{"id":105019,"date":"2026-08-23T10:34:42","date_gmt":"2026-08-23T10:34:42","guid":{"rendered":"https:\/\/www.shqiperia.com\/blog\/?p=105019"},"modified":"2026-08-23T10:34:42","modified_gmt":"2026-08-23T10:34:42","slug":"bekimi-ylli-qe-nuk-shuhet-kurre","status":"publish","type":"post","link":"https:\/\/www.shqiperia.com\/blog\/bekimi-ylli-qe-nuk-shuhet-kurre\/","title":{"rendered":"Bekimi \u2013 ylli q\u00eb nuk shuhet kurr\u00eb"},"content":{"rendered":"
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Bekim Fehmiu<\/p><\/div>\n

23 Gusht 2026<\/h5>\n
Pas shfaqjes s\u00eb filmit amerikan, hit bot\u00ebror, \u201cThe Odyssey\u201d t\u00eb Christopher Nolanit, nga korriku i k\u00ebtij viti, me rolet kryesore Matt Damon, si Uliksi, dhe Anne Hathaway, si Penelopa, \u00ebsht\u00eb aktualizuar dhe \u00ebsht\u00eb ringjallur Bekim Fehmiu, ku emri i tij si Uliksi, nga seria televizive \u201cL\u2019Odissea\u201d e Franco Rosit, xhiruar m\u00eb 1968, po shk\u00eblqen m\u00eb shum\u00eb se at\u00ebher\u00eb dhe gati e ka nxjerr\u00eb n\u00eb hije k\u00ebt\u00eb film shum\u00eb t\u00eb shtrenjt\u00eb t\u00eb regjisorit Nolan me dy aktor\u00ebt kryesor\u00eb. Sepse Bekimi si Uliksi, dhe Irene Papas, si Penelopa, mbeten t\u00eb pap\u00ebrs\u00ebritsh\u00ebm. Emri i Bekimit s\u00ebrish po lakohet anemban\u00eb bot\u00ebs, n\u00eb shkrime e reagime t\u00eb shumta, n\u00eb favor t\u00eb fam\u00ebs s\u00eb tij prej artisti. Duket se edhe shum\u00eb shqiptar\u00eb t\u00eb gjeneratave m\u00eb t\u00eb reja, q\u00eb nuk e kan\u00eb shikuar serin\u00eb televizive italiane \u201cL\u2019Oddisea\u201d, tash po e shohin vler\u00ebn e Bekimit t\u00eb cilin e kan\u00eb harruar pushtetet si n\u00eb Prishtin\u00eb ashtu edhe n\u00eb Tiran\u00eb<\/h5>\n

Odiseu i v\u00ebrtet\u00eb<\/strong><\/p>\n

Ja si e b\u00ebn p\u00ebrshkrimin krahasues midis Bekim Fehmiut e Matt Damon publicisti dhe shkrimtari, Ben Blushi, n\u00eb analiz\u00ebn e gjat\u00eb t\u00eb filmit \u201cThe Odyssey\u201d t\u00eb Christopher Nolanit: \u201cN\u00eb krahasim me Bekim Fehmiun, Matt Damon duket si nj\u00eb balerin plastik q\u00eb ka frik\u00eb t\u00eb hidhet mbi dallg\u00ebt e koh\u00ebs. N\u00eb asnj\u00eb \u00e7ast mendja e tij dinake nuk thot\u00eb di\u00e7ka t\u00eb zgjuar, nuk zgjidh nj\u00eb kriz\u00eb, nuk krijon nj\u00eb befasi dhe nuk shkakton nj\u00eb furtun\u00eb. Matt Damon nuk \u00ebsht\u00eb asnj\u00ebher\u00eb shkaku. Ai \u00ebsht\u00eb pasoja e vendimeve q\u00eb marrin forcat e tjera. N\u00eb t\u00eb kund\u00ebrt Bekim Fehmiu \u00ebsht\u00eb shkaku i tragjedis\u00eb s\u00eb vet. Troja, grat\u00eb, luft\u00ebrat, tradhtit\u00eb, vuajtjet dhe aventurat jan\u00eb t\u00eb gjitha pasoj\u00eb e veprimeve t\u00eb tij. Odiseu k\u00ebrkon t\u00eb nd\u00ebshkohet p\u00ebr at\u00eb q\u00eb ka b\u00ebr\u00eb dhe i mbijeton nd\u00ebshkimeve duke ndryshuar vendimet e per\u00ebndive. Odiseu i Bekim Fehmiut i sfidon per\u00ebndit\u00eb. Kjo \u00ebsht\u00eb arsyeja pse ai i mbijetoi historis\u00eb. Sepse i detyroi per\u00ebndit\u00eb ta kthenin n\u00eb sht\u00ebpi kur e kuptuan se ai ishte i pathyesh\u00ebm. Matt Damon nuk ka asnj\u00eb nga k\u00ebto cil\u00ebsi. Ai duket si nj\u00eb Odise i penduar. N\u00ebse do t\u2019i jepej nj\u00eb mund\u00ebsi tjet\u00ebr ai nuk do t\u00eb b\u00ebnte m\u00eb asgj\u00eb nga gj\u00ebrat q\u00eb ka b\u00ebr\u00eb. Prandaj n\u00eb fund ik\u00ebn me gruan n\u00eb nj\u00eb muaj mjalti duke hedhur posht\u00eb jet\u00ebn q\u00eb ka b\u00ebr\u00eb. Pik\u00ebrisht k\u00ebtu ndryshon me Bekim Fehmiun. Bekimi nuk shfaq asnj\u00eb pendes\u00eb. Ai \u00ebsht\u00eb kok\u00ebfort\u00eb, i vendosur dhe e ka shijuar jet\u00ebn e vet. Ai nuk ka asnj\u00eb pishman. Do t\u00eb b\u00ebnte \u00e7do gj\u00eb q\u00eb ka b\u00ebr\u00eb pa ndryshuar asgj\u00eb. Ndryshe nga Matt Damon, Bekim Fehmiu luan, qesh, dashuron, tradhton, rr\u00ebzohet, ngrihet dhe niset drejt aventur\u00ebs s\u00eb re. Ai nuk ka frik\u00eb. Prandaj Bekim Fehmiu \u00ebsht\u00eb Odiseu m\u00eb i v\u00ebrtet\u00eb q\u00eb kemi par\u00eb. Ai \u00ebsht\u00eb Odiseu\u201d.<\/p>\n

