![\"\"](\"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/08\/Malet_e_Morav%C3%ABs_nga_Vangjush_Mio.jpg?resize=351%2C221\")
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Vangjush Mio, piktor i madh shqiptar i tradit\u00ebs figurative. – Moikom \u00a0Zeqo<\/strong><\/p>\n Peizazhi i fundit,- dicka testamentale<\/em><\/p>\n Peizazhi i fundit \u00a0Vangjush \u00a0Mios (3 mars 1891-30 dhjetor\u00a0 1957 ) \u00a0\u00ebsht\u00eb nj\u00eb pamje (pejsazh ) nga qyteti i lasht\u00eb i Beratit e i k\u00ebshtjell\u00ebs s\u00eb tij historike.<\/p>\n Berati i 1001 Dritareve !<\/p>\n Peizazhi mbeti i pambaruar.<\/p>\n Vangjush Mio vdiq si\u00e7 i takonte: me penela n\u00eb duar.<\/p>\n N\u00eb ngjyrat e paravdekjes, \u00ebsht\u00eb epilogu i biografis\u00eb s\u00eb tij artistike.<\/p>\n Peizazhi ndon\u00ebse i pambaruar s\u2019ka nevoj\u00eb p\u00ebr n\u00ebnshkrim.<\/p>\n I lumtur \u00ebsht\u00eb ai piktor q\u00eb e arrin k\u00ebt\u00eb.<\/p>\n Autor\u00ebsia e pikturave \u00ebsht\u00eb rezultat i t\u00ebr\u00eb jet\u00ebs s\u00eb piktorit.<\/p>\n Kjo autor\u00ebsi \u00ebsht\u00eb stili, perceptimi vizual, bota mioane e piktur\u00ebs, \u201cpasaporta\u201d e tij e fuqishme, artistike.<\/p>\n Vite \u00a0m\u00eb par\u00eb ai mbylli syt\u00eb, n\u00eb qytetlindjen e tij, n\u00eb Kor\u00e7\u00eb, q\u00eb e deshi aq tep\u00ebr.<\/p>\n Por jeta e tij n\u00eb shum\u00eb pik\u00ebpamje vazhdon pa e p\u00ebrfillur cakun e vdekjes.<\/p>\n At\u00eb e ndjen n\u00eb ngjyrat e p\u00ebrjetshme t\u00eb tablove, bile edhe n\u00eb at\u00eb t\u00eb mbramen.<\/p>\n Mio ( \u00ebsht\u00eb identifikuar t\u00ebr\u00ebsisht me krijimet e tij.)<\/p>\n \u201cZ\u00ebrat\u201d e relikeve-bicikleta, syzet, politra paharruar dhe violines<\/em><\/p>\n \u00a0<\/em>N\u00eb sht\u00ebpin\u00eb e piktorit n\u00eb Kor\u00e7\u00eb (me port\u00eb e me dy shtylla vertikale t\u00eb gdhendura guri e ornamente t\u00eb hekurta t\u00eb kangjellave).<\/p>\n Ruhet akoma bi\u00e7ikleta e vjet\u00ebr e Mios.<\/p>\n (Bi\u00e7ikleta e peizazhit, \u201ckali\u201d im i pun\u00ebs, si\u00e7 e quante me shaka, \u201cehu sa shum\u00eb kam udhetuar me t\u00eb!\u201d).<\/p>\n Ruhet gjithashtu edhe pipa e drunjt\u00eb e duhanit (\u201cbabait i p\u00eblqente t\u00eb pinte duhan mbas pun\u00ebs, tregon vajza e tij, e t\u00eb v\u00ebshtronte p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb ato q\u00eb kish b\u00ebr\u00eb\u201d) .<\/p>\n Ruhen syzet dhe politra e ngjyrave.<\/p>\n K\u00ebto objekte intime na ndihmojn\u00eb e na v\u00ebn\u00eb n\u00eb l\u00ebvizje imagjinat\u00ebn ton\u00eb.