{"id":14256,"date":"2018-12-02T11:28:09","date_gmt":"2018-12-02T11:28:09","guid":{"rendered":"http:\/\/www.shqiperia.com\/blog\/?p=14256"},"modified":"2018-12-02T11:28:09","modified_gmt":"2018-12-02T11:28:09","slug":"qeveria-mbyll-onufrin-arsyeja-sekret-shteteror","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/qeveria-mbyll-onufrin-arsyeja-sekret-shteteror\/","title":{"rendered":"Qeveria mbyll \u201cOnufrin\u201d, arsyeja? \u201cSekret. – shtet\u00ebror!\u201d-"},"content":{"rendered":"

\"\"<\/p>\n

Qeveria mbyll \u201cOnufrin\u201d, arsyeja? \u201cSekret. – shtet\u00ebror!\u201d-<\/strong><\/p>\n

Nga Rubens Shima.<\/p>\n

Me miratimin nga Parla menti t\u00eb ligjit absurd p\u00ebr artin, ligj\u00ebrisht ndryshoi edhe emri i Galeris\u00eb Komb\u00ebtare. Nj\u00eb rast unik i llojit t\u00eb vet n\u00eb planet, ku n\u00eb shek. XXI, nj\u00eb vend europian (kuptohet vet\u00ebm gjeografikisht), pa motiv dhe pa arsye, nd\u00ebrron emrin nga Galeria Komb\u00ebtare e Arteve, n\u00eb Muzeumin e Arteve t\u00eb Bukura. Em\u00ebr ky, me efekt teletransportuese n\u00eb stacionin e shek. XIX, q\u00eb historikisht \u00ebsht\u00eb edhe koha e lindjes s\u00eb muzeve t\u00eb till\u00eb kudo n\u00eb Europ\u00eb. Me pesh\u00ebn e emrit imponues \u201cArtet e Bukura\u201d, me t\u00eb drejt\u00eb mendja t\u00eb vete te tradita europiane e piktur\u00ebs, dy shekuj m\u00eb par\u00eb. Por n\u00eb fakt, \u00ebsht\u00eb nj\u00eb ambalazhim vulgar dhe cinik, b\u00ebr\u00eb p\u00ebr t\u00eb fshehur nj\u00eb stisje, nj\u00eb manipulim, nj\u00eb falsitet, sajuar nga Ministria, Galeria apo dreqin e di kush, me q\u00ebllim paraqitjen e artit t\u00eb propagand\u00ebs si \u201cArt t\u00eb Bukur\u201d apo si tradit\u00eb historike.<\/p>\n

K\u00ebsisoj, gjith\u00eb imazheria e piktur\u00ebs dhe skulptur\u00ebs butaforike t\u00eb realizmit socialist, prodhuar nga artist\u00eb t\u00eb transformuar n\u00eb tipografi paraindustriale, riprodhuese t\u00eb regjimit, do t\u00eb shitet p\u00ebr syt\u00eb e publikut shqiptar si \u201cArte t\u00eb Bukura\u201d. K\u00ebt\u00eb gj\u00eb do t\u2019u m\u00ebsojm\u00eb f\u00ebmij\u00ebve. Me sa duket, ky ishte q\u00ebllimi i ndryshimit t\u00eb emrit. Na lejohet hamend\u00ebsimi p\u00ebr aq koh\u00eb sa as ministrja, as drejtori, as ndonj\u00eb ofiqar tjet\u00ebr i tyre, nuk jep asnj\u00eb informacion apo argument p\u00ebr arsyet e nd\u00ebrrimit t\u00eb emrit t\u00eb Galeris\u00eb.<\/p>\n