Braktisi sken\u00ebn p\u00ebr shkak t\u00eb diskriminimit t\u00eb shqiptar\u00ebve n\u00eb Kosov\u00eb<\/strong><\/p>\n

Bekim Fehmiu ishte m\u00eb shum\u00eb se aktor, ishte artist me p\u00ebrkushtim t\u00eb madh profesional, njeri me kode t\u00eb rrepta njer\u00ebzore, profesionale, intelektuale e komb\u00ebtare. Me moral, parime, karakter, autoritet, integritet e kariz\u00ebm t\u00eb ve\u00e7ant\u00eb. Luft\u00ebtar i pathyesh\u00ebm, i vendosur, kok\u00ebfort\u00eb, i guximsh\u00ebm p\u00ebr t\u00eb v\u00ebrtet\u00ebn, lirin\u00eb, barazin\u00eb, humanizmin. P\u00ebr njeriun. Ngritja dhe fama e tij, e arritur n\u00eb suaza nd\u00ebrkomb\u00ebtare, ishte simbol i liris\u00eb artistike dhe i profesionalizmit suprem, me t\u00eb cilin p\u00ebrgjithmon\u00eb e sh\u00ebnjoi kinematografin\u00eb bot\u00ebrore.<\/p>\n

Bekimi, djali i kat\u00ebrt nga prind\u00ebrit shqiptar\u00eb t\u00eb Kosov\u00ebs, u lind n\u00eb Sarajev\u00eb, m\u00eb 1 qershor 1936, ku i b\u00ebri hapat e par\u00eb n\u00eb nj\u00eb mjedis multikulturor p\u00ebr ta vazhduar f\u00ebmij\u00ebrin\u00eb dhe rinin\u00eb e vet, deri n\u00eb mosh\u00ebn madhore, n\u00eb Prizren, gjithashtu mjedis multietnik e multikulturor. Dhe kjo p\u00ebrzierje unike e kulturave dhe etnive, ia formoi identitetin dhe m\u00eb von\u00eb edhe vizionin artistik.<\/p>\n