<\/p>\n Tregon ( e bija ). se piktorit shpesh qelqet e syzeve i b\u00ebheshin me pik\u00ebza ngjyre.<\/p>\n E ai shprehej se prandaj e shihte bot\u00ebn me spektra.<\/p>\n Me kaledeiskope dhe\u00a0 grigja ylberash.<\/p>\n K\u00ebshtu \u00ebsht\u00eb ai e shihte bot\u00ebn p\u00ebrmes k\u00ebtyre ngjyrave.<\/p>\n Me iridat e\u00a0 syve\u00a0 fiksuar mrekullisht ne telajot e tij- gati magjike.<\/p>\n Objektet s\u2019kan\u00eb z\u00eb po ato mund t\u2019i \u201cdeshifrojm\u00eb\u201d.<\/p>\n N\u00eb k\u00ebt\u00eb koleksion t\u00eb dhembshur e t\u00eb paharruar s\u2019duhet t\u00eb l\u00ebm\u00eb pa p\u00ebrmendur edhe di\u00e7ka tjet\u00ebr: nj\u00eb violin\u00eb.<\/p>\n Mio e adhuronte muzik\u00ebn.<\/p>\n Ai ca koh\u00eb merrej edhe me violin\u00ebn.<\/p>\n Njer\u00ebzit e familjes mbajn\u00eb mend melodit\u00eb kor\u00e7are t\u00eb cilat i shoq\u00ebronte me z\u00eb.<\/p>\n Objektet memoriale t\u00eb Mios n\u00eb heshtjen e tyre ruajn\u00eb k\u00ebshtu mjaft z\u00ebra q\u00eb na e prezantojn\u00eb njeriun e artistin.<\/p>\n Po prap ato s\u2019mund t\u00eb luajn\u00eb at\u00eb rol q\u00eb luan vet\u00eb piktura e tij.<\/p>\n Kjo \u00ebsht\u00eb arsyeja q\u00eb politr\u00ebn e ngjyrave ne e shikojm\u00eb me emocione t\u00eb posa\u00e7me.<\/p>\n Sh\u00ebnime t\u00eb vet\u00eb Mios<\/em><\/p>\n Atelieja muzeale e Vangjush Mios \u00ebsht\u00eb fare pran\u00eb sht\u00ebpis\u00eb s\u00eb tij, n\u00eb nj\u00eb banes\u00eb tipike popullore t\u00eb restauruar para ca koh\u00ebsh.<\/p>\n N\u00eb k\u00ebto atelie jan\u00eb ekspozuar nj\u00eb pjes\u00eb e madhe e pikturave.<\/p>\n K\u00ebtu ruhen edhe librat e piktorit.<\/p>\n Bien menj\u00ebher\u00eb n\u00eb sy se Mio i ka konsideruar librat si instrumente pune.<\/p>\n Ai i ka shfletuar e ka l\u00ebn\u00eb edhe sh\u00ebnime t\u00eb shkruara im\u00ebt po me kujdes me laps.<\/p>\n Mbledhja e t\u00ebr\u00eb k\u00ebtyre sh\u00ebnimeve p\u00ebrb\u00ebn nj\u00eb material t\u00eb \u00e7muar.<\/p>\n N\u00eb to duket bot\u00ebkuptimi i tij, q\u00ebndrimet ideoemocionale, vler\u00ebsimet mbi piktur\u00ebn e bot\u00ebn.<\/p>\n Kur i p\u00eblqente ndonj\u00eb piktur\u00eb Mio sh\u00ebnonte pran\u00eb emrit t\u00eb autorit fjal\u00ebt \u201cmir\u00eb\u201d, \u201cmirk\u00eb\u201d, \u201ckolorist\u201d, \u201cngjyra t\u00eb paqme\u201d, \u201cadmirabel\u201d etj.<\/p>\n Mios i p\u00eblqenin mjeshtrat e vjet\u00ebr t\u00eb m\u00ebdhenj, por mban edhe q\u00ebndrim kritik ndaj tyre.<\/p>\n Ja \u00e7\u2019thot\u00eb p\u00ebr piktur\u00ebn e Ticianit \u201cHyrja e Maries n\u00eb tempull: \u201ckompozicion i madh, punuar si p\u00ebr afreska, gjith\u00eb fantazi, shum\u00eb natyrholl\u00eb e pak naiv\u201d.