N\u00eb dijeni t\u00eb p\u00ebrmbajtjes s\u00eb saj, pa asnj\u00eb studim paraprak t\u00eb materialit pamor q\u00eb ruhet aty dhe pa i marr\u00eb aspak n\u00eb konsiderat\u00eb argumentet kund\u00ebrshtuese, ndryshimi u b\u00eb fakt. Fakti u kthye n\u00eb simbol t\u00eb mosarsyes dhe injoranc\u00ebs q\u00eb manifestohet pa turp. Me snobiz\u00ebm province, pa e vrar\u00eb mendjen qoft\u00eb edhe p\u00ebr nj\u00eb fraksion sekonde, p\u00ebr t\u00eb kuptuar dhe ndar\u00eb p\u00ebrvoj\u00ebn dhe q\u00ebndrimet e vendeve t\u00eb tjera, n\u00eb raport me trash\u00ebgimin\u00eb problematike t\u00eb artit t\u00eb propagand\u00ebs, n\u00eb padije dhe shurdh\u00ebri t\u00eb plot\u00eb ndaj \u00e7do mendimi ndryshe, u l\u00ebshuan drejt Parlamentit p\u00ebr spektaklin e radh\u00ebs: krijimin e Muzeut t\u00eb Arteve t\u00eb Bukura. Pika q\u00eb s\u2019ju bie me gjith\u00eb muze!!<\/p>\n

N\u00eb gjith\u00eb k\u00ebt\u00eb histori, t\u00eb b\u00ebn p\u00ebrshtypje heshtja e Galeris\u00eb Komb\u00ebtare. Sipas teoris\u00eb s\u00eb fundit t\u00eb komunikimit, shpallur nga vet\u00eb drejtori i saj, gjith\u00e7ka duhet kaluar n\u00eb heshtje. I papreksh\u00ebm nga arsyeja, i shurdh\u00ebt ndaj \u00e7do problemi, memec n\u00eb reagim, absurd n\u00eb q\u00ebndrim, na shfaqet drejtori i saj. Me sa duket, ky qenka trendi m\u00eb i fundit i drejtimit t\u00eb institucioneve publike n\u00eb k\u00ebt\u00eb vend. Por s\u2019vonoi shum\u00eb dhe Galeria b\u00ebhet p\u00ebrs\u00ebri protagoniste e budallall\u00ebkut t\u00eb radh\u00ebs. K\u00ebt\u00eb her\u00eb ishte nj\u00eb tender i Ministris\u00eb s\u00eb Kultur\u00ebs, e cila tenderonte p\u00ebr konsult\u00eb ideore dhe \u201criformulimi hap\u00ebsinor\u201d, bashk\u00eb me godin\u00ebn e Galeris\u00eb, edhe ekspozit\u00ebn permanente me vepra nga koleksioni i saj. Studioja fituese u shpall \u201cAtelier 4\u201d. Studio, ve\u00e7an\u00ebrisht e specializuar n\u00eb fitime tender\u00ebsh. Edhe Sir Norman Foster nuk ka fituar kaq projekte publike sa kjo studio. Sot e k\u00ebsaj dite, ende nuk \u00ebsht\u00eb b\u00ebr\u00eb i njohur koncepti fitues i ekspozit\u00ebs permanente t\u00eb Muzeut as nga Ministria, as nga Galeria dhe as nga vet\u00eb firma fituese. Rasti i firm\u00ebs arkitekturore, q\u00eb fitoi tenderin e organizuar nga Ministria e Kultur\u00ebs p\u00ebr konceptimin kuratorial t\u00eb ekspozit\u00ebs permanente t\u00eb Galeris\u00eb s\u00eb Arteve, p\u00ebrs\u00ebri kaloi pa asnj\u00eb shpjegim nga drejtori i Galeris\u00eb. P\u00ebr ngjarjen n\u00eb fjal\u00eb nuk k\u00ebrkohej shpjegim, por ndjes\u00eb publike, shoq\u00ebruar me premtimin q\u00eb histori t\u00eb tilla fyese p\u00ebr opinionin publik dhe komunitetin artistik, nuk do t\u00eb ndodhin m\u00eb. Por mjerisht asnj\u00eb prononcim. Heshtje. Dhe ekspozita e mikut t\u00eb radh\u00ebs\u2026<\/p>\n

