![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/01\/Theofan-Popa-Onufri-1-258x300.jpg?resize=258%2C300\")
<\/p>\n<\/p>\n
Nga: Theofan Popa<\/p>\n
Veprimtaria artistike e Onufrit \u00ebsht\u00eb drejtuar n\u00eb piktur\u00eb murale (monumentale) dhe n\u00eb piktur\u00eb me kavalet (ikona). Ky aktivitet \u00ebsht\u00eb p\u00ebrjet\u00ebsuar n\u00eb faqet e mureve dhe n\u00eb ikonat e disa kishave, si\u00e7 \u00ebsht\u00eb ajo e sh\u00ebn Kollit n\u00eb fshatin Shelcan, ajo e sh\u00ebna-Premtes n\u00eb fshatin Val\u00ebsh, q\u00eb ndodhen t\u00eb dyja n\u00eb Shpat t\u00eb Elbasanit; kisha e sh\u00ebn Todrit, ajo e Vangjelistras dhe ajo e sh\u00ebn Mitrit, q\u00eb ndodhen t\u00eb tria, n\u00eb kala t\u00eb Beratit. Jasht\u00eb atdheut deri m\u00eb sot dim\u00eb se Onufri ka mbuluar me piktura murale, muret e kish\u00ebs s\u00eb Sh\u00ebn \u2013Apostujve t\u00eb Kosturit t\u00eb Greqis\u00eb
\nDisa nga k\u00ebto monumente ikona t\u00eb mjeshtrit ruhen n\u00eb Vangjelistra dhe n\u00eb Sh\u00ebn \u2013Mit\u00ebr, si dhe nj\u00eb ikon\u00eb ajo e Sh\u00ebn \u2013Joan Theologut, n\u00eb katedralen e Beratit. Kishat e tjera q\u00eb p\u00ebrm\u00ebnd\u00ebm ruajn\u00eb vet\u00ebm piktur\u00eb murale.
\nPiktura e Onufrit lind dhe zhvillohet n\u00eb vazhdim t\u00eb tradit\u00ebs s\u00eb artit t\u00eb madh bizantin, por talenti i fuqish\u00ebm i k\u00ebtij mjeshtri shqiptar, n\u00ebn ndikimin e ideve t\u00eb reja t\u00eb krijuara nga rrethanat politike t\u00eb v\u00ebndit dhe t\u00eb realizimeve t\u00eb shk\u00eblqyera t\u00eb artit per\u00ebndimor t\u00eb koh\u00ebs, shk\u00ebputet nga normat e paradiktuara t\u00eb piktur\u00ebs s\u00eb vjet\u00ebr bizantine dhe futet n\u00eb jet\u00ebn e gjall\u00eb reale. K\u00ebshtu, Onufri arrin t\u00eb krijoi nj\u00eb art t\u00eb vetin me tipare individuale, nj\u00eb art t\u00eb p\u00ebrshkuar prej nj\u00eb fryme me prirje realiste, q\u00eb nga ana artistike arrin maja t\u00eb larta me interes t\u00eb ve\u00e7ant\u00eb.
\nFryma me prirje realiste reflektohet n\u00eb gjith\u00eb vepr\u00ebn e tij. Sado fillestare dhe e leht\u00eb, ajo ka dep\u00ebrtuar gati n\u00eb zgjidhjen e t\u00eb gjitha problemeve artistike t\u00eb artit dhe e ka b\u00ebr\u00eb piktur\u00ebn e Onufrit q\u00eb t\u00eb ndryshoj\u00eb e t\u00eb dallohet p\u00ebr stilin e saj t\u00eb ve\u00e7ant\u00eb m\u00eb t\u00eb p\u00ebrparuar. Nd\u00ebrsa n\u00eb kompozimin e skenave, Onufri ruan tradit\u00ebn bizantine, modelimet e dhe ansamblet e detajeve n\u00eb nj\u00eb sken\u00eb, ai i realizon n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb re p\u00ebr koh\u00ebn, me element\u00eb jet\u00ebsor\u00eb. Kjo v\u00ebrehet n\u00eb shum\u00eb skena, si p\u00ebr sh\u00ebmbull n\u00eb sken\u00ebn \u201clindja e Krishtit\u201d n\u00eb detalin \u2018barinjt\u00eb dhe dh\u00ebnt\u201d(piktur\u00eb murale), ose \u201clarja e foshjes nga dodiat\u201d (ikon\u00eb), ku v\u00ebrehen l\u00ebvizje e veprime