Bekimi u b\u00eb aktori i par\u00eb nga Evropa Lindore q\u00eb hyri n\u00eb Hollywood, duke e thyer k\u00ebshtu perden e hekurt t\u00eb Luft\u00ebs s\u00eb Ftoht\u00eb bllokiste, dhe tregoi se talenti suprem nuk njeh kufij. Derisa ishte student (i par\u00eb shqiptar nga Kosova) n\u00eb Akademin\u00eb p\u00ebr Teat\u00ebr e Film n\u00eb Beograd, debutoi me sukses n\u00eb nj\u00eb film artistik dhe luajti n\u00eb nj\u00eb film dokumentar (\u201cMinator\u00ebt e Trep\u00e7\u00ebs\u201d) e pas studimeve u pranua n\u00eb Teatrin Jugosllav t\u00eb Dram\u00ebs, po n\u00eb Beograd, si aktor i par\u00eb shqiptar me akademi, dhe vazhdoi t\u00eb angazhohet n\u00eb role dyt\u00ebsore e kryesore n\u00eb shum\u00eb filma n\u00eb Serbi, Kroaci, Bosnj\u00eb-Hercegovin\u00eb, Maqedoni… Por, roli i romit Beli Boro, n\u00eb filmin \u201cMbledh\u00ebsi i puplave\u201d, t\u00eb cilin Bekimi e luajti mjesht\u00ebrisht, n\u00eb Festivalin Nd\u00ebrkomb\u00ebtar t\u00eb Filmit n\u00eb Cannes, m\u00eb 1967, u shpall filmi m\u00eb i mir\u00eb nga kritika dhe publiku, dhe iu dha \u00e7mimi \u201cGrand Prix\u201d (por jo edhe \u201cPalma e Art\u00eb\u201d). Kjo ia hapi dyert e kinematografis\u00eb bot\u00ebrore.<\/p>\n

Nd\u00ebrkaq roli brilant dhe i pap\u00ebrs\u00ebritsh\u00ebm i Uliksit n\u00eb serin\u00eb italiane televizive \u201cL\u2019Odissea\u201d, realizuar nga RAI Uno, m\u00eb 1968, ia trasoi rrug\u00ebn e Hollywoodit dhe fam\u00ebn bot\u00ebrore, duke luajtur me sukses rolet kryesore n\u00eb disa filma, bashk\u00eb me emrat m\u00eb t\u00eb njohur t\u00eb aktor\u00ebve bot\u00ebror\u00eb t\u00eb koh\u00ebs. N\u00eb k\u00ebt\u00eb sukses, padyshim, merit\u00eb t\u00eb madhe ka mb\u00ebshtetja q\u00eb e gjente nga bashk\u00ebshortja Branka Petriq, gjithashtu aktore.<\/p>\n

Mir\u00ebpo, jeta e Bekimit kishte zigzage, ngritje dhe r\u00ebnie. Derisa shk\u00eblqente n\u00eb kulmin e karrier\u00ebs, Jugosllavia pas-titoiste, ku lindi dhe u rrit, po ndryshonte n\u00eb heshtje dhe n\u00eb prapasken\u00eb ve\u00e7 ndihej paralajm\u00ebrimi i stuhis\u00eb q\u00eb s\u00eb shpejti do ta godiste sht\u00ebpin\u00eb e tij.<\/p>\n

N\u00eb prill t\u00eb vitit 1987, Bekimi pas 20 vjet\u00ebsh iu kthye teatrit amnor n\u00eb Beograd, mir\u00ebpo me k\u00ebt\u00eb rast b\u00ebri nj\u00eb hap q\u00eb ia ndryshoi p\u00ebrgjithmon\u00eb jet\u00ebn. N\u00eb mes t\u00eb repriz\u00ebs s\u00eb shfaqjes \u201cMadam Kolontaj\u201d, ku luante Leninin dhe Stalinin, n\u00eb Teatrin Jugosllav t\u00eb Dram\u00ebs, u largua nga skena n\u00eb shenj\u00eb proteste kund\u00ebr diskriminimit t\u00eb shqiptar\u00ebve t\u00eb Kosov\u00ebs nga ana e pushtetit t\u00eb at\u00ebhersh\u00ebm serb, n\u00eb krye me politikanin kryesor partiak, Sllobodan Millosheviqin. Ky akt i guximsh\u00ebm dhe i rrall\u00eb p\u00ebr aktor\u00ebt, u b\u00eb q\u00ebndrimi i tij m\u00eb i fuqish\u00ebm kund\u00ebr padrejt\u00ebsive, dhun\u00ebs, diskriminimit dhe urrejtjes, kur artisti i madh zgjodhi njer\u00ebzoren para siguris\u00eb s\u00eb karrier\u00ebs s\u00eb vet. Bekimi nj\u00ebkoh\u00ebsisht dhe publikisht e braktisi edhe sken\u00ebn filmike n\u00eb hap\u00ebsir\u00ebn e ish- Jugosllavis\u00eb, dhe at\u00eb n\u00eb mosh\u00ebn 51-vje\u00e7are, por pa u ndalur vazhdoi t\u00eb luante n\u00eb filma dhe seri televizive italiane, kurse m\u00eb 1992 e luajti edhe nj\u00ebrin nga rolet kryesore n\u00eb projektin m\u00eb t\u00eb madh filmik t\u00eb koh\u00ebs \u201cGenghis Khan\u201d, t\u00eb regjisorit Ken Annakin e Peter Duffell, por q\u00eb p\u00ebr shkak t\u00eb munges\u00ebs s\u00eb mjeteve, filmi mbeti i pap\u00ebrfunduar.<\/p>\n