P\u00ebr k\u00ebto \u201cb\u00ebma shqiptarie\u201d jam prononcuar edhe m\u00eb par\u00eb me artikuj e intervista. Por nj\u00eb tjet\u00ebr ngjarje e sh\u00ebmtuar n\u00eb Galeri m\u00eb shtr\u00ebngoi t\u00eb reagoj k\u00ebsaj here: mbyllja n\u00eb fsheht\u00ebsi t\u00eb madhe e s\u00eb vetmes ekspozit\u00eb t\u00eb sken\u00ebs s\u00eb artit bashk\u00ebkohor n\u00eb Shqip\u00ebri, njohur ndryshe si \u00c7mimi \u201cOnufri\u201d. Me gjas\u00eb, k\u00ebt\u00eb vit ekspozita nuk do t\u00eb zhvillohet. Ndoshta nuk do t\u00eb organizohet m\u00eb. I takon s\u00eb shkuar\u00ebs. Pa m\u00ebdyshje i p\u00ebrket historis\u00eb naive t\u00eb artit bashk\u00ebkohor shqiptar. Art ky, q\u00eb jo pak her\u00eb \u00ebsht\u00eb instrumentalizuar p\u00ebr interesa individ\u00ebsh apo q\u00ebllime banale politike. Ata studiues q\u00eb n\u00eb t\u00eb ardhmen do t\u00eb duan t\u00eb m\u00ebsojn\u00eb apo shkruajn\u00eb historikun e artit bashk\u00ebkohor shqiptar, mund t\u2019i referohen k\u00ebsaj ekspozite n\u00eb ato pak shkrime e botime t\u00eb mbetura n\u00eb Galeri, n\u00eb rast se drejtori i ri nuk i ka hedhur t\u00eb gjitha n\u00eb plehra. Tek e fundit, kujt i hyn n\u00eb pun\u00eb historia n\u00eb k\u00ebt\u00eb vend!<\/p>\n

Personalisht, nuk kam d\u00ebshir\u00eb t\u2019u jap z\u00eb problemeve q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me Galerin\u00eb apo me aktivitetin e saj, pasi gjykoj se jan\u00eb artist\u00ebt ata q\u00eb duhet t\u00eb shprehen p\u00ebr k\u00ebto \u00e7\u00ebshtje, p\u00ebrfshir\u00eb edhe mbylljen e Ekspozit\u00ebs \u201cOnufri\u201d. Por, me sa duket, jetojm\u00eb n\u00eb nj\u00eb koh\u00eb kur artistin po e l\u00eb z\u00ebri. Aktivizmi, reagimi protestues kund\u00ebr arbitraritetit dhe abuzimit, karakteristik\u00eb dalluese e artistit kudo n\u00eb Per\u00ebndim, nd\u00ebr ne \u00ebsht\u00eb z\u00ebvend\u00ebsuar me zhg\u00ebnjim, indiferenc\u00eb, mbyllje goje. Individi zvog\u00eblohet n\u00ebn pesh\u00ebn e r\u00ebnd\u00eb t\u00eb halleve t\u00eb p\u00ebrditshm\u00ebris\u00eb dhe pasiguris\u00eb konstante. Proverbi i lasht\u00eb kinez: \u201cPo kontrollove ushqimin dhe frik\u00ebn, kontrollon dhe minjt\u00eb\u201d, na sh\u00ebrben si pasqyrim adekuat i realitetit ton\u00eb.<\/p>\n