<\/em><\/p>\n Mios i ka t\u00ebrhequr v\u00ebmendjen skulptori i madh Roden.<\/p>\n P\u00ebr kryevepr\u00ebn e tij \u201cQytetar\u00ebt e Kalese\u201d Mio ka sh\u00ebnuar: \u201eJan\u00eb t\u00eb gjall\u00eb l\u00ebvizje admirabel.<\/em><\/p>\n \u00a0Format t\u00eb b\u00ebra mir\u00eb.<\/em><\/p>\n \u00a0Nj\u00eb skic\u00eb e ekzagjeruar, por nuk humbet, karakterin e trupit, e jo vet\u00ebm ekspresia e tyre po edhe gjendja psikologjike. <\/em><\/p>\n Na e jep jet\u00ebn, gjall\u00ebrin\u00eb n\u00eb \u00e7do pjes\u00eb t\u00eb trupit t\u00eb rr\u00ebfen\u2026\u201d<\/em><\/p>\n P\u00ebr nj\u00eb piktur\u00eb t\u00eb Xhovani Belinit sh\u00ebnon: \u201cRafaelske! Madona \u00ebsht\u00eb kaq e mir\u00eb, kaq e mir\u00eb e ka bukur e ka pikturuar sa nuk mund ta p\u00ebrshkruaj!\u201c<\/em><\/p>\n Mio ka l\u00ebn\u00eb sh\u00ebnime p\u00ebr piktor\u00eb francez\u00eb, spanjoll\u00eb, amerikan\u00eb, holandez\u00eb, polak, rus\u00eb, rumun\u00eb etj., nj\u00eb pjes\u00eb e madhe e t\u00eb cil\u00ebve jan\u00eb t\u00eb dekadave t\u00eb para t\u00eb shekullit e t\u00eb viteve kur Mio ka qen\u00eb i ri.<\/p>\n Ka shum\u00eb r\u00ebnd\u00ebsi t\u00eb theksohet se Mio mban q\u00ebndrim krejt t\u00eb pa pranuesh\u00ebm ndaj rrymave moderniste e avaanguardiste, q\u00eb ishin kaq, t\u00eb p\u00ebrhapura n\u00eb vitet \u201930.<\/p>\n Ai p\u00ebrdor p\u00ebr to fjal\u00ebn: \u201cligsht!\u201d<\/p>\n N\u00eb nj\u00eb album t\u00eb disa piktor\u00ebve rumun\u00eb ka shkruar: \u201cS\u2019kan\u00eb gj\u00ebkafsh\u00eb t\u00eb re, jan\u00eb t\u00eb lodhur, aspak s\u2019u intereson arti\u201d.<\/p>\n P\u00ebr nj\u00eb piktor italian shkruan: \u201cN\u00eb dekadenc\u00eb dhe nis rrug\u00ebn e modernizimit. Delikatesa mungon megjith\u00ebse \u00ebsht\u00eb nx\u00ebn\u00ebs i Luigji Nanos\u201d.<\/em><\/p>\n P\u00ebr piktorin \u00a0Andre Deren<\/em> e p\u00ebr krijimet e tij sh\u00ebnon fjal\u00ebn \u201cPorkerira\u201d!<\/em><\/p>\n P\u00ebr piktur\u00ebn e nj\u00eb tjetri modernist shkruan \u201cNuk ka detaje p\u00ebr s\u00eb af\u00ebrmi, \u00ebsht\u00eb e ndotur p\u00ebr s\u00eb largu\u201d<\/em> etj.<\/p>\n N\u00eb librat e bibliotek\u00ebs s\u00eb Mios gjen lule fushe t\u00eb thara mes flet\u00ebve, ka vizatime t\u00eb b\u00ebra prej tij si p.sh. projekti i studios s\u00eb piktorit, silueta njer\u00ebzish n\u00eb kafene, gondola-vizatime- n\u00eb sfond t\u00eb urave t\u00eb mo\u00e7me etj.<\/p>\n Shum\u00eb sh\u00ebnime i p\u00ebrkasin periudh\u00ebs, kur Mio ka qen\u00eb student n\u00eb Itali.<\/p>\n Sidomos ne Venedik.