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\u00a0\u201cBekim Fehmiu \u00ebsht\u00eb Odiseu m\u00eb i v\u00ebrtet\u00eb…\u201d<\/figcaption><\/figure>\n

Nj\u00ebzet vjet izolim<\/strong><\/p>\n

Me rritjen e nacionalizmit ekstrem me elemente fashizmi, n\u00eb fund t\u00eb viteve tet\u00ebdhjet\u00eb q\u00eb filloi n\u00eb Serbi, Bekimi u b\u00eb figur\u00eb tragjike. Prejardhja e tij, shqiptar nga Kosova q\u00eb jetonte n\u00eb Beograd dhe e do gruan e nacionalitetit serb, e b\u00ebri sh\u00ebnjest\u00ebr t\u00eb ekstremist\u00ebve nga t\u00eb dyja an\u00ebt. P\u00ebr nacionalist\u00ebt serb\u00eb ai u b\u00eb i dyshimt\u00eb, nd\u00ebrsa shqiptar\u00ebt radikal\u00eb e shpall\u00ebn tradhtar duke ia mohuar t\u00eb gjitha vlerat njer\u00ebzore, artistike, komb\u00ebtare. Bekimi u t\u00ebrhoq n\u00eb izolim p\u00ebr plot 20 vjet, ku ideali i shoq\u00ebris\u00eb multietnike, ia la vendin urrejtjes. Dhe ky ishte fillimi i dhimbjes s\u00eb tij personale dhe artistike. K\u00ebshtu Bekimi u t\u00ebrhoq vullnetarisht n\u00eb heshtje e cila nuk ishte shenj\u00eb e dor\u00ebzimit, por akt i guximit t\u00eb lart\u00eb moral. Derisa shum\u00eb njer\u00ebz n\u00eb at\u00eb moment, p\u00ebrfshir\u00eb edhe artist\u00eb e intelektual\u00eb zgjodh\u00ebn an\u00ebt n\u00eb konflikte, t\u00eb udh\u00ebhequr nga frika ose interesi, ai zgjodhi dinjitetin. Bekimi nuk donte t\u2019i n\u00ebnshtrohej atmosfer\u00ebs e cila e mbyste njer\u00ebzoren. P\u00ebr t\u00eb, t\u00eb jesh aktor n\u00ebnkuptonte, para s\u00eb gjithash, t\u00eb jesh njeri. E t\u00eb mbetesh njeri do t\u00eb thot\u00eb t\u00eb t\u00ebrhiqesh n\u00eb vetmi. Izolimi ishte nj\u00eb \u00e7mim i r\u00ebnd\u00eb, por Bekimi mbeti besnik ndaj nd\u00ebrgjegjes s\u00eb vet. Ky gjest mbetet i sh\u00ebnuar si momenti kur kolosi e sakrifikoi me vet\u00ebdije shk\u00eblqimin e karrier\u00ebs, p\u00ebr hir t\u00eb ruajtjes s\u00eb integritetit t\u00eb vet.<\/p>\n

Vitet e fundit t\u00eb jet\u00ebs s\u00eb Bekimit u p\u00ebrshkuan me sfida t\u00eb v\u00ebshtira dhe probleme sh\u00ebndet\u00ebsore. Pas nj\u00eb goditjeje n\u00eb tru, Bekimi u p\u00ebrball me humbjen e pavar\u00ebsis\u00eb fizike. P\u00ebr nj\u00eb njeri me at\u00eb energji, krenari dhe vitalitet artistik, kjo ishte vuajtje e padurueshme. Megjithat\u00eb, pafuqia fizike ishte vet\u00ebm nj\u00ebra an\u00eb e medaljes. Ajo shpirt\u00ebrorja ishte shum\u00eb m\u00eb e r\u00ebnd\u00eb. Kjo betej\u00eb e brendshme ishte e heshtur, por d\u00ebrmuese. Shikonte se si vlerat e tij jet\u00ebsore, t\u00eb cilat i kishte mbrojtur gjith\u00eb jet\u00ebn, po shnd\u00ebrrohen n\u00eb rr\u00ebnoja. Nuk deshi t\u2019i b\u00ebhej barr\u00eb bashk\u00ebshortes Branka Petriq, as dy bijve t\u00eb vet, e as q\u00eb mundi ta pranoj\u00eb jet\u00ebn pa at\u00eb aksion dinjitoz q\u00eb e pati p\u00ebrkufizuar p\u00ebrher\u00eb. Ishte kjo lufta p\u00ebr ruajtjen e dinjitetit personal, ku \u00e7do dit\u00eb ishte p\u00ebrkujtuese p\u00ebr at\u00eb q\u00eb ka kaluar, por edhe p\u00ebr gjurm\u00ebn e pashlyeshme q\u00eb kishte l\u00ebn\u00eb n\u00eb kinematografin\u00eb jugosllave, italiane e bot\u00ebrore.<\/p>\n