Por le t\u2019i kthehemi Ekspozit\u00ebs \u201cOnufri\u201d, iniciuar si konkurs, m\u00eb pas si ekspozit\u00eb, her\u00eb komb\u00ebtare dhe her\u00eb nd\u00ebrkomb\u00ebtare, ekspozita e fundvitit kishte rreth \u00e7erek shekulli q\u00eb organizohej. Krijuar diku nga viti 1993 si konkurs i arteve figurative, me disa \u00e7mime n\u00eb kategori t\u00eb ndryshme, vazhdoi e pandryshuar deri n\u00eb vitin 1998, kur me nj\u00eb vendim t\u00eb ministrit t\u00eb koh\u00ebs, Edi Rama, ndryshon nga konkurs komb\u00ebtar, n\u00eb nd\u00ebrkomb\u00ebtar. Vite m\u00eb pas, formati i aktivitetit ka p\u00ebsuar ndryshime t\u00eb shumta, t\u00eb cilat jan\u00eb reflektuar edhe n\u00eb statutin e saj. Ndryshimet e fundit jan\u00eb t\u00eb vitit 2010, kur nga konkurs u kthye n\u00eb ekspozit\u00eb, me fokus tek ekspozita, ku \u00e7mimi u trajtua si an\u00ebsor. N\u00eb nj\u00eb lloj kuptimi, ndryshimet e her\u00ebpashershme reflektonin politik\u00ebn e artit, t\u00eb Ministris\u00eb apo Galeris\u00eb n\u00eb fush\u00ebn e arteve pamore. Ka pasur p\u00ebrpjekje edhe p\u00ebr mbylljen e saj, madje nj\u00eb vit nuk u organizua fare. Kjo ekspozit\u00eb mund t\u00eb shfaq\u00eb problematika n\u00eb konceptim, pasi deri diku konsiderohet si nj\u00eb model i tejkaluar. Por n\u00eb rast se Ekspozita \u201cOnufri\u201d nuk i p\u00ebrshtatet m\u00eb sken\u00ebs s\u00eb artit n\u00eb vend apo nuk \u00ebsht\u00eb n\u00eb p\u00ebrputhshm\u00ebri me objektivat e platform\u00ebs kulturore qeveris\u00ebse aktuale t\u00eb Ministris\u00eb, Galeris\u00eb, ajo mund t\u00eb ndryshoj\u00eb. Madje edhe mund t\u00eb mbyllet fare. Personalisht, nuk kam asnj\u00eb kund\u00ebrshtim p\u00ebr k\u00ebt\u00eb gj\u00eb, por s\u00eb pari duhet b\u00ebr\u00eb publike platforma kulturore e n\u00eb rast se nuk ka platform\u00eb, ahere duhet b\u00ebr\u00eb publike arsyeja e mbylljes, e cila duhej t\u00eb shtrohej p\u00ebr konsultim t\u00eb zgjeruar publik, s\u00eb bashku me aktivitetin z\u00ebvend\u00ebsues. Dhe, n\u00eb rast se nuk ekzistojn\u00eb as arsye dhe as argumente p\u00ebr ta mbyllur k\u00ebt\u00eb ekspozit\u00eb, ajo nuk mund t\u00eb mbyllet.<\/p>\n

\u201cOnufri\u201d nuk mund t\u00eb zhduket nga kalendari i Galeris\u00eb p\u00ebr teka apo kapri\u00e7io t\u00eb nj\u00eb drejtori. P\u00ebrpjekja p\u00ebr ta kaluar n\u00eb heshtje mosorganizimin e ekspozit\u00ebs k\u00ebt\u00eb fundvit, me shpres\u00ebn idiote se do t\u00eb harrohet, se askush nuk do t\u00eb kujtohet p\u00ebr t\u00eb, \u00ebsht\u00eb tregues i qart\u00eb i gjendjes s\u00eb r\u00ebnd\u00eb, n\u00eb t\u00eb cil\u00ebn ndodhet sot ky institucion. Cilido b\u00ebn pyetjen e thjesht\u00eb: Cila \u00ebsht\u00eb arsyeja e mbylljes se Ekspozit\u00ebs \u201cOnufri\u201d? Ideologjike? Morale? Financiare? Politike? Paaft\u00ebsi planifikuese dhe organizative? Apo nuk hyn n\u00eb preferencat e drejtorit? Dikush duhet t\u00eb jap\u00eb nj\u00eb shpjegim, nj\u00eb argument, nj\u00eb p\u00ebrgjigje.<\/p>\n

\u201cOnufri\u201d \u00ebsht\u00eb e vetmja ekspozit\u00eb me fokus sken\u00ebn e artit bashk\u00ebkohor n\u00eb vend dhe i vetmi \u00e7mim vjetor p\u00ebr artet pamore, q\u00eb jepet nga Ministria e Kultur\u00ebs dhe Galeria e Arteve. Mbyllja e tij k\u00ebrkon z\u00ebvend\u00ebsim. Mbyllja e tij k\u00ebrkon alternativ\u00eb. Kjo q\u00eb po ndodh me k\u00ebt\u00eb ekspozit\u00eb \u00ebsht\u00eb e turpshme dhe nj\u00ebherazi e sh\u00ebmtuar. T\u2019i vesh shkelmin aktivitetit m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb arteve pamore t\u00eb vitit, q\u00eb me rregullore dhe statut duhet t\u00eb organizohet prej Galeris\u00eb Komb\u00ebtare, n\u00eb fsheht\u00ebsi dhe munges\u00eb arsyeje, \u00ebsht\u00eb shfaqje e ul\u00ebt arrogance dhe pap\u00ebrgjegjshm\u00ebrie institucionale dhe shoq\u00ebrore.<\/p>\n