<\/p>\n N\u00eb nj\u00eb fotografi ku ai ka dal\u00eb n\u00eb Rom\u00eb n\u00eb mosh\u00eb t\u00eb re ka shkruar k\u00ebto mendime nga pas:<\/p>\n \u201cN\u00eb do t\u00eb arrish i famsh\u00ebm sakrifiko shum\u00eb q\u00eb t\u00eb arrish.<\/em><\/p>\n \u00a0Sot sakrifikoj n\u00eb shum\u00eb gj\u00ebra q\u00eb m\u00eb jan\u00eb ni\u00e7esare (t\u00eb nevojshme) p\u00ebr trupin tim. <\/em><\/p>\n M\u00eb mir\u00eb n\u00eb jet\u00eb t\u00eb g\u00ebzoj shpirtin me do pun\u00eb t\u00eb mir\u00eb se sa trupin me nj\u00eb pal\u00eb rrobe t\u00eb reja.<\/em><\/p>\n Un\u00eb q\u00eb b\u00ebj ekonomi n\u00eb hamje, t\u00eb mos b\u00ebj n\u00eb veshje se s\u2019m\u00eb gjen ndonj\u00eb dam?<\/em><\/p>\n Interesi i artit nuk lipset neglizhuar aspak<\/em><\/p>\n Rom\u00eb 4.7.1923\u201d<\/p>\n K\u00ebto sh\u00ebnime jan\u00eb si nj\u00eb ekstrakt i v\u00ebrtet\u00eb ditari.<\/p>\n Dhe shprehin gjendjen e v\u00ebshtir\u00eb po edhe vullnetin e madh dhe kredon e paepur te piktorit t\u00eb ri.<\/p>\n Studiuesit q\u00eb do merren me sh\u00ebnimet e Mios do zbulojn\u00eb m\u00eb shum\u00eb fakte t\u00eb tjera.<\/p>\n P.sh. Mihal Toskanini, Tenori i Par\u00eb i Oper\u00ebs s\u00eb Bukureshtit, q\u00eb \u00ebsht\u00eb me origjin\u00eb shqiptare i jep me autograf Mios n\u00eb 1927 me 8 fotografi t\u00eb tij , ku ka dal\u00eb n\u00eb role t\u00eb ndryshme etj.<\/p>\n Origjinaliteti i pavdekshem i Vangjush Mios<\/em><\/p>\n \u00a0<\/em>Vangjush Mio \u00ebsht\u00eb nj\u00eb piktor novator.<\/p>\n Ai solli di\u00e7ka t\u00eb re dhe t\u00eb r\u00ebnd\u00ebsishme n\u00eb piktur\u00ebn ton\u00eb.<\/p>\n Ai plot\u00ebsoi nj\u00eb boshll\u00ebk (hiatus shekullor ) t\u00eb s\u00eb kaluar\u00ebs.<\/p>\n Dihet se zhvillimi harmonik i gjith\u00eb llojeve e zhanreve t\u00eb piktur\u00ebs flet p\u00ebr gjall\u00ebrin\u00eb e pjekurin\u00eb e saj.<\/p>\n N\u00eb piktur\u00ebn e tradit\u00ebs kemi emra t\u00eb m\u00ebdhenj t\u00eb nivelit bot\u00ebror si Onufri, David Selenicasi.<\/p>\n Po tek k\u00ebto piktor\u00eb e tek t\u00eb m\u00ebvonshmit mungon zhanri i peizazhit.<\/p>\n Tek Onufri \u00ebsht\u00eb influenca e arti t\u00eb Rilindjes Evropiane dhe ai ve bar e tuf\u00eb pem\u00ebsh n\u00eb sfond t\u00eb shk\u00ebmbinjve.<\/p>\n Po ai nuk arrin dot deri tek peizazhi autonom si zhan\u00ebr artistik i ve\u00e7ant\u00eb.<\/p>\n Edhe \u00a0Davidi\u00a0 Selenica i Vlores avancon.<\/p>\n Por \u00a0edhe ai s\u2019arrin ende tek peizazhi autonom, ekspresiv.<\/p>\n Mio-prici i pejsazhit shqiptarit<\/p>\n Pik\u00ebrisht ky \u00ebsht\u00eb boshll\u00ebku t\u00eb cilin e plot\u00ebsoi si mjesht\u00ebr i madh Vangjush Mio \u00a0si nje korife me \u00a0piktor\u00ebt e tjer\u00eb shqiptar\u00eb bashk\u00ebkoh\u00ebs t\u00eb tij .