N\u00eb heshtjen me t\u00eb cil\u00ebn jetonte, Bekimi u p\u00ebrball me pyetjen ekzistenciale: A kishte v\u00ebrtet arti fuqin\u00eb p\u00ebr ta ndryshuar bot\u00ebn, apo ishte vet\u00ebm iluzion i bukur? Pik\u00ebllimi i tij nuk ishte vet\u00ebm personal, ishte pik\u00ebllim i nj\u00eb intelektuali q\u00eb sheh se si arsyeja po shuhet. Nuk ndiente zem\u00ebrim ndaj atyre q\u00eb e kishin harruar, as ndaj atyre q\u00eb e kishin etiketuar, por nj\u00eb melankoli t\u00eb thell\u00eb p\u00ebr njer\u00ebzoren e humbur. Bekimi u b\u00eb rob i kujtimeve; i kujtimeve p\u00ebr duartrokitjet n\u00eb Kan\u00eb, p\u00ebr xhirimet n\u00eb Itali, p\u00ebr Hollywoodin, p\u00ebr f\u00ebmij\u00ebrin\u00eb e ngroht\u00eb n\u00eb Prizren. Dhe derisa koha kalonte, e kuptoi se bota n\u00eb t\u00eb cil\u00ebn kishte jetuar, nuk ekzistonte m\u00eb.<\/p>\n

Largimi i tij nga kjo bot\u00eb, m\u00eb 15 qershor 2010, me vet\u00ebvrasje, nuk ishte vet\u00ebm fundi i nj\u00eb jete, por edhe r\u00ebnia simbolike e perdes s\u00eb nj\u00eb epok\u00eb t\u00eb madhe n\u00eb kultur\u00ebn jugosllave ku dha kontribut t\u00eb madh, por edhe n\u00eb at\u00eb italiane, ku luajti n\u00eb 18 filma e seri televizive, por edhe evropiane e bot\u00ebrore. Ai \u00e7ast, thell\u00ebsisht i dhimbsh\u00ebm p\u00ebr familjen e tij dhe gjith\u00eb dashamir\u00ebt e artit t\u00eb tij, la boshll\u00ebkun i cili v\u00ebshtir\u00eb mund t\u00eb mbushet. Largimi i tij nga kjo bot\u00eb ishte finalja e betej\u00ebs s\u00eb gjat\u00eb dhe t\u00eb v\u00ebshtir\u00eb me demon\u00ebt e brendsh\u00ebm, me problemet sh\u00ebndet\u00ebsore pas goditjes n\u00eb tru dhe, ndoshta, m\u00eb s\u00eb shumti me bot\u00ebn q\u00eb nuk e njihte m\u00eb, idealet p\u00ebr t\u00eb cilat ai u angazhua gjith\u00eb jet\u00ebn.<\/p>\n

N\u00eb letr\u00ebn lamtumir\u00ebse drejtuar bashk\u00ebshortes Branka Petriq, djemve \u2013 Uliksit e Hedonit dhe v\u00ebllez\u00ebrve, nuk kishte vend p\u00ebr urrejtje apo pez\u00ebm. Ishte nj\u00eb mesazh i mbushur me dashuri, me k\u00ebrkim-falje t\u00eb thell\u00eb p\u00ebr dhimbjen q\u00eb po u shkakton me aktin e vet, dhe me lutje p\u00ebr mir\u00ebkuptim. Ajo let\u00ebr \u00ebsht\u00eb dokument i nj\u00eb zemre t\u00eb thyer q\u00eb nuk kishte m\u00eb fuqi ta bartte pesh\u00ebn e kujtimeve p\u00ebr nj\u00eb bot\u00eb q\u00eb ishte shp\u00ebrb\u00ebr\u00eb n\u00eb gjak dhe urrejtje. Bekimi nuk deshi q\u00eb largimi i tij t\u00eb b\u00ebhet objekt sensacioni. Ai donte vet\u00ebm paqe: paqe me vetveten dhe me tjer\u00ebt. Dhe at\u00eb paqe, fatkeq\u00ebsisht, ka mundur ta gjej\u00eb vet\u00ebm n\u00eb an\u00ebn tjet\u00ebr t\u00eb jet\u00ebs, duke l\u00ebn\u00eb prapa vetes ikon\u00ebn e shnd\u00ebrruar n\u00eb legjend\u00eb, respektivisht n\u00eb Yll Polar, q\u00eb do ta kujtojm\u00eb p\u00ebr rolet e m\u00ebdha, p\u00ebr q\u00ebndrimin e tij fisnik dhe p\u00ebr nj\u00eb pik\u00ebllim t\u00eb pashlyesh\u00ebm q\u00eb u b\u00eb pjes\u00eb e biografis\u00eb s\u00eb tij.<\/p>\n