natyrale ashtu si\u00e7 ngjajn\u00eb n\u00eb natyr\u00eb.Figurat n\u00eb skenat e Onufrit jan\u00eb t\u00eb kompozuara n\u00eb pozicione reale, me l\u00ebvizje dhe mimik\u00eb t\u00eb gjall\u00eb, me shprehje psikologjike t\u00eb thell\u00eb; duke marr\u00eb pjes\u00eb n\u00eb ngjarjet q\u00eb pikturohen n\u00eb sken\u00eb, p\u00ebr sh\u00ebmbull figurat n\u00eb \u201cshartja\u201d (pitur\u00eb murale), ose \u201cgrupi i apostujve\u201d n\u00eb sken\u00ebn ngjallja e Llazarit (ikon\u00eb). N\u00eb gjith\u00eb vepr\u00ebn e tij, por sidomos n\u00eb ikonat, ku ngjyrat ruhen t\u00eb fresk\u00eb edhe sot Onufri shquhet si mjesht\u00ebr i dalluar i ngjyrave duke i realizuar ato t\u00eb kultivuara n\u00eb maksimum: t\u00eb ngrohta dhe transparente, p\u00ebrdorur me gradacione, n\u00eb mjaft\u00eb raste edhe me tone t\u00eb fuqishme, ting\u00ebllonj\u00ebse dhe t\u00eb kombinuara me harmoni, p\u00ebr sh\u00ebmbull jerark\u00ebt e m\u00ebdhenj, n\u00eb sh\u00ebn-Todh\u00ebr t\u00eb Beratit (piktur\u00eb murale) si dhe n\u00eb t\u00eb gjtha ikonat e tij t\u00eb Vangjelistras, po n\u00eb Berat.
\nP\u00ebrdorimi i raportit drit\u00eb \u2013hije n\u00eb skena \u00ebsht\u00eb nj\u00eb element i ri p\u00ebr piktur\u00ebn mbasbizantine t\u00eb koh\u00ebs s\u00eb Onufrit, q\u00eb d\u00ebshmon p\u00ebr frym\u00ebn me prirje realiste t\u00eb vepr\u00ebs s\u00eb tij. Kjo vihet re p\u00ebr sh\u00ebmbull n\u00eb ikon\u00ebn e shp\u00ebrfytyrimit ku bije n\u00eb sy m\u00eb qart\u00eb mjesht\u00ebria e Onufrit n\u00eb realizimin e k\u00ebtij raporti, si mbi shk\u00ebmbinjt\u00eb e thepisur dhe mbi figurat e apostujve e t\u00eb profet\u00ebve.
\nN\u00eb tipat e Onufrit spikat nj\u00eb fizionomi e ngjashme me ato t\u00eb popullat\u00ebs s\u00eb Shqip\u00ebris\u00eb s\u00eb mesme. Kjo takohet n\u00eb shum\u00eb figura t\u00eb tij dhe d\u00ebshmon qart\u00eb p\u00ebr nj\u00eb ndiklim t\u00eb artistit nga ambieni ku ai punoi dhe krijoi.<\/p>\n
![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/01\/Onufri-Theofan-Popa-2-300x225.jpg?resize=300%2C225\")
![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/01\/Onufri-Theofan-Popa-3-225x300.jpg?resize=225%2C300\")
\nTrajtimi i figurave n\u00eb skenat e Onufrit, me mimik\u00eb e l\u00ebvizje t\u00eb gjalla, me shprehje t\u00eb fuqishme shpirt\u00ebrore dhe me tinguj t\u00eb fort\u00eb dhe t\u00eb fuqish\u00ebm t\u00eb ngjyrave, ndofta n\u00eb nj\u00eb far\u00eb mase reflekton gj\u00ebndjen shpirt\u00ebrore t\u00eb artistit, t\u00eb formuar n\u00ebn ndikimin e shqet\u00ebsimit t\u00eb madh t\u00eb t\u00eb gjith\u00eb popullit shqiptar.
\nVepra e Onufrit krijoi nj\u00eb rym\u00eb t\u00eb re, nj\u00eb shkoll\u00eb lokale, q\u00eb ndiet nga piktor\u00ebt pasardh\u00ebs, por q\u00eb asnj\u00eb nga ata nuk e arriti kryemjeshtrin n\u00eb art. P\u00ebr shkak t\u00eb rrethanave shum\u00eb t\u00eb v\u00ebshtira q\u00eb pasuan n\u00eb vendin ton\u00eb, ajo u fik gradualisht.