Sa p\u00ebr kujtes\u00eb: Galeria Komb\u00ebtare nuk \u00ebsht\u00eb galeri private dhe nuk mund t\u00eb trajtohet a p\u00ebrdoret si e till\u00eb. Ajo \u00ebsht\u00eb publike, na p\u00ebrket t\u00eb gjith\u00ebve, mbahet n\u00eb k\u00ebmb\u00eb me taksat e shqiptar\u00ebve k\u00ebndej kufirit. Sigurisht q\u00eb drejtori n\u00eb detyr\u00eb i Galeris\u00eb ka gjith\u00eb t\u00eb drejt\u00ebn ta mendoj\u00eb si private, pasi ishte i paracaktuar n\u00eb post. Ministria nuk p\u00ebrtoi t\u2019i hynte nj\u00eb pune falsifikuese n\u00ebp\u00ebrmjet organizimit t\u00eb nj\u00eb konkursi fiktiv, t\u00eb stisur, t\u00eb sajuar, pavar\u00ebsisht se gjithkush e kishte marr\u00eb vesh q\u00eb drejtori ishte caktuar dhe konkursi ishte thjesht formalitet p\u00ebr t\u00eb kopsitur letrat. Kinse u shpall fitues me nj\u00eb platform\u00eb, q\u00eb nuk u b\u00eb kurr\u00eb publike. Madje filloi t\u00eb organizoj\u00eb edhe konferenca shtypi pa gazetar\u00eb, vet\u00ebm me stafin e Galeris\u00eb, q\u00eb b\u00ebnin pyetje dhe drejtori p\u00ebrgjigjej.<\/p>\n

P\u00ebr t\u00eb kuptuar k\u00ebt\u00eb institucion sot, mjafton t\u2019i hedh\u00ebsh nj\u00eb sy faqes online t\u00eb webit t\u00eb Galeris\u00eb Komb\u00ebtare: asnj\u00eb informacion. Faqja me titullin sfidues ndaj standardit shqip: \u201cEkspozitat e ardhme\u201d \u00ebsht\u00eb bosh. Kalendari ose nuk ekziston, ose mbahet sekret shtet\u00ebror. Publike s\u2019ka asgj\u00eb. Terr nga viti q\u00eb shkoi e terr nga viti q\u00eb vjen. Dhe s\u2019mjafton me kaq! Po t\u00eb v\u00ebshtrosh pak m\u00eb posht\u00eb faqes hyr\u00ebse t\u00eb webit t\u00eb Galeris\u00eb, me gjas\u00eb, me porosi t\u00eb vet\u00eb drejtorit, dikush, p\u00ebr hat\u00ebr t\u00eb tejdukshm\u00ebris\u00eb publike, \u00ebsht\u00eb kujdesur t\u00eb hedh\u00eb n\u00eb web edhe nj\u00eb titull prek\u00ebs, q\u00eb shpirti t\u00eb l\u00ebshon tek e lexon. Quhet \u201cprogram i transparenc\u00ebs\u201d. Po t\u00eb klikosh n\u00eb t\u00eb, gjen gjithfar\u00eb gjepurash dhe ligjesh q\u00eb s\u2019i zbaton kush, por vet\u00ebm kalendarin vjetor t\u00eb Galeris\u00eb nuk e gjen kurrkund. Madje, as emrat e an\u00ebtar\u00ebve t\u00eb bordit t\u00eb saj nuk figurojn\u00eb. Kalendari vjetor i ekspozitave ruhet me nj\u00eb fsheht\u00ebsi admiruese, q\u00eb edhe sh\u00ebrbimet inteligjente do ta kishin zili.<\/p>\n