Kthimi n\u00eb vendin e f\u00ebmij\u00ebris\u00eb dhe t\u00eb rinis\u00eb<\/strong><\/p>\n

Me aktin e tij, Bekimi tregoi edhe di\u00e7 shum\u00eb dometh\u00ebn\u00ebse: \u00e7do njeri, sado larg t\u00eb endet n\u00ebp\u00ebr bot\u00eb, sado lart t\u00eb ngjitet n\u00eb majat e fam\u00ebs bot\u00ebrore, n\u00eb thell\u00ebsin\u00eb e shpirtit t\u00eb vet p\u00ebrher\u00eb e bart nj\u00eb hart\u00eb t\u00eb vendit ku e ka kaluar f\u00ebmij\u00ebrin\u00eb dhe rinin\u00eb. P\u00ebr t\u00eb, ajo hart\u00eb nuk ishte vet\u00ebm nocion gjeografik. Ishte qyteti i Prizrenit t\u00eb lasht\u00eb, ishte era dhe gurgullima e Lumbardhit, i njohur si Bistrica n\u00eb koh\u00ebn e tij, kur aty af\u00ebr banonte me prind\u00ebrit, dhe gjat\u00eb ver\u00ebs lahej n\u00eb lum\u00eb, tek Marashi. Ai lum\u00eb nuk ishte vet\u00ebm nj\u00eb rrjedh\u00eb uji, ishte djepi i kujtimeve t\u00eb tij m\u00eb t\u00eb hershme, d\u00ebshmitar i \u00ebndrrave t\u00eb para dhe \u00a0ruajt\u00ebs i virgj\u00ebris\u00eb, p\u00ebrpara se fama dhe jeta ta formonin.<\/p>\n

Bekimi ishte njeri bot\u00ebror n\u00eb kuptimin e plot\u00eb t\u00eb fjal\u00ebs, poliglot q\u00eb fliste n\u00ebnt\u00eb gjuh\u00eb, dhe derisa nga jasht\u00eb vepronte si kozmopolit pa kufij, brenda gjithmon\u00eb mbante at\u00eb djaloshin nga Prizreni q\u00eb d\u00ebgjonte gurgullim\u00ebn e Bistric\u00ebs. Ai lum\u00eb ishte konstanta e tij, refreni i qet\u00eb n\u00eb simfonin\u00eb boshe t\u00eb jet\u00ebs s\u00eb tij. D\u00ebshira e tij e fundit q\u00eb hiri i trupit t\u00eb tij t\u00eb hidhet pik\u00ebrisht n\u00eb uj\u00ebrat e k\u00ebtij lumi, nuk ishte vet\u00ebm vullnet testamentar, por akt thell\u00ebsisht simbolik i pajtimi. Pajtimi me vetveten, me t\u00eb kaluar\u00ebn e vet dhe me identitetin q\u00eb shpesh ishte i mohuar n\u00eb koh\u00ebt kur urrejtja e tejkalonte arsyen. Me hedhjen e hirit n\u00eb at\u00eb lum\u00eb, ai nuk u humb, ai u kthye. U kthye n\u00eb p\u00ebrqafimin e asaj q\u00eb kurr\u00eb nuk pushoi s\u00eb dashuruari, n\u00eb f\u00ebmij\u00ebrin\u00eb e vet. Kjo ishte fitorja e shpirtit mbi kalimtaren. Uji i Bistric\u00ebs, q\u00eb me shekuj rrjedh n\u00ebp\u00ebr Prizren, u b\u00eb sht\u00ebpi e p\u00ebrhershme p\u00ebr njeriun i cili k\u00ebrkonte paqe n\u00eb bot\u00ebn q\u00eb ishte b\u00ebr\u00eb tep\u00ebr e trazuar p\u00ebr shpirtin e tij artistik dhe i cili Prizrenit, q\u00eb aq shum\u00eb e deshi, i shkroi Od\u00ebn si askush deri m\u00eb sot, n\u00eb librin e vet t\u00eb kujtimeve \u201cE shk\u00eblqyeshme dhe e tmerrshme\u201d.<\/p>\n