\nOnufri \u00ebsht\u00eb nj\u00eb figur\u00eb e ndritur n\u00eb artin piktural mesjetar, mbas katastrof\u00ebs s\u00eb pushtimit otoman t\u00eb v\u00ebndit ton\u00eb. Vepra e tij, q\u00eb formon nj\u00eb thesar t\u00eb \u00e7muesh\u00ebm p\u00ebr traditat kulturore t\u00eb popullitt ton\u00eb, arrin rrealizime aq t\u00eb larta, sa mund t\u00eb themi pa frik\u00eb se e v\u00eb autorin e saj nd\u00ebr piktor\u00ebt m\u00eb t\u00eb shquar, q\u00eb kan\u00eb vepruar mbas r\u00ebnies s\u00eb Bizantit.<\/p>\n
Pergatitur nga Ajet Nallbani:\r\n\r\nRreth vepr\u00ebs s\u00eb Onufrit, \u201cMonumente t\u00eb kultur\u00ebs n\u00eb Shqip\u00ebri\u201d,Tiran\u00eb,\r\n1975,2, fq.72-74. Shoq\u00ebrohet me 1 figur\u00eb. Piktura mesjetare, \r\nd\u00ebshmi e artit ton\u00eb mesjetar. Onufri, piktor mbas pushtimit turk. \r\nVeprimtaria artistike e Onufrit. Karakteristikat e vepr\u00ebs s\u00eb tij.<\/pre>\n","protected":false},"excerpt":{"rendered":"Nga: Theofan Popa Veprimtaria artistike e Onufrit \u00ebsht\u00eb drejtuar n\u00eb piktur\u00eb murale (monumentale) dhe n\u00eb piktur\u00eb me kavalet (ikona). Ky aktivitet \u00ebsht\u00eb p\u00ebrjet\u00ebsuar n\u00eb faqet e mureve dhe n\u00eb ikonat e disa kishave, si\u00e7 \u00ebsht\u00eb ajo e sh\u00ebn Kollit n\u00eb fshatin Shelcan, ajo e sh\u00ebna-Premtes n\u00eb fshatin Val\u00ebsh, q\u00eb ndodhen t\u00eb dyja n\u00eb Shpat t\u00eb […]<\/p>\n","protected":false},"author":9,"featured_media":1423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87],"tags":[],"class_list":["post-1422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/01\/Onufri-Theofan-Popa.jpg?fit=720%2C960&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-mW","jetpack-related-posts":[{"id":1112,"url":"https:\/\/www.shqiperia.com\/blog\/kisha-e-profet-ilias-1929-foto\/","url_meta":{"origin":1422,"position":0},"title":"Kisha e Profet Ilias, 1929 (+ Foto)","author":"Kurt Farka","date":"January 12, 2018","format":false,"excerpt":"Nga: Kastriot Dervishi Piktor, ish Drejtor i Muzeut Onufri Berat. Kisha e Sh\u00ebn Ilias \u00ebsht\u00eb e vetmja kish\u00eb e nd\u00ebrtuar n\u00eb fillim t\u00eb shekullit t\u00eb XX-t\u00eb n\u00eb Berat. Ajo \u00ebsht\u00eb nd\u00ebrtuar n\u00eb vitin 1929 n\u00eb nj\u00eb nga kodrat m\u00eb t\u00eb bukura t\u00eb Beratit p\u00ebrball\u00eb kalas\u00eb q\u00eb ka mrr\u00eb emrin e\u2026","rel":"","context":"In "Njoftime Shtypi"","block_context":{"text":"Njoftime Shtypi","link":"https:\/\/www.shqiperia.com\/blog\/category\/njoftime-shtypi\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/01\/KOMUNIZMI.jpg?fit=500%2C331&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10026,"url":"https:\/\/www.shqiperia.com\/blog\/shenime-dhe-konsiderata-rreth-kishes-se-kurjanit\/","url_meta":{"origin":1422,"position":1},"title":"Sh\u00ebnime dhe konsiderata rreth kish\u00ebs s\u00eb Kurjanit.-","author":"Kurt Farka","date":"July 21, 2018","format":false,"excerpt":"Sh\u00ebnime dhe konsiderata rreth kish\u00ebs s\u00eb Kurjanit - Nga Ilirjan Gjika N\u00eb territorin e bashkis\u00eb s\u00eb Roskovecit gjenden dy kisha ortodokse t\u00eb cilat g\u00ebzojn\u00eb statusin e monumenteve t\u00eb kultur\u00ebs. T\u00eb tilla jan\u00eb kisha bizantine e Sh\u00ebn Nikoll\u00ebs n\u00eb Kurjan dhe kisha post bizantine e Sh\u00ebn Gjergjit n\u00eb Strum. 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