikues i piktur\u00ebs s\u00eb Shpresa Beqirit [\u2026].<\/p>\n

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Piktorja Shpresa Beqiri<\/p><\/div>\n

Veprat e Beqirit kthehen n\u00eb pik\u00ebtakimi mes krijesave reale p\u00ebr nga fizionomia dhe krijesave qiellore p\u00ebr nga p\u00ebrmbajtja. \u00c7do imazh i realizuar nga ajo na shpien drejt nj\u00eb v\u00ebshtrimi, i cili\u00a0 ngjall brenda nesh ndjesin\u00eb e mrekullis\u00eb dhe madh\u00ebshtis\u00eb s\u00eb fuqis\u00eb krijuese t\u00eb qenies njer\u00ebzore, e aft\u00eb p\u00ebr t\u00eb mahnitur me imagjinat\u00ebn e tij. Nj\u00eb piktur\u00eb e shk\u00ebputur nga ligjet e fizik\u00ebs, aty, ku fuqia t\u00ebrheq\u00ebse nuk ekziston, aq sa figurat humbasin pesh\u00ebn e r\u00ebndes\u00ebs, duke u ndjer\u00eb t\u00eb lira t\u00eb fluturojn\u00eb drejt qiellit\u2026 \u2013 drejt nj\u00eb mendimi emipirike dhe nj\u00eb hap\u00ebsire hyjnore n\u00eb Parajs\u00eb, ku nuk ekziston dhimbja, hidh\u00ebrimi, trishtimi apo ligshtia, por vet\u00ebm mir\u00ebsia e p\u00ebrjetshme.<\/p>\n

E gjitha kjo pjes\u00eb e nj\u00eb tregimi, e nj\u00eb jet\u00ebshkrimi pamor q\u00eb piktorja arrin\u00eb ta p\u00ebrcjell\u00eb n\u00ebp\u00ebrmjet imazheve. Nj\u00eb tregim, i cili nga nj\u00ebra an\u00eb vendos n\u00eb veprim imagjinat\u00ebn, duke e par\u00eb realitetin n\u00ebn filtr\u00ebn poetike si nj\u00eb form\u00eb p\u00ebr t\u2019u shk\u00ebputur plot\u00ebsisht nga ai dhe nga ana tjet\u00ebr kemi elementin e t\u00eb mbinatyrshmes, ku i sh\u00ebrben piktores p\u00ebr t\u00eb krijuar lidhjen mes dy t\u00eb v\u00ebrtetave asaj brenda dhe jasht saj. Nj\u00eb dyzim n\u00eb kufinjt\u00eb e magjikes ashtu si vet\u00eb krijesat e saj figurale lakuriq mbi kanavac\u00eb.<\/p>\n

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Piktorja Shpresa Beqiri<\/p><\/div>\n

Gazeta Shqiptarja.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Estetika e lakuriq\u00ebsis\u00eb n\u00eb piktur\u00ebn e Shpresa Beqirit. – Piktorja mbledh bashk\u00eb dukuri t\u00eb shum\u00ebfishta nga jeta e saj apo vegime t\u00eb s\u00eb kaluar\u00ebs, duke i b\u00ebr\u00eb ato pjes\u00eb t\u00eb s\u00eb tashmes n\u00ebn poetik\u00ebn simbolike, n\u00eb trajtimin e figur\u00ebs fem\u00ebrore apo t\u00eb mashkullit si n\u00eb vepr\u00ebn \u201cTradita\u201d Nga: Oltsen Gripshi Ngjyra dhe ndjeshm\u00ebria si pjes\u00eb […]<\/p>\n","protected":false},"author":9,"featured_media":18731,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,35],"tags":[],"class_list":["post-18730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-shoqerore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2019\/03\/1.jpg?fit=3519%2C2138&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-4S6","jetpack-related-posts":[{"id":2126,"url":"https:\/\/www.shqiperia.com\/blog\/piktorja-shpresa-beqiri\/","url_meta":{"origin":18730,"position":0},"title":"Piktorja Shpresa Beqiri. –","author":"Kurt Farka","date":"January 28, 2018","format":false,"excerpt":"Shpresa Beqiri lindi n\u00eb Kavaj\u00eb m\u00eb 1950. 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