\"\"

Bekim Fehmiu Irena Papas<\/p><\/div>\n

N\u00ebse e v\u00ebshtrojm\u00eb k\u00ebt\u00eb akt p\u00ebrmes prizmit t\u00eb koh\u00ebs, kuptojm\u00eb se ishte dialogu m\u00eb i sinqert\u00eb q\u00eb nj\u00eb njeri mund t\u00eb realizonte me rr\u00ebnj\u00ebt e veta. Sepse, derisa uj\u00ebrat vazhdojn\u00eb t\u00eb rrjedhin, ata bartin nj\u00eb pjes\u00eb t\u00eb Bekimit drejt deteve e oqeaneve t\u00eb larg\u00ebta. Por shpirti i tij mbetet i ankoruar aty, ku ve\u00e7 pati nisur. Kjo na m\u00ebson nj\u00eb leksion t\u00eb r\u00ebnd\u00ebsish\u00ebm: dinjiteti nuk q\u00ebndron n\u00eb faktin si e p\u00ebrfundojm\u00eb suksesin ton\u00eb, por n\u00eb at\u00eb n\u00ebse mund t\u00eb mbetemi besnik\u00eb ndaj asaj q\u00eb kemi qen\u00eb n\u00eb fillim. Duke shikuar ato skena, nuk mund t\u00eb mos ndiejm\u00eb mall, pik\u00ebllim por edhe leht\u00ebsi. Leht\u00ebsi, sepse Bekimi nuk ishte m\u00eb i ngarkuar as me etiketa, as me ndarje, as me pesh\u00ebn e paragjykimeve t\u00eb t\u00eb tjer\u00ebve. Vet\u00ebm ishte i lir\u00eb. Iu kthye lumit, iu kthye n\u00ebn\u00ebs natyr\u00eb, iu kthye heshtjes q\u00eb e kishte k\u00ebrkuar aq gjat\u00eb. Jeta e tij, e shkruar n\u00eb ekran, n\u00eb sken\u00eb dhe n\u00eb jet\u00eb, me k\u00ebt\u00eb akt e mori form\u00ebn e vet t\u00eb rrumbullakuar.<\/p>\n

Ai na la si amanet q\u00eb, pavar\u00ebsisht stuhive q\u00eb na p\u00ebrcjellin, t\u00eb mos harrojm\u00eb kurr\u00eb nga ku jemi nisur. Ngase atje, n\u00eb at\u00eb burim t\u00eb virgj\u00ebris\u00eb son\u00eb, q\u00ebndron p\u00ebrgjigjja n\u00eb pyetjen \u2013 kush jemi n\u00eb t\u00eb v\u00ebrtet\u00eb? Prandaj, le ta k\u00ebndoj\u00eb gjithmon\u00eb Bistrica k\u00ebng\u00ebn e vet p\u00ebr nder t\u00eb tij, sepse ai nuk ishte vet\u00ebm aktor, por kronist i nj\u00eb kohe, nj\u00ebri nga ata njer\u00ebz t\u00eb rrall\u00eb q\u00eb pat\u00ebn guximin t\u00eb ishin vetvetja, madje edhe kur ky ishte roli m\u00eb i v\u00ebshtir\u00eb i mundsh\u00ebm n\u00eb jet\u00ebn e tyre. Kthimi i tij lumit t\u00eb f\u00ebmij\u00ebris\u00eb \u00ebsht\u00eb p\u00ebrkujtues p\u00ebr t\u00eb gjith\u00eb ne q\u00eb ta k\u00ebrkojm\u00eb paqen ton\u00eb. T\u2019i kultivojm\u00eb rr\u00ebnj\u00ebt tona dhe, n\u00eb fund t\u00eb dit\u00ebs, ta gjejm\u00eb at\u00eb vend ku shpirti yn\u00eb ndihet m\u00eb i sigurt.<\/p>\n