\"\"<\/p>\n

Platforma e vetme q\u00eb po vihet n\u00eb funksionim n\u00eb Galeri \u00ebsht\u00eb: Z\u00ebvend\u00ebsimi dhe p\u00ebrdorimi gradual i institucionit publik si privat. Izolimi i s\u00eb vetmes hap\u00ebsir\u00eb publike, deri para pak koh\u00ebsh ende jasht\u00eb kontrolli, prej individ\u00ebsh t\u00eb lidhur me pushtetin, kok\u00eb e k\u00ebmb\u00eb t\u00eb korruptuar, q\u00eb kan\u00eb sht\u00ebn\u00eb n\u00eb dor\u00eb gjith\u00e7ka lidhet me sken\u00ebn dhe institucionet e artit n\u00eb vend. Ky \u00ebsht\u00eb i vetmi projekt afatgjat\u00eb, q\u00eb do zbatohet vitet e ardhshme n\u00eb Galeri dhe jasht\u00eb saj. Par\u00eb n\u00eb k\u00ebt\u00eb pik\u00ebv\u00ebshtrim, merr kuptim edhe asgj\u00ebsimi i Ekspozit\u00ebs \u201cOnufri\u201d. Ato pak ekspozitat q\u00eb po paraqiten n\u00eb vijim\u00ebsi n\u00eb Galeri, jan\u00eb pa p\u00ebrmbajtje, neutrale, q\u00eb nuk shqet\u00ebsojn\u00eb ask\u00ebnd, b\u00ebr\u00eb prej artist\u00ebsh sip\u00ebrfaq\u00ebsor\u00eb, q\u00eb e kuptojn\u00eb artin si trend, jo si ide, q\u00eb shiten me fam\u00eb e lust\u00ebr, puna e t\u00eb cil\u00ebve \u00ebsht\u00eb p\u00ebrshtatur e akomoduar p\u00ebr t\u2019u mbathur si k\u00ebpuc\u00eb e pushtetit.<\/p>\n

Mbyllja e Ekspozit\u00ebs \u201cOnufri\u201d \u00ebsht\u00eb ngjarje e zymt\u00eb p\u00ebr sken\u00ebn e artit n\u00eb vend.<\/p>\n

Ndaj, e ftoj komunitetin artistik t\u00eb reagoj\u00eb, ashtu sikund\u00ebr ftoj drejtorin e Galeris\u00eb t\u00eb b\u00ebj\u00eb publike arsyet e mbylljes.<\/p>\n

Erzen, mjaft e shite heshtjen p\u00ebr men\u00e7uri! Ti nuk je as i men\u00e7ur dhe<\/p>\n","protected":false},"excerpt":{"rendered":"

Qeveria mbyll \u201cOnufrin\u201d, arsyeja? \u201cSekret. – shtet\u00ebror!\u201d- Nga Rubens Shima. Me miratimin nga Parla menti t\u00eb ligjit absurd p\u00ebr artin, ligj\u00ebrisht ndryshoi edhe emri i Galeris\u00eb Komb\u00ebtare. Nj\u00eb rast unik i llojit t\u00eb vet n\u00eb planet, ku n\u00eb shek. XXI, nj\u00eb vend europian (kuptohet vet\u00ebm gjeografikisht), pa motiv dhe pa arsye, nd\u00ebrron emrin nga Galeria […]<\/p>\n","protected":false},"author":9,"featured_media":14257,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,35],"tags":[],"class_list":["post-14256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-shoqerore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/12\/Rubens-Shima-Copy.jpg?fit=720%2C409&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-3HW","jetpack-related-posts":[{"id":100415,"url":"https:\/\/www.shqiperia.com\/blog\/raporti-i-iom-brezi-i-dyte-i-emigranteve-shqiptare-pothuajse-eshte-asimiluar\/","url_meta":{"origin":14256,"position":0},"title":"Raporti i IOM: Brezi i dyt\u00eb i emigrant\u00ebve shqiptar\u00eb pothuajse \u00ebsht\u00eb asimiluar","author":"Kurt Farka","date":"May 18, 2026","format":false,"excerpt":"18 Maji 2026 Shqip\u00ebria jo vet\u00ebm q\u00eb nuk po p\u00ebrfiton nga potencialet e diaspor\u00ebs po duket se po humbet t\u00ebr\u00ebsisht lidhjet pasi brezi i dyt\u00eb pothuajse \u00ebsht\u00eb asimiluar dhe nuk gjen shum\u00eb lidhje me vendin. 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