<\/p>\n Zef Kolombin Mio e njihte thell\u00eb edhe portretin (portretet q\u00eb ka b\u00ebr\u00eb d\u00ebshmojn\u00eb p\u00ebr k\u00ebt\u00eb.)<\/p>\n Po kryesisht ai do t\u00eb mbetet k\u00ebng\u00ebtari i fuqish\u00ebm e fin i peizazhit amtar, i stin\u00ebve t\u00eb bukura t\u00eb tok\u00ebs shqiptare.<\/p>\n K\u00ebtu q\u00ebndron edhe noviteti artistik i Mios (natyrisht i kuptuar gj\u00ebr\u00eb).<\/p>\n Ketu jane Letrat -Kredenciale te Vangjush Mios .<\/p>\n Detyra q\u00eb i vuri vetes ai nuk ishte e leht\u00eb.<\/p>\n Po ai \u00e7au me guxim ,nuk i imitoi vulgarisht t\u00eb huajt , madje as piktorin e madh rumun Grigoreskun, qe e njihte shume mire dhe intimisht.<\/p>\n Ai donte t\u00eb krijonte piktur\u00eb tipike, por edhe universale, shqiptare, me karakter popullor, t\u00eb kultivuar e t\u00eb nj\u00eb niveli tejet\u00a0 t\u00eb lart\u00eb.<\/p>\n Ndon\u00ebse pa buj\u00eb e pompozitet.<\/p>\n Ka nj\u00eb lidhje t\u00eb fuqishme midis piktur\u00ebs s\u00eb tij e shpirtit t\u00eb popullit, midis ngjyrave t\u00eb peizazheve e ngjyrave t\u00eb kostumeve popullore.<\/p>\n Piktura e tij nuk \u00ebsht\u00eb thjesht si nj\u00eb \u201cgrafik\u00eb\u201d me ngjyra si\u00e7 \u00ebsht\u00eb shprehur nj\u00eb mendim.<\/p>\n Po ajo \u00ebsht\u00eb plot nuanca, l\u00ebvizje t\u00eb brendshme.<\/p>\n Plot aj\u00ebr e drit\u00eb!<\/p>\n Plot vizion dhe origjinalitet!<\/p>\n \u00cbsht\u00eb shprehur edhe mendimi se Mio punon n\u00eb m\u00ebnyr\u00eb \u00a0impresioniste.<\/p>\n Mio eshte biri i impresionizmit . europian dhe ballkanik dhe shqiptar.<\/p>\n Ky \u00ebsht\u00eb nj\u00eb mendim thell\u00ebsisht real, por aspak formal.<\/p>\n Impresionist\u00ebt dihet e p\u00ebrdorin ngjyr\u00ebn si q\u00ebllim ndjesor, plot fuqi krijuese.<\/p>\n Epoka tyre cuditi Artin e shekullit XX!<\/p>\n Po ngjyrat shpesh. n\u00eb vetvete e b\u00ebnin t\u00eb \u201cpavarura\u201d e pikturat e tyre shpesh i ngjajn\u00eb pamjeve, me\u00a0 rend simbolikm me narativa lineare.<\/p>\n Veprata e tyre nganj\u00ebhere nuk jan\u00eb n\u00eb fokus,- duke kaluar k\u00ebshtu nj\u00eb subjektiviz\u00ebm rikonstruktues.<\/p>\n Po aspak n\u00eb shk\u00ebputje nga bota reale.<\/p>\n Tek Mio s\u2019kemi , n\u00eb asnj\u00eb vep\u00ebr t\u00eb tij, di\u00e7ka formalizuese, as struktura , apo arketipe\u00a0 imituese.<\/p>\n Por nje ndjeshmeri fine, te jashtezakoneshme.<\/p>\n Pra, jo nje dublim fotografik , pa lidhje me artin vizionar, si t\u00eb till\u00eb.<\/p>\n Ai \u00ebsht\u00eb thell\u00ebsisht, po edhe me shpirt, pa vulgarizmin e diletantave me talent te rendomte.