N\u00eb p\u00ebrfundim t\u00eb k\u00ebtij shkrimi t\u00eb shkurt\u00ebr mbi k\u00ebt\u00eb histori prek\u00ebse dhe komplekse mbi jet\u00ebn dhe vepr\u00ebn e ikon\u00ebs s\u00eb filmit t\u00eb quajtur Bekim Fehmiu, nuk mund t\u00eb mos shtrohet pyetja: \u00c7far\u00eb e b\u00ebn v\u00ebrtet nj\u00eb artist t\u00eb madh e t\u00eb pavdeksh\u00ebm? Kan\u00eb kaluar shum\u00eb vjet nga momenti kur ky kolos e braktisi sken\u00ebn, por emri i tij, si ylli q\u00eb vazhdon t\u00eb shk\u00eblqej\u00eb edhe kur shuhet, ende jehon n\u00eb korridoret e historis\u00eb s\u00eb filmit. Sepse, Bekimi nuk ishte vet\u00ebm aktor\/artist, ai ishte vertikalja dhe horizontalja morale e nj\u00eb kohe, simboli i njeriut i cili refuzoi artin e vet ta kthej\u00eb n\u00eb mall p\u00ebr pazar, kurse q\u00ebndrimet e veta n\u00eb veg\u00ebl politike. Karriera e tij, nga rrug\u00ebt me pluhur t\u00eb Prizrenit deri te sallat m\u00eb prestigjioze t\u00eb studiove filmike t\u00eb Hollywoodit, ishte rrug\u00ebtim i njeriut i cili ashtu e k\u00ebrkoi lirin\u00eb mbi t\u00eb gjitha. Largimi i tij nuk ishte fundi, por \u00e7asti kur historia e tij pushoi s\u00eb qeni vet\u00ebm biografi dhe u b\u00eb mit. Kur i b\u00ebjm\u00eb nj\u00eb v\u00ebshtrim jet\u00ebs s\u00eb tij, nuk shohim vet\u00ebm tragjedin\u00eb e vetmis\u00eb apo thyerjen e idealeve, ve\u00e7 e shohim guximin e madh. Guximin p\u00ebr t\u00eb th\u00ebn\u00eb JO kur shumica hesht. Guximin p\u00ebr t\u00eb ruajtur integritetin, kur t\u00eb gjith\u00eb e shesin p\u00ebr \u00e7astin e fam\u00ebs.<\/p>\n

Me k\u00ebt\u00eb, Bekimi na ka m\u00ebsuar se dinjiteti \u00ebsht\u00eb e vetmja pasuri t\u00eb cil\u00ebn askush nuk mund t\u00eb na e marr\u00eb, pavar\u00ebsisht sa \u00ebsht\u00eb mizore bota p\u00ebrreth nesh. Trash\u00ebgimia e tij nuk \u00ebsht\u00eb vet\u00ebm n\u00eb filma q\u00eb la pas, por n\u00eb at\u00eb p\u00ebrkujtuesin pa zhurm\u00eb ama t\u00eb fuqish\u00ebm, se artisti duhet t\u00eb jet\u00eb para se gjithash njeri me ndjenja, i drejt\u00eb dhe konsekuent ndaj vetes. Prandaj, filozofia e tij e jet\u00ebs, e thurur n\u00eb \u00e7do gjest dhe n\u00eb \u00e7do rol, mbetet udh\u00ebrr\u00ebfyes dhe d\u00ebshmoi se madh\u00ebshtia nuk q\u00ebndron n\u00eb at\u00eb sa fluturojm\u00eb lart, por sa q\u00ebndrojm\u00eb fuqish\u00ebm mbi tok\u00eb, kur nisin t\u00eb fryjn\u00eb stuhit\u00eb e m\u00ebdha.<\/p>\n<\/div>\n

\n
Gazeta Koha, Prishtin\u00eb<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

23 Gusht 2026 Pas shfaqjes s\u00eb filmit amerikan, hit bot\u00ebror, \u201cThe Odyssey\u201d t\u00eb Christopher Nolanit, nga korriku i k\u00ebtij viti, me rolet kryesore Matt Damon, si Uliksi, dhe Anne Hathaway, si Penelopa, \u00ebsht\u00eb aktualizuar dhe \u00ebsht\u00eb ringjallur Bekim Fehmiu, ku emri i tij si Uliksi, nga seria televizive \u201cL\u2019Odissea\u201d e Franco Rosit, xhiruar m\u00eb 1968, […]<\/p>\n","protected":false},"author":9,"featured_media":105020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87,27,85,10,35,86],"tags":[],"class_list":["post-105019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-blogu-i-udhetarit","category-histori","category-kultura","category-shoqerore","category-trashegimi-kulturore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.shqiperia.com\/blog\/wp-content\/uploads\/2026\/08\/67031b6d-1f8b-48fc-8433-2ab7c02edac7.webp?fit=800%2C550&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5Z6wp-rjR","jetpack-related-posts":[{"id":103364,"url":"https:\/\/www.shqiperia.com\/blog\/odisea-i-matt-damon-dhe-odisea-i-bekim-fehmiut\/","url_meta":{"origin":105019,"position":0},"title":"ODISEA I MATT DAMON DHE ODISEA I BEKIM FEHMIUT","author":"Kurt Farka","date":"July 28, 2026","format":false,"excerpt":"28 Korrik 2026 Nga Ben Blushi Dy dit\u00ebt e fundit pash\u00eb dy Odise. 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