<\/p>\n Si talent i lindur , i madh, i paperserithsem, i kultivuar dhe institutocional per artet figurative shqiptare , realist ,nuk e primitivizon piktur\u00ebn.<\/p>\n Por e trajton me seriozitet.<\/p>\n Dhe e interpreton\u00a0 artin pikturik\u00a0 me ndjenj\u00eb fantazie. por edhe\u00a0 e\u00a0 larg \u00e7do deformimi.<\/p>\n Ndjenja shumedimensionale e Vangjush Mios \u00ebsht\u00eb nj\u00eb ndjenj\u00eb \u00a0e pafundme, e infiniteshme Shqip\u00ebrie.<\/p>\n Nj\u00eb ndjenj\u00eb e qart\u00eb dhe e p\u00ebrjetshme.<\/p>\n Ai zbulon bukurit\u00eb e Atdheut na e shton dashurin\u00eb p\u00ebr t\u00eb.<\/p>\n Me k\u00ebto pik\u00ebpamje ai t\u00eb kujton Naimin e vargjet e tij.<\/p>\n Po dhe Lasgush Poradecin , me te cilin e lidh nje binjakeri konceptuale poetike, metaforike, si dhe kronologjike.<\/p>\n Vangjush Mio shfaqet\u00a0 si piktori me i spikatur poetik i i arteve\u00a0 figurative.<\/p>\n Pra Liriku\u00a0 i Pashembullt i Piktures Shqiptare,<\/p>\n ***<\/p>\n Veprat e Mios jan\u00eb n\u00eb \u00a0Thesarin \u00a0e Pamort dhe te pa \u00a0pashlyer te Artit Shqiptar ne shekuj.<\/p>\n (Studimi im i botuar ne \u201cNendori \u201c, 1978- 40 vjet me pare )<\/p>\n","protected":false},"excerpt":{"rendered":" Vangjush Mio, piktor i madh shqiptar i tradit\u00ebs figurative. – Moikom \u00a0Zeqo Peizazhi i fundit,- dicka testamentale Peizazhi i fundit \u00a0Vangjush \u00a0Mios (3 mars 1891-30 dhjetor\u00a0 1957 ) \u00a0\u00ebsht\u00eb nj\u00eb pamje (pejsazh ) nga qyteti i lasht\u00eb i Beratit e i k\u00ebshtjell\u00ebs s\u00eb tij historike. Berati i 1001 Dritareve ! Peizazhi mbeti i pambaruar. Vangjush […]<\/p>\n","protected":false},"author":9,"featured_media":10871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,10,86],"tags":[],"class_list":["post-10870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-kultura","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2018\/08\/Malet_e_Morav%C3%ABs_nga_Vangjush_Mio.jpg?fit=240%2C151&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-2Pk","jetpack-related-posts":[{"id":5476,"url":"https:\/\/www.shqiperia.com\/blog\/ekspozita-e-mios-ngjarje-ne-venecia-kritika-italiane-vlereson-artin-e-tij\/","url_meta":{"origin":10870,"position":0},"title":"Ekspozita e Mios ngjarje n\u00eb Venecia, kritika italiane vler\u00ebson artin e tij. –","author":"Kurt Farka","date":"March 23, 2018","format":false,"excerpt":"Nga Dhurata\u00a0 Hamzai. - \"Ekspozita n\u00eb Venecia e Vangjush Mios, piktorit impresionist